Alon Marcus Posted November 25, 2004 Report Posted November 25, 2004 (edited) There seems to be a consensus (at least in my family!) about this guy. Everybody loves and have respect for his playing. Ron Carter has an immense and an impressive list as sideman but he also has terrific solo albums. I'll be glad to here recommendations and opinions on him. One of his latest efforts is "Golden Striker". The album was recorded in the summer of 2002 and it has Mulgrew Miller on piano (great player, and he deserves his own thread) and Russell Malone on guitar. It can be thought as commercial jazz because: 1. The album contains another version of the famous "Adagio" from Aranjues and "Autumn Leaves" (probably the most worn out sentimental tunes) 2. It has an easy going feeling like in the best Oscar Peterson records in this format (IMHO - a virtue!) Nevertheless this is a good and solid mainstream album. All players are in top form. Robert Freedman arranged all the songs. By the way – the cd is copy controlled. Edited November 25, 2004 by ztrauq22 Quote
BFrank Posted November 25, 2004 Report Posted November 25, 2004 I always enjoyed this album. A solid quartet with Kenny Barron, Ben Riley and Buster Williams. Definitely an unusual lineup with 2 bass players - but it works. Quote
Noj Posted November 25, 2004 Report Posted November 25, 2004 (edited) As a leader, I enjoy Uptown Conversation with Herbie Hancock, Hubert Laws, Grady Tate/Billy Cobham. As a sideman, he is on a number of my all-time favorite albums including Herbie Hancock's Empyrean Isles and Joe Henderson's Mode For Joe. Edited November 25, 2004 by Noj Quote
jlhoots Posted November 25, 2004 Report Posted November 25, 2004 Obviously a key part of Miles 2nd great quintet. Quote
mikeweil Posted November 25, 2004 Report Posted November 25, 2004 I always enjoyed this album. A solid quartet with Kenny Barron, Ben Riley and Buster Williams. Definitely an unusual lineup with 2 bass players - but it works. That was a great band that's best represented on this album - the double LP had one more track. Carter's on so many albums it's hard to pick one, but I very much enjoyed his humorous bluesy solos on McCoy Tyner's "Extensions" (Blue Note) and Alice Coltrane's "Ptah the El Daoud" (Impulse). The best of his CTI LPs, "All Blues" with Joe Henderson and Roland Hanna, still awaits a CD reissue - hard to understand. Quote
Jim R Posted November 25, 2004 Report Posted November 25, 2004 If you like, or are at all curious about Brazilian music, I would highly recommend this 2003 Chesky CD: Carter's brazilian roots go way back (he also recorded with Jobim in the 60's/70's). Rosa Passos is one of the greatest of contemporary brazilian artists. Quote
Guy Berger Posted November 25, 2004 Report Posted November 25, 2004 You can hear Ron Carter torturing a cello on McCoy Tyner's Expansions. Guy Quote
mikeweil Posted November 26, 2004 Report Posted November 26, 2004 You can hear Ron Carter torturing a cello on McCoy Tyner's Expansions. That's why he had this piccolo bass made ... Quote
BFrank Posted November 26, 2004 Report Posted November 26, 2004 The best of his CTI LPs, "All Blues" with Joe Henderson and Roland Hanna, still awaits a CD reissue - hard to understand. Yeah, that's good, too. I forgot about that one, but I still have it (vinyl, that is). Quote
marcello Posted November 27, 2004 Report Posted November 27, 2004 Ron lays down some SERIOUS funk on Joey Baron's 'Down Home' along with Arthur Blythe and Bill Frisell. Its on Intuition Music and Media Intuition Mucic & Media /Songtone I had never heard of it before but Ron turned on our mutual friend, vibraphonist Joe Locke, to it. It smokes! Quote
Michael Fitzgerald Posted November 27, 2004 Report Posted November 27, 2004 Kenny Barron told me he couldn't stand the Piccolo album because of the out of tune piano. I do think it's the best thing that quartet did, though. Mike Quote
Alon Marcus Posted November 27, 2004 Author Report Posted November 27, 2004 When I first heard the Piccolo album I thought it was unbalanced. I changed my mind after hearing almost the same team on Pick 'Em. Riley, Barron and Williams are enhanced with 4 celli. Don't remember noticing an out of tune piano on Piccolo. Anyway IMHO Pick 'Em is a bit better. Quote
BFrank Posted November 27, 2004 Report Posted November 27, 2004 Kenny Barron told me he couldn't stand the Piccolo album because of the out of tune piano. I do think it's the best thing that quartet did, though. Mike Now that you mention it, it does sound slightly out of tune........but that's OK. It actually works in a weird sort of way. I wouldn't expect Barron to agree, since I suspect he's somewhat of a perfectionist. Quote
brownie Posted November 27, 2004 Report Posted November 27, 2004 Preferred Ron Carter remains his debut album 'Where?' on New Jazz. Because of Eric Dolphy! Quote
Swinger Posted November 29, 2004 Report Posted November 29, 2004 I always enjoyed this album. A solid quartet with Kenny Barron, Ben Riley and Buster Williams. Definitely an unusual lineup with 2 bass players - but it works. This one is great.Another goodie is Third Plane. Quote
Brandon Burke Posted November 29, 2004 Report Posted November 29, 2004 Preferred Ron Carter remains his debut album 'Where?' on New Jazz. Because of Eric Dolphy! Quote
Alon Marcus Posted December 6, 2004 Author Report Posted December 6, 2004 Still listening to the wonderfull compilation: Pick 'Em/Super strings. What I like there the most is 1. Ron's compositions 2. Kenny Barron's playing. ...also here are two previous threads about him http://www.organissimo.org/forum/index.php...indpost&p=42714 http://www.organissimo.org/forum/index.php...indpost&p=54753 Quote
JohnS Posted December 6, 2004 Report Posted December 6, 2004 I'd go for "All Blues" too. Nice Joe Henderson for good measure. Quote
marcoliv Posted December 7, 2004 Report Posted December 7, 2004 Telephone with Jim Hall is great Marcus Quote
kinuta Posted December 7, 2004 Report Posted December 7, 2004 Nobody has mentioned the great ' The Bass And I'. Try to get the Somethin' Else copy if possible, the mastering is better than the Blue Note one. Another good one is 'Holiday In Rio' which is not, as the title might imply, a bossa nova session, but a great grooving live session,recorded, mysteriously, in mono. Quote
marcoliv Posted December 7, 2004 Report Posted December 7, 2004 as a sideman, i love his playing on The Other Side Of Abbey Road Ron is scheduled to perform here in January/05... Marcus Quote
Drew Peacock Posted July 20, 2009 Report Posted July 20, 2009 I have always been fond of his Orefu recording but in all honesty I've not heard a peep out of him in a few years. I went to his website which shows that he's still very active but in semi-retirement. I see that Dan Ouellette penned his biography - is this a worthwhile read? What is the consensus on his 2006 recording Dear Miles? Has he stopped playing free? AllMusic.com rates his recordings all over the map but with very few 4 and 5 star ratings. Is it because of his compositions that he's not higher rated? Quote
Hot Ptah Posted July 20, 2009 Report Posted July 20, 2009 I have always liked his playing on this album. Quote
Aggie87 Posted July 20, 2009 Report Posted July 20, 2009 Preferred Ron Carter remains his debut album 'Where?' on New Jazz. Because of Eric Dolphy! Picked this up in the recent Concord sale, and dig it too! Quote
clifford_thornton Posted July 20, 2009 Report Posted July 20, 2009 I picked up a copy of James Spaulding's Brilliant Corners CD on Muse recently. Carter's in fine form here, with Marcus Miller & Kenny Washington also in the rhythm section. Miller's kind of florid for my taste normally, but he's not too distracting here and it's a pretty fiery date. Quote
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