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Congas. A Poll.  

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Posted

All those possible responses , and not one I can use! :g

How about - "If it's integral to the music, yes. If it's not, but it's good players, maybe. If it's just some wankerism, no. And if it's a Latin date, it damn well BETTER have congas, and preferably more!"

Posted

All those possible responses , and not one I can use! :g

Hee hee. What Jim said (the not quoted as well.)

Though I can't think of specifics there are 1 or 2 Blue Note hard bop dates where the conga presence makes me roll my eyes, as if they're tacked on as an afterthought. At least I think there are...maybe my opinion would change during another listening.

On the other side of the spectrum, I can't imagine Fred Anderson's The Missing Link without Adam Rudolph's percussion. Yeah, a lot more than just congas in the mix that are adding to the listening pleasure, but they are certainly a part of it. It seems like each time I listen to that album I think that I should try to track down more albums with him on them but I too quickly forget. Such is the fate of the too quickly forgotten percussionist!

Posted

I like Congas myself but I'm buying a cd not just because it has them. If you like the Afro Cuban sound, more likely than not, you'll buy a cd with 'em.

Odd choice for a poll, though.

Posted

I like congas; love the groove. I don't doubt that they're unsuitable for some sessions but I've never yet heard one.

I also like sabars, which are slightly bigger and are played with sticks. To see a couple of sabar drummers playing their pairs of sabars in unison is to watch a tremendously exciting drum choreography.

MG

Posted (edited)

The third choice was the one that suited me best.

Wonder what Dr. Zaragemca would say about this? (AAJers know what I'm talkin' bout).

Edited by jazzbo
Posted (edited)

I also like sabars, which are slightly bigger and are played with sticks.

I'm afraid you're confusing congas and bongos here - Sabars, or Sabhars, as their name is pronounced correctly, are smaller than congas.

This pic shows three congas on stands with a pair of bongos mounted on top, so you can see the size relations:

latino_conga.jpg

Here are some old style congueros:

congas2.jpg

Here are sabar players to give an idea of the drum size:

sabar_wolof_.jpg

(should be an interesting CD, BTW: Sabar Wolof-Dance Drumming Of Senegal)

On an average, sabar drums are smaller than conga drums.

Edited by mikeweil
Posted

quote name='JSngry' date='May 8 2006, 10:52 AM' post='505074']

All those possible responses , and not one I can use! :g

How about - "If it's integral to the music, yes. If it's not, but it's good players, maybe. If it's just some wankerism, no. And if it's a Latin date, it damn well BETTER have congas, and preferably more!"

Posted

I also like sabars, which are slightly bigger and are played with sticks.

I'm afraid you're confusing congas and bongos here - Sabars, or Sabhars, as their name is pronounced correctly, are smaller than congas.

This pic shows three congas on stands with a pair of bongos mounted on top, so you can see the size relations:

latino_conga.jpg

Here are some old style congueros:

congas2.jpg

Here are sabar players to give an idea of the drum size:

sabar_wolof_.jpg

(should be an interesting CD, BTW: Sabar Wolof-Dance Drumming Of Senegal)

On an average, sabar drums are smaller than conga drums.

Thanks Mike. I got a different impression from the bands which I saw using them, maybe because they were in racks, so appearing taller than they really are (and allowing the drummers freedom for the choreography).

MG

Posted

Bob Neloms, who played piano on a lot of the early Motown recordings, told me that he felt one of the secrets of the Motown musical formula was that they used congas buried in the mix - he felt that this was a subliminal element that gave the Motown sides an extra kick - it's been a long time since I really listend to Motown, but I found this interesting, sort of like musical brainwashing -

Posted

Bob Neloms, who played piano on a lot of the early Motown recordings, told me that he felt one of the secrets of the Motown musical formula was that they used congas buried in the mix - he felt that this was a subliminal element that gave the Motown sides an extra kick - it's been a long time since I really listend to Motown, but I found this interesting, sort of like musical brainwashing -

And not unlike the use of handclaps.

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