Shawn Posted May 23, 2008 Report Share Posted May 23, 2008 I don't know if I'm the only one out there who hates these things...but everytime I hear one on a jazz recording it makes my SKIN CRAWL! Some instruments just don't lend themselves well and these things always sounded like a succession of out of tune doorbells strung together. Yuck! Quote Link to comment Share on other sites More sharing options...
Dan Gould Posted May 23, 2008 Report Share Posted May 23, 2008 I don't know if I'm the only one out there who hates these things...but everytime I hear one on a jazz recording it makes my SKIN CRAWL! Some instruments just don't lend themselves well and these things always sounded like a succession of out of tune doorbells strung together. Yuck! But have you heard Gene Harris play celeste on those early Three Sounds records? Quote Link to comment Share on other sites More sharing options...
Shawn Posted May 23, 2008 Author Report Share Posted May 23, 2008 But have you heard Gene Harris play celeste on those early Three Sounds records? Gene should've known better! Quote Link to comment Share on other sites More sharing options...
mikelz777 Posted May 23, 2008 Report Share Posted May 23, 2008 Paul Chambers using a bow.....why? Quote Link to comment Share on other sites More sharing options...
Shawn Posted May 23, 2008 Author Report Share Posted May 23, 2008 Paul Chambers using a bow.....why? 95% of the time I agree with that, but I really like the opening track on Bass On Top. Quote Link to comment Share on other sites More sharing options...
randyhersom Posted May 23, 2008 Report Share Posted May 23, 2008 Moon Maiden! Listen here my dear. Quote Link to comment Share on other sites More sharing options...
Man with the Golden Arm Posted May 23, 2008 Report Share Posted May 23, 2008 and a bottle of harpsichord remover would do nicely for this. Quote Link to comment Share on other sites More sharing options...
AllenLowe Posted May 23, 2008 Report Share Posted May 23, 2008 Profoundly Blue - Charlie Christian with Meade Lux Lewis on celeste - Quote Link to comment Share on other sites More sharing options...
Alexander Posted May 23, 2008 Report Share Posted May 23, 2008 Basie did some recordings on celeste, if I recall correctly. I dunno, I always liked it. I think it has a cool sound. Quote Link to comment Share on other sites More sharing options...
7/4 Posted May 23, 2008 Report Share Posted May 23, 2008 Basie did some recordings on celeste, if I recall correctly. I dunno, I always liked it. I think it has a cool sound. what he said. Quote Link to comment Share on other sites More sharing options...
Ed S Posted May 23, 2008 Report Share Posted May 23, 2008 (edited) I don't know if I'm the only one out there who hates these things...but everytime I hear one on a jazz recording it makes my SKIN CRAWL! Some instruments just don't lend themselves well and these things always sounded like a succession of out of tune doorbells strung together. Yuck! Thanks for posting the picture - I've never even bothered to find out what one of those things looks like. Don't know about the Basie recordings - that's probably because whenever I see the word celeste I usually run as fast and far as I can in the opposite direction. Gotta go!!!!!!! Edited May 23, 2008 by Ed Swinnich Quote Link to comment Share on other sites More sharing options...
JohnS Posted May 23, 2008 Report Share Posted May 23, 2008 Usually a turn off for me too. Hate that tinkling even if it's Duke Pearson doing it. Quote Link to comment Share on other sites More sharing options...
Dave James Posted May 23, 2008 Report Share Posted May 23, 2008 If I'm unfortunate enough to have to put up with a celeste, I try very hard to pretend I'm listening to someone playing the vibes. Mostly, it doesn't help. I agree with others who have already weighed in...why? Same thoughts on a Chambers' bowed bass solo. As I've said before, it sounds like somebody's getting mugged at the end of an alley. Up over and out. Quote Link to comment Share on other sites More sharing options...
RDK Posted May 23, 2008 Report Share Posted May 23, 2008 I read the thread title as "Catesta... why?" and was wondering what Chris did this time! Quote Link to comment Share on other sites More sharing options...
aparxa Posted May 23, 2008 Report Share Posted May 23, 2008 Celeste on the original Pannonica suits pretty well to the track imo. Quote Link to comment Share on other sites More sharing options...
The Magnificent Goldberg Posted May 23, 2008 Report Share Posted May 23, 2008 Ray Charles did some nice celeste work on "The great Ray Charles". Charles Brown sometimes played celeste, and to great effect - the original version of "Merry Christmas baby" has him on celeste. But I've got to agree about Duke Pearson's celeste playing on "Prairie dog" - could do a lot better. I have a few others, I think, but can't bring them to mind. I think it has its place, when a musician really wants to do something with it; as with everything else. Junior Mance did some nice stuff on harpsichord on the "Harlem lullaby" album. MG Quote Link to comment Share on other sites More sharing options...
Shawn Posted May 23, 2008 Author Report Share Posted May 23, 2008 As a background sound, something to add color, I can see it maybe being used in that context and sounding alright...I just don't think it's a good solo instrument for jazz. Of course this is all my opinion...and more than a little tongue in cheek. I also feel the same way about the Harpsichord... Quote Link to comment Share on other sites More sharing options...
Free For All Posted May 23, 2008 Report Share Posted May 23, 2008 Ray Charles did some nice celeste work on "The great Ray Charles". Charles Brown sometimes played celeste, and to great effect - the original version of "Merry Christmas baby" has him on celeste. But I've got to agree about Duke Pearson's celeste playing on "Prairie dog" - could do a lot better. I have a few others, I think, but can't bring them to mind. I think it has its place, when a musician really wants to do something with it; as with everything else. Junior Mance did some nice stuff on harpsichord on the "Harlem lullaby" album. MG Also McCoy Tyner played it on a cut on "Trident", I believe. Celeste reminds me of Mr. Rogers, harpsichord reminds me of Lurch on the Addams Family. Ah, television. Quote Link to comment Share on other sites More sharing options...
Swinging Swede Posted May 23, 2008 Report Share Posted May 23, 2008 I like harpsichord in jazz. It suits the music just fine IMO. However, Ray Draper on tuba is something I'll never understand. How on earth did he get to record as much as he did for a while? Quote Link to comment Share on other sites More sharing options...
seeline Posted May 23, 2008 Report Share Posted May 23, 2008 As a background sound, something to add color, I can see it maybe being used in that context and sounding alright...I just don't think it's a good solo instrument for jazz. I hear you - and have always disliked it in classical, too, except as color. Quote Link to comment Share on other sites More sharing options...
BillF Posted May 23, 2008 Report Share Posted May 23, 2008 Meade Lux Lewis's "Celeste Blues" is a bit of a shock when you come across it on an album full of orthodox piano boogie tracks. Monk's mix of one hand piano, one hand celeste on "Pannonica" is just right to my ears. Quote Link to comment Share on other sites More sharing options...
JSngry Posted May 23, 2008 Report Share Posted May 23, 2008 Yeah, not exactly a Swing Chick... Quote Link to comment Share on other sites More sharing options...
Kalo Posted May 24, 2008 Report Share Posted May 24, 2008 Celeste on the original Pannonica suits pretty well to the track imo. Is Monk the exception that proves the rule? Quote Link to comment Share on other sites More sharing options...
Shawn Posted May 24, 2008 Author Report Share Posted May 24, 2008 Celeste on the original Pannonica suits pretty well to the track imo. Is Monk the exception that proves the rule? Isn't he always? Quote Link to comment Share on other sites More sharing options...
PHILLYQ Posted May 24, 2008 Report Share Posted May 24, 2008 Meade Lux Lewis plays it solo on two tunes on 'The Blues Piano Artistry of Meade Lux Lewis', produced by and with liner notes by our own Chris Albertson. very cool tunes IMHO and I like the sound of it. I think it's more what you do with it than what it is. Quote Link to comment Share on other sites More sharing options...
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