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Posted
6 hours ago, ghost of miles said:

Went ahead and started the long march: grossman.1_2048x2048.jpg?v=1536788088

Let us know how it goes.  I've heard generally good things.  It supposedly doesn't quite live up to Life and Fate (partly because Grossman did work with the censors on this book) but is still deemed a worthy "prequel."  I'm hoping to read the two together this winter.

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The Things They Carried is the best O’Brien book but Going After Cacciato is pretty darn good.  If I Die in A Combat Zone is also very good; not fiction but autobiographical 

Edited by Brad
Posted
42 minutes ago, soulpope said:

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The Clark book is pretty good. If you haven’t read it, I also recommend Margaret Macmillan’s The War That Ended Peace.  

Posted
5 minutes ago, Brad said:

The Clark book is pretty good. If you haven’t read it, I also recommend Margaret Macmillan’s The War That Ended Peace.  

Thnx for the hint ....

Posted
On 2019-08-03 at 0:47 AM, Brad said:

The Things They Carried is the best O’Brien book but Going After Cacciato is pretty darn good.  If I Die in A Combat Zone is also very good; not fiction but autobiographical 

Agree that these are all strong.  One day will have to reread to see how they stand up (or rather how I react to them on second time through).  I had the privilege of hearing O'Brien read from The Things They Carried not long after it came out.

About 1/3 into Robert Stone's A Hall of Mirrors, and it is starting to grow on me.  Not sure if this will tip the balance and lead me to order the upcoming LOA volume of his later novels.

Posted
6 hours ago, ejp626 said:

Agree that these are all strong.  One day will have to reread to see how they stand up (or rather how I react to them on second time through).  I had the privilege of hearing O'Brien read from The Things They Carried not long after it came out.

About 1/3 into Robert Stone's A Hall of Mirrors, and it is starting to grow on me.  Not sure if this will tip the balance and lead me to order the upcoming LOA volume of his later novels.

Get the LOA. Also read Damascus Gate.

Posted
On 2019-08-04 at 2:11 PM, ejp626 said:

About 1/3 into Robert Stone's A Hall of Mirrors, and it is starting to grow on me.  Not sure if this will tip the balance and lead me to order the upcoming LOA volume of his later novels.

I had no idea that A Hall of Mirrors was made into a movie (WUSA) with Paul Newman, Joanne Woodward, and Anthony Perkins!  Why have I never heard of this movie? 

Anyway, I have a copy on hold at the library and will post in the Film Corner thread after I've watched it.  I should just manage to get through reading the novel first, which is my preference when watching films based on novels.

Posted

Image result for dangerous crossing book

7 hours ago, ejp626 said:

I had no idea that A Hall of Mirrors was made into a movie (WUSA) with Paul Newman, Joanne Woodward, and Anthony Perkins!  Why have I never heard of this movie? 

Anyway, I have a copy on hold at the library and will post in the Film Corner thread after I've watched it.  I should just manage to get through reading the novel first, which is my preference when watching films based on novels.

WUSA was rereleased by Olive films in Bluray and is available on YouTube.

 

Posted
On 02/08/2019 at 11:11 AM, soulpope said:

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That one must be great.

 

On 04/08/2019 at 1:22 PM, soulpope said:

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I read that one in 2014, with the anniveresary of WW1. It's called The Sleepwalkers. How Europe entered WW1.

But what I wanted to comment is that, after having it for a while, I'm reading Don Winslow's The Border (I like Winslow novels a lot and have many of them. My favourites are The kings of cool and Savages, which was made into a film.), which feels as a sort of continuation of The Cartel. It picks up where that novel left off. But I think it's more concerned with the new heroin epidemic that has hit the US and Europe too since 2016-17. In the eyes of Winslow that is because the Sinaloa cartel decided consciously to move back to their origins in the 70s. In the case of Europe, which is served through Afghanistan I think it's because of the bumper crops they are achieving lately.

Posted
2 hours ago, Bluesnik said:

That one must be great.

 

I read that one in 2014, with the anniveresary of WW1. It's called The Sleepwalkers. How Europe entered WW1.

Sleepwalker=Schlafwandler ....

Posted
On 9/23/2018 at 9:08 AM, Matthew said:

The Year of Our Lord 1943: Christian Humanism in an Age of Crisis by Alan Jacobs. Very interesting book, with applications to the modern world and politics.

 

From the Amazon description:

By early 1943, it had become increasingly clear that the Allies would win the Second World War. Around the same time, it also became increasingly clear to many Christian intellectuals on both sides of the Atlantic that the soon-to-be-victorious nations were not culturally or morally prepared for their success. A war won by technological superiority merely laid the groundwork for a post-war society governed by technocrats. These Christian intellectuals-Jacques Maritain, T. S. Eliot, C. S. Lewis, W. H. Auden, and Simone Weil, among others-sought both to articulate a sober and reflective critique of their own culture and to outline a plan for the moral and spiritual regeneration of their countries in the post-war world.

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Rereading this, it has a lot to say about today's world...

Posted
On 2019-08-06 at 8:23 PM, ejp626 said:

I had no idea that A Hall of Mirrors was made into a movie (WUSA) with Paul Newman, Joanne Woodward, and Anthony Perkins!  Why have I never heard of this movie? 

Anyway, I have a copy on hold at the library and will post in the Film Corner thread after I've watched it.  I should just manage to get through reading the novel first, which is my preference when watching films based on novels.

I have to say I didn't like the final third of the book very much.  There was some cheap surrealism, along with frankly unbelievable conversations between Rainey and Clotho and Rainey and Minnow.  An awful lot of the actions of the characters in the last 50 pages didn't make a whole lot of sense, i.e. weren't even internally consistent.  It's a shame, as I liked the middle section a fair bit, but this ending definitely downgrades my opinion of the book.  I do think the movie has a slightly tighter ending (including making Rainey a more decisive character), but I'll report on that in Film Corner.

I'm now reading FKA USA by Reed King (a SF road novel taking place after the fragmentation of the US) and will read Thien's Do Not Say We Have Nothing after that.

Posted
On ‎7‎/‎24‎/‎2019 at 1:17 PM, T.D. said:

Please post impressions.

As mentioned in some other thread, I've effectively read several excerpts from the book (Gann posted them, or talks based on book excerpts, etc. over the years). Not sure I'm a big enough Cageian to justify purchase, and it's not available on my interlibrary loan network (only Gann work thereon is American Music in the 20th Centur').

I'm largely finished with this now, and have thoroughly enjoyed reading it. It's like one of those Ashley Kahn "The Making Of..." books, only Gann is a lot more thorough in including backstories, influences, and antecedents. His writing style is a little "dry", but not harmfully so. And since he's talking about the "making of" a true event rather than a record...there's more meat on the bone to go into the soup. Mmmmm, SOUP!

He's also clearly advocating for Cage in general, and 4'33" in particular. I don't think there are any minds to be changed here, but I think he does an excellent job at laying out all the ways that the piece matters for those to whom it does matter.

Myself, I am very much an enjoyer of Cage's earlier works and find his later compositions to be inspiring as concepts, if not always in execution. Gann is very adept at pointing out how in Cage's world the concept is the music, in a really fundamental way. He makes his case quite convincingly, even if for me, it means that I don't have to actually hear it to hear it, if you know what I mean.

Anyway, no idea how this would rate in the realm of Cage scholarship, but it seems a very nicely turned general read. Recommended as such, without hesitation.

Posted
41 minutes ago, JSngry said:

I'm largely finished with this now, and have thoroughly enjoyed reading it. It's like one of those Ashley Kahn "The Making Of..." books, only Gann is a lot more thorough in including backstories, influences, and antecedents. His writing style is a little "dry", but not harmfully so. And since he's talking about the "making of" a true event rather than a record...there's more meat on the bone to go into the soup. Mmmmm, SOUP!

He's also clearly advocating for Cage in general, and 4'33" in particular. I don't think there are any minds to be changed here, but I think he does an excellent job at laying out all the ways that the piece matters for those to whom it does matter.

Myself, I am very much an enjoyer of Cage's earlier works and find his later compositions to be inspiring as concepts, if not always in execution. Gann is very adept at pointing out how in Cage's world the concept is the music, in a really fundamental way. He makes his case quite convincingly, even if for me, it means that I don't have to actually hear it to hear it, if you know what I mean.

Anyway, no idea how this would rate in the realm of Cage scholarship, but it seems a very nicely turned general read. Recommended as such, without hesitation.

Thanks, much appreciated! The parts I've read are excellent. I originally had the wrong impression (rectified upon reading excerpts) that the book was generally about Cage, rather than specifically 4'33". That may render it too specialized for me, but will seriously consider.

Still, even the excerpts I've read have been informative. For instance, I had assumed that Cage had a well-developed sense of humor, and that (for instance) his stochastic pieces were disguised digs at Serialism and 4'33" was a joke on various levels. But reading Gann, Cage appears to have practically no sense of humor!

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