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Posted (edited)
On 3.8.2022 at 8:38 AM, BillF said:

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Marty Paich

Mode was a great series. Have several Items. All very good

Many of the Mode Records repertoire were reissued  on the V.S.O.P. label, first as vinyls and later on on CD.

Edited by jazzcorner
typo
Posted

Happy birthday Louis--121 today!

Louis Armstrong "Now You Has Jazz--Louis Armstrong at MGM" 

This is a cd I forget to play and it's a very good one. Today is the day to put it on!

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Posted
1 minute ago, HutchFan said:

Yeah, I'd rate Olé Coltrane right up there with his best too.  :tup 

 

Tyner and Davis solos on the title track are incredible. I hear a Stanley Cowell connection in song style and Tyner’s playing. Like this was an influence on SC.  

Posted
2 minutes ago, Dub Modal said:

Tyner and Davis solos on the title track are incredible. I hear a Stanley Cowell connection in song style and Tyner’s playing. Like this was an influence on SC.  

I'd never thought about that -- but it makes sense.  Tyner's influence was so far-reaching.  I'll give it a spin and see if I can hear the same. 

 

Posted
3 minutes ago, HutchFan said:

I'd never thought about that -- but it makes sense.  Tyner's influence was so far-reaching.  I'll give it a spin and see if I can hear the same. 

 

I'm playing the deluxe release with the bonus track Untitled Ballad (To Her Ladyship). It's ok. The title track and Aisha steal the show for me. 

Posted

Tania Maria "Come with Me" Concord Jazz Japan cd

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Somewhere around here I have this on SACD as well, but this cd sounds very good. 

I really like Tania more and more and pulled out about a half a dozen more of her cds to listen to in the near future. She's a bit nuts but man she has so much talent!

Posted (edited)
1 hour ago, Dub Modal said:

I'm playing the deluxe release with the bonus track Untitled Ballad (To Her Ladyship). It's ok. The title track and Aisha steal the show for me. 

I have that same release, and I agree re: the bonus cut.  Understandable why it wasn't issued back in day.  It isn't on the same exalted level as the original three cuts, IMO.

I'm just now listening to Olé Coltrane, and I think I can hear what you were talking about.  Seems like Tyner's modalism became "part of the vocabulary" for many pianists -- especially guys like Stanley Cowell, John Hicks, and (a bit later) Mulgrew Miller.

 

Edited by HutchFan

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