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Posted
4 hours ago, HutchFan said:

Yes, I would definitely recommend Oahspe.  It doesn't at all sound like first record.  Terrific playing and interesting compositions, most of which are by Helias.

The other album from BassDrumBone that I listen to most often is Right Down Your AlleyIt was actually released under Ray Anderson's leadership (on Soul Note in '84) -- but it's the same trio.

IMO, Mark Helias is the "glue" in that band, and he's one of those musicians who seems to always be making interesting music.  He's made a bunch of outstanding records too with his band Open Loose -- with Tom Rainey and Tony Malaby (and sometimes Ellery Eskelin).  Have you heard Atomic Clock or Verbs of Will?  More outstanding music in the same neighborhood as BassDrumBone.

 

Thanks!

Posted
16 hours ago, rostasi said:

Thanks for the heads-up on that. I'm seeing Vol. 2 too.

 

The folks from Magma sent me this the other day:

 

Yes, I ordered both. They had deal with a discount to do so

Posted (edited)

NP:

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Duke Ellington - Hot Summer Dance (Red Baron)
A concert recording of an ordinary night on the road that captures the nonchalant, extraordinary brilliance of EKE & his orchestra.

 

Edited by HutchFan
Posted

Dizzy Gillespie “A Portrait of Duke Ellington” Verve cd

 

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Interestingly the arrangements by Clare Fischer went uncredited on the original LP. An intriguing treatment of Ellington pieces.
Posted (edited)
48 minutes ago, jazzbo said:

Interestingly the arrangements by Clare Fischer went uncredited on the original LP. An intriguing treatment of Ellington pieces.

I've never quite connected with that album -- despite loving Clare Fischer's arranging in all sorts of other contexts.   

It's likely my own inability to get beyond my ingrained notions of what Ellington's music is "supposed" to sound like.  Then again, it might also be a case of two artist that I love who don't necessarily sound great together.  (See also: Thelonious' album Monk's Blues, arranged by Oliver Nelson.)

 

Edited by HutchFan
Posted
8 minutes ago, HutchFan said:

I've never quite connected with that album -- despite loving Clare Fischer's arranging in all sorts of other contexts.   

It's likely my own inability to get beyond my ingrained notions of what Ellington's music is "supposed" to sound like.  Then again, it might also be a case of two artist that I love who don't necessarily sound great together.  (See also: Thelonious' album Monk's Blues, arranged by Oliver Nelson.)

 

I really have fallen out of "like" with Oliver Nelson's arrangements in general, and never really have liked the Monk that much. 

I know what you mean about the Gillespie. . .I was pretty lukewarm to chilled about it for some time but the last few times I've spinned it I have liked it more. And this time through I thought the way Dizzy wove in and out of the arrangements very interesting, and I liked that the arrangements didn't follow usual "Ellingtonian" directions.

Posted (edited)
24 minutes ago, jlhoots said:

Jason Moran: From The Dancehall To The Battlefield

I am going to say something self-promotional here; Jason is a great pianist, but that album to me represents the worst kind of pseudo-interpretation of older materials. It sounds like just another stiff white version of old-timey music (in spite of some "contemporary" sounding soloists who end up just sounding like they are at the wrong session). Musicians who do these kinds of projects tend to expose themselves as having not really listened to that old sound - black and white - and have ended up with these awful, polite examinations of what should be unruly music.

Now the self-promotional aspect of this post - on our new release I do a JR Europe reference of sorts with a thing we did called Castles in Sand, which is miles above anything on that Moran album. It's frustrating to hear people flocking to fame, when the music is what should be essential.

Edited by AllenLowe

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