jlhoots Posted February 22 Report Posted February 22 6 hours ago, jazzbo said: Bill Evans “You Must Believe in Spring” Warner Bros. cd (1989) Beautiful, with Eddie Gomez and Elliot Zigmund 300×298 13.3 KB This morning the title song seemed appropriate. I always liked Zigmund with Evans. Underrated IMHO. Quote
jazzbo Posted February 22 Report Posted February 22 (edited) SFJazz Collective “Music of Antônio Carlos Jobim & Original Compositions Live: Sfjazz Center 2018” Alto Saxophone – Miguel Zenón Bass – Matt Brewer Drums – Obed Calvaire Piano – Edward Simon Tenor Saxophone – David Sánchez Trombone – Robin Eubanks Trumpet – Etienne Charles Vibraphone – Warren Wolf Now disc 2, a bit louder. Edited February 22 by jazzbo Quote
kh1958 Posted February 22 Report Posted February 22 Rudolph Johnson, The Second Coming (Black Jazz) Quote
Rabshakeh Posted February 22 Report Posted February 22 Gordon Beck Quartet – Experiments With Pops Quote
jazzbo Posted February 22 Report Posted February 22 Raul De Souza “Jazzmim” Bisocoto da Fina cd 400×400 51.9 KB Followed by Mario Adnet “Saudade Maravilhosa” Selo cd 386×354 39 KB Quote
BFrank Posted February 22 Report Posted February 22 2 hours ago, kh1958 said: Rudolph Johnson, The Second Coming (Black Jazz) Good album. I picked up several Black Jazz reissues when Real Gone had some big sales in the last couple of years. Quote
Niko Posted February 22 Report Posted February 22 Alexandra Grimal & Giovanni di Domenico - Shakkei I also liked the new Sullivan Fortner album but this sax/keys duo album is my favorite new release of 2025 so far https://alexandragrimal.bandcamp.com/album/shakkei Quote
BFrank Posted February 22 Report Posted February 22 Strata-East: The Legacy Begins An amazing 33 track compilation. Only available digitally, but almost 4 1/2 hours of music! Quote
Holy Ghost Posted February 23 Report Posted February 23 On 2/21/2025 at 5:49 PM, jazzbo said: Rahsaan Roland Kirk “Bright Moments” Atlantic 2 cd set, disc 2 👌 is some of the best live RRK, period. Now: Tal: Quote
Holy Ghost Posted February 23 Report Posted February 23 20 hours ago, Chuck Nessa said: This one went in the trading bend. Not my favorite at all. I like his Novus/RCA Sextett stuff more. I know you known him, recorded him, had a beer with him, but far, sans the Novus/RCA material stuff mentioned above, after AIR, I'm trepidatious. P.S.: I have that AIR record. Great stuff. Quote
Holy Ghost Posted February 23 Report Posted February 23 On 2/20/2025 at 6:54 PM, JSngry said: Whatever happened to Dennis O'Too(t)le? Where did this record come from? WOW! On 2/19/2025 at 8:31 PM, mikeweil said: Bobby Timmons must have hated that piano. bad mechanics and out of tune. Roland Hanna had the better chops to cope with that machine. Contrary to Cuscuna's notes on this 1987 CD reissue, I do not think that ths is one of Burrell's best. So looking forward to the expanded edition. 6 minutes ago, Holy Ghost said: Where did this record come from? WOW! So looking forward to the expanded edition. Just in light to a previous post, yeah, totally yeah. 14 hours ago, Rabshakeh said: Cecil Taylor - Jumpin' Punkins Back when I was getting into jazz, I bought two of the 1961 CT vault releases. This one and Cell Walk. I wasn't that impressed by them and I went along with the then-prevailing critical consensus that they were lesser works that showed CT constrained by the labels. They also suffer from a slightly old fashioned production sound. On revisiting them for the first time in years, and having listened to a much broader range of jazz in the meantime, they are a bit of a revelation. Not just to hear Taylor comping on standards behind a band, but the way that they represent a path not taken (at least until the later 1970s), where traditional jazz and swing are layered onto free jazz in an exciting and quite visceral way. I can really hear the seeds of great groups like Pullen / Adams on these records. In fact I wouldn't be surprised if Pullen took inspiration from them, as the connection seems much more apparent than to Taylor's later performance modes. Candids. Great stuff. Quote
JSngry Posted February 23 Author Report Posted February 23 10 minutes ago, Holy Ghost said: Where did this record come from? My LP came from a Half Price Books about 20 years ago. My CD was a gift not too long ago. The record itself...apparently by this time, Savoy's jazz releases were outside productions. This Moffett was self-produced. Cody was just a kid. Too bad that him and Denardo didn't make a duet record. Quote
Holy Ghost Posted February 23 Report Posted February 23 Just now, JSngry said: My LP came from a Half Price Books about 20 years ago. My CD was a gift not too long ago. The record itself...apparently by this time, Savoy's jazz releases were outside productions. This Moffett was self-produced. Cody was just a kid. Too bad that him and Denardo didn't make a duet record. It's on cd too, double whammy! Quote
JSngry Posted February 23 Author Report Posted February 23 Without a sense of historical perspective, it might fairly be considered underwhelming, but it does have its moments. And it is a fun (enough) listen. Quote
Holy Ghost Posted February 23 Report Posted February 23 1 minute ago, JSngry said: Without a sense of historical perspective, it might fairly be considered underwhelming, but it does have its moments. And it is a fun (enough) listen. Well at least one person is listening to it here, it's got to be listenable. YouTube or I'd pay $10 or so to listen. 😊 Quote
Pim Posted February 23 Report Posted February 23 I can’t see music getting less accessible than this but I really, really dig these kind of Evan Parker solo outings. It’s listening to music in a whole other sense than how you listen to most music. When you would play it in the background it might sound as random sounds. It asks absolute concentration and focus. But when you listen with full focus you get sucked into a universe of sounds you did not knew yet. Plus you hear lots of structures and logics actually. Fascinating stuff. Not always in the mood, but when I am this stuff always clicks immediately with me. And Parker’s breathing/blowing/playing skills are literally mindblowing. Quote
mjazzg Posted February 23 Report Posted February 23 49 minutes ago, Pim said: I can’t see music getting less accessible than this but I really, really dig these kind of Evan Parker solo outings. It’s listening to music in a whole other sense than how you listen to most music. When you would play it in the background it might sound as random sounds. It asks absolute concentration and focus. But when you listen with full focus you get sucked into a universe of sounds you did not knew yet. Plus you hear lots of structures and logics actually. Fascinating stuff. Not always in the mood, but when I am this stuff always clicks immediately with me. And Parker’s breathing/blowing/playing skills are literally mindblowing. And that's one of the best explanations of engaging with EP's music I have read. Reflects almost exactly what I experience. The recent 4CD set is a beautifully produced release, all solo. I'm not sure how much he travels abroad these days but if you get a chance to see him live, in any context, it's well worth it @Pim Quote
Pim Posted February 23 Report Posted February 23 2 hours ago, mjazzg said: And that's one of the best explanations of engaging with EP's music I have read. Reflects almost exactly what I experience. The recent 4CD set is a beautifully produced release, all solo. I'm not sure how much he travels abroad these days but if you get a chance to see him live, in any context, it's well worth it @Pim I've got my eye on tour dates but I thinks it's a long time ago he was in The Netherlands unfortunately. Stil hope to catch him with Barry Guy and Paul Lovens.... Quote
Recommended Posts
Join the conversation
You can post now and register later. If you have an account, sign in now to post with your account.