duaneiac Posted August 8, 2017 Report Share Posted August 8, 2017 (edited) Earlier: Currently: Disc 2 of 2, featuring the album My Fair Lady Loves Jazz by the Billy Taylor Trio p;us some assorted bonus tracks led by Chet Baker, Art Blakey and Coleman Hawkins. Edited August 8, 2017 by duaneiac Quote Link to comment Share on other sites More sharing options...
JSngry Posted August 8, 2017 Author Report Share Posted August 8, 2017 Quote Link to comment Share on other sites More sharing options...
alankin Posted August 8, 2017 Report Share Posted August 8, 2017 Thelonious Monk Quartet with Johnny Griffin – In Action: Recorded Live at the Five Spot Café, NYC [CD 8b from the Complete Riverside Recordings session 19a] (Riverside Records) — Thelonious Monk — piano; Johnny Griffin — tenor saxophone; Ahmed Abdul-Malik — bass; Roy Haynes — drums  Quote Link to comment Share on other sites More sharing options...
BillF Posted August 8, 2017 Report Share Posted August 8, 2017 3 hours ago, JSngry said: Quote Link to comment Share on other sites More sharing options...
duaneiac Posted August 8, 2017 Report Share Posted August 8, 2017 Quote Link to comment Share on other sites More sharing options...
Peter Friedman Posted August 8, 2017 Report Share Posted August 8, 2017 Quote Link to comment Share on other sites More sharing options...
alankin Posted August 8, 2017 Report Share Posted August 8, 2017 John Surman – Flashpoint: NDR Jazz Workshop – April '69 (Cuneiform Records) Personnel: John Surman: soprano and baritone saxophones; Alan Skidmore: tenor saxophone, flute; Ronnie Scott: tenor saxophone; Mike Osborne: alto saxophone; Malcolm Griffiths: trombone; Erich Kleinschuster: trombone; Kenny Wheeler: trumpet, flugelhorn; Fritz Pauer: piano; Harry Miller: bass; Alan Jackson: drums.  Quote Link to comment Share on other sites More sharing options...
John Tapscott Posted August 8, 2017 Report Share Posted August 8, 2017 Quote Link to comment Share on other sites More sharing options...
sidewinder Posted August 8, 2017 Report Share Posted August 8, 2017 Quote Link to comment Share on other sites More sharing options...
HutchFan Posted August 8, 2017 Report Share Posted August 8, 2017 (edited) Martial Solal Trio with Peter Erskine & Marc Johnson - Triangle (JMS)Â Â Â 2 hours ago, sidewinder said: I wish that CD was still available. Â It's now fetching absurdly high prices from resellers. Edited August 8, 2017 by HutchFan Quote Link to comment Share on other sites More sharing options...
soulpope Posted August 8, 2017 Report Share Posted August 8, 2017 Mesmerizing performances from a Montmatre/Copenhagen stint in 1979 .... Quote Link to comment Share on other sites More sharing options...
JSngry Posted August 8, 2017 Author Report Share Posted August 8, 2017 Still seems like an unlikely partnership to me, unlikely as hell, but Warne seems really comfortable and good things always happen when that happens. Quote Link to comment Share on other sites More sharing options...
jazzbo Posted August 8, 2017 Report Share Posted August 8, 2017 Quote Link to comment Share on other sites More sharing options...
Chuck Nessa Posted August 8, 2017 Report Share Posted August 8, 2017 Yves Charuest - alto, Agustin Fernandez - piano, Nicolas Caloia - bass and Peter Valsamis - drums. Â Quote Link to comment Share on other sites More sharing options...
JSngry Posted August 8, 2017 Author Report Share Posted August 8, 2017 2 hours ago, JSngry said: Still seems like an unlikely partnership to me, unlikely as hell, but Warne seems really comfortable and good things always happen when that happens. Going again. Warne...that guy was a master, not a "master", a master. And if you just listen for sweat, you'll probably not hear any of it. But if it's water you're looking for, you'll have drinks forever. Quote Link to comment Share on other sites More sharing options...
HutchFan Posted August 8, 2017 Report Share Posted August 8, 2017 Sir Roland Hanna - Solo Piano: Free Spirit (Storyville) Disc 1Â Quote Link to comment Share on other sites More sharing options...
jazzbo Posted August 8, 2017 Report Share Posted August 8, 2017 Listened to this on the way to and from my Dad's in Avon. Just finished:Â The SHM-CD Just started: The Beat Goes Public edition: Quote Link to comment Share on other sites More sharing options...
Peter Friedman Posted August 8, 2017 Report Share Posted August 8, 2017 Quote Link to comment Share on other sites More sharing options...
BillF Posted August 8, 2017 Report Share Posted August 8, 2017 Quote Link to comment Share on other sites More sharing options...
duaneiac Posted August 8, 2017 Report Share Posted August 8, 2017 Â Quote Link to comment Share on other sites More sharing options...
JSngry Posted August 8, 2017 Author Report Share Posted August 8, 2017 Warne is still Warne, but this Pete Christlieb guy, there's always been something that puts me off him, and hearing him besides Warne finally brought it into focus - the motherfucker sounds like a tenor version of Phil Woods, not the earlier Phil Woods, but the later one, the one that I have to respect but I don't have to like, which is good, because I don't like it, not from Phil Woods, nor from Pete Christlieb. No sir, I don't like it, not one bit. But Warne, Warne is as close to omniscient as anybody can be. Warne does not sound at all like Phil Woods, early, middle, or later. Warne did not have time for that.  Quote Link to comment Share on other sites More sharing options...
Larry Kart Posted August 8, 2017 Report Share Posted August 8, 2017 1 hour ago, JSngry said: Warne is still Warne, but this Pete Christlieb guy, there's always been something that puts me off him, and hearing him besides Warne finally brought it into focus - the motherfucker sounds like a tenor version of Phil Woods, not the earlier Phil Woods, but the later one, the one that I have to respect but I don't have to like, which is good, because I don't like it, not from Phil Woods, nor from Pete Christlieb. No sir, I don't like it, not one bit. But Warne, Warne is as close to omniscient as anybody can be. Warne does not sound at all like Phil Woods, early, middle, or later. Warne did not have time for that.  The Christlieb/Woods linkage -- he shoots, he scores. BTW, I was listening today to some of the Benny Carter/Wloods album "My Man Benny, My Man Phil" (MusicMasters, 1989). Carter, at age 82, is in great form, but when Woods starts to growl, chortle, etc., I'm at a loss. What happened to the excellent Woods of 1957 and earlier and why did it happen? I guess we'll never know. (BTW, some of the Woods solo work on the Oliver Nelson Mosaic set is relatively  sober and quite good. In those instances, I suspect, the lucid complexity of Nelson's writing served as a guiding, restraining influence. Quote Link to comment Share on other sites More sharing options...
John Tapscott Posted August 8, 2017 Report Share Posted August 8, 2017 Quote Link to comment Share on other sites More sharing options...
HutchFan Posted August 8, 2017 Report Share Posted August 8, 2017 Genesis - Seconds Out (Atlantic) Quote Link to comment Share on other sites More sharing options...
duaneiac Posted August 8, 2017 Report Share Posted August 8, 2017 Quote Link to comment Share on other sites More sharing options...
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