'Taxi War Dance,' 'Easy Does It,' 'Lester Leaps In,' 'Dickie's Dream,' all the Smith-Jones Inc. tracks (especially the quintet 'Lady Be Good,' Young's perfect solo) and probably some others I'm forgetting are utterly crucial, and they are all 1939-40 Columbia Basie-Prez works. More than the Deccas, these Young solos were a turning point for the jazz saxophone. Endlessly subtle and graceful. Chuck, I'm surprised - what makes you think the Deccas are more important?
First, I apologize for my rude outburst. Sorry.
Now on to the Deccas which have a "loosie-goosie" feel that fits Lester to a tee. The charted discipline of the Columbias suited him for a while but ultimately led to his feeling "hemmed in" and his exit. This is not necessarily fact, just my interpretation of what I hear.
The Smith-Jones titles (including 'Lady, Be Good') pre-date the Deccas and amplify my point. 'Taxi War Dance" comes from the first Columbia session (six weeks after the last Decca) and 'Dickie's Dream' and 'Lester Leaps In' were small group recordings (not the 'band'). I love the Columbias but the Decca recordings were something else.