J.A.W.

The bowed parts are not the problem here, since they - or at least most of them - are not off-key. In fact, they sound great, at least on my system (electrostatics with an excellent REL subwoofer). It's the first and last tracks where Kowald is "humming" (or should I say "growling") along and a few of the early tracks I'm having problems with. Strange thing is, I like bowed bass much better in free / improv than in straight jazz. For instance, I can't stand Paul Chambers' bowed bass, which is almost always out of tune.

Still not sure what to think of this one:

Finally,

The live (second) disc of

I'm not a fan of Jemeel Moondoc, but this one is It's good to hear Denis Charles again.

Haven't got that one yet.

Define "presentable", will you

No doubt, but one has to be content with what's available...

A few of those nice Weizen beers will do too, thank you very much.

Absolutely NO Heineken for me, just a Brand Bier or Leffe, and a LARGE Oban (no ice, of course), please. Thanks.

It is actually an older recording by Eskelin (1990). Please post your opinion.

Ditto.

This is an absolutely beautiful album, one of my all-time favorites:

Ubu mentioned this 2CD-set a while ago: I've only listened to the studio disc so far (will play the live disc this weekend), and I think it's one of Parker's better recordings. The interplay between Parker and Guy is perfect. The mood of this disc is very intense, yet relaxing. I will be returning to it often. Highly recommended!

Well, Tony likes it. Like I said before, there's something in Douglas' playing that annoys me very much, but I can't quite put my finger on it. I'm not too fond of Shepik's sound either; it's not Shepik, I don't like that guitar sound in general.

You can find the album titles here.

I doubt it, I don't think too many people were aware of what was going on.

bullshit. creedence is the best american singles band that ever was. Seconded (the I mean... )

Wonder what Creedence Clearwater Revival's John Fogerty's reply would be... Hans I don't know if you remember this but on Fogerty's album "Centerfield" he recorded a song called "Zans Can't Dance".It was not complimentary. Zaents was not amused and he sued Fogerty and as a result Fogerty was forced to recut the song as "Vanz Can't Dance" and subsequent "Centerfield" albums had the recut and retitled version on it. Thanks, but that was what I was referring to. Maybe I should have included a smilie.

Wonder what Creedence Clearwater Revival's John Fogerty's reply would be...

I've just been listening to Somebody on JC asked me what I thought, and here's the reply I posted there: Just got it and played it for the first time. Don't know what to think yet, it's very errr... Koglmann, subdued and cool. One thing that bothers me, as it bothered me with other Koglmanns, is Burkhard Stangl's guitar work; it sounds just too out of place to me, and I hate his horrible rock-like interventions, though fortunately there are very few of those on this album. Tony Coe is excellent, but I absolutely detest his "sweet", 1930-ish vocal on the final track. A mixed bag on first hearing.

Thanks for the info, Mike. I'll e-mail mr Fischer.

Has anyone ever heard this Revelation album? Opinion? It was recorded in 1982, with Carmell Jones - trumpet, Roland Burns - alto saxophone, Frank Sullivan - piano, Scott Walton - bass, Billy Bowker - drums. The tunes were: Stella By Starlight / What's New / Now's The Time / Billy's Bounce / Pent Up House. I'm also interested to hear opinions on Frank Strazzeri's 1969 Revelation album That's Him and This Is New (Revelation 10).