J.A.W.

Apparently fasstrack has no access to the Politics/Religion forum.

"... in the spirit of public intellectuals like Jean-Paul Sartre...?" Not that Sartre was an unflawed figure, but (to quote from my favorite candy bar commercial) "great googly moogly!" Compare Ebert to a fellow journalist from the same city and of the same general era, Mike Royko, and Ebert IMO had nowhere near as great an impact on the public discourse. Yes, Ebert had many virtues, but what next -- the greatest moral philosopher since Immanuel Kant?Funny how obits can turn into ridiculous overstatements.

LD and Turrentine, yes, but while I like Spaulding, don't think so -- just not enough of a player, while distinctive, and also no leader dates. The others (aside from JMAC, for whom I've already voted) no way because so much of their careers took place away from BN both before and later on, in Ornette's case especially.Spaulding did lead several dates from 1976 onwards - but not on Blue Note, if that's what you mean

Many thanks for the reminder sgcim. I have both those old Crown LPs and as fine as they are haven't listened to them much over the years because the sound was so bad (and on top of that my copies also were in nasty shape). Just ordered the CD and now I'll really get to hear this music. Which CD did you order, the Fresh Sound with both Crown albums or the Ace (UK) disc (or was it Boplicity)? The Fresh Sound, he said guiltily.I wonder which source(s) they used.

Many thanks for the reminder sgcim. I have both those old Crown LPs and as fine as they are haven't listened to them much over the years because the sound was so bad (and on top of that my copies also were in nasty shape). Just ordered the CD and now I'll really get to hear this music.Which CD did you order, the Fresh Sound with both Crown albums or the Ace (UK) disc (or was it Boplicity)?

That tie is a work of art.

invarTone was one, but he's just been booted. He was the author of 7 spam posts earlier today. Also saw a few others on the "new members" page recently.

Is it me, or are we having a new wave of spammers here? I've seen several newbies with the infamous location "143040" and a few spam posts as well. I thought the forum software would handle them, but apparently there's a leak of some kind.

NY Times obit: http://www.nytimes.com/2013/04/05/movies/roger-ebert-film-critic-dies.html?emc=na&_r=0

Well, posting that audiophile labels were hardly releasing Blue Note and Prestige albums while the opposite is true isn't good information in my view.

I don't think the quality of mastering is in question. Of either of the two labels. At least not by me. As jetman said, the majors that own Blue Note etc al, have obviously lost interest in their archival legacy, and are now putting their money behind Blue Note as their contemporary Boutique Blues and Roots label (mostly). They appear content that enough titles are still in print and accessible in the racks. So these franchised re-mastering labels will probably be the way of the future. I guess it was inevitable they would start to compile their own albums as well. Hopefully they will find some useful projects to do in this regard. Otherwise go back to re-mastering Linda Ronstadt. I was referring to the various posts here by CJ Shearn stating that audiophile labels paid hardly any attention to Blue Note and Prestige albums and the like. That is simply not true. My remarks about Kevin Gray's mastering work were side comments.

Like Lon said above, Analogue Productions are releasing 50 (25 mono and 25 stereo) hybrid Prestige SACDs and they've already released several impulse! titles, also on hybrid SACD and all mastered by Kevin Gray. I like Gray's work very much. Analogue Productions also put out a series of hybrid Verve SACDs, mastered by the late George Marino. OK, maybe not very adventurous music, but still. There's quite a bit of misinformation in this thread about audiophile labels not putting out stuff like that.

Link: http://www.mosaicrecords.com/prodinfo.asp?number=3005

That would have been nice, but nope.

Analogue Productions released a few dates with organ in their Hoffman-mastered audiophile Blue Note series (Lou Donaldson - Here 'Tis, Jimmy Smith - Midnight Special and Back at the Chicken Shack, Grant Green - Grantstand, Fred Jackson - Hootin' 'n' Tootin', Ike Quebec - It Might As Well Be Spring, John Patton - Along Came John), while the audiophile Audio Wave label has planned Grant Green's organ date Talkin' About! in their Alan Yoshida-mastered XRCD series. Both labels also released a few more "challenging" Blue Notes from the 1960s.

What on earth is "authintaitonship"?

LPs or CDs?

Jordan has always been a favourite of mine. Saw him in concert twice, with Cedar Walton, Sam Jones and Billy Higgins. Only Walton is still with us.

When golf became popular with managers, the nouveaux riches (new rich) and yuppies I lost interest, though I must admit that I still enjoy watching the Masters and the (British) Open.

I was referring to this board, not the Hoffman board. It may sound strange, but I never got involved in an audio fight over there like I did here, at least not that I can remember.

Thanks for the explanation. It's a whole different world from mine, both musically and sonically I hasten to add that I haven't heard those particular RVGs, though, so I can't comment on their sound. You have a way better system than I do, you probably hear way more true representations of different masterings on your system. I have a very mid end system. Though I use the Audio Technica headphones they use in studios for recording and monitoring. Jim mixed "In Memorandom" on a similar set of cans to mine, the next model up. Those headphones reveal many details and they are flat frequency across the board.I don't know, I really can't answer that. I got involved in too many "audio fights" (and RVG discussions) on this board, the last one only recently, so I'd rather not go into specifics. It's all very personal and, like religion and politics, it's a hazardous topic

That's also my preferred way of listening, in all cases I can think of. When I got the 1989 Mobley McMasters I listed above I was a happy camper. Never liked the original LP sequencing.

Thanks for the explanation. It's a whole different world from mine, both musically and sonically I hasten to add that I haven't heard those particular RVGs, though, so I can't comment on their sound.

Meaning? I don't have those discs.

The 3 McMaster CDs from 1989 that I listed above were the ones with the sessions in recorded order. I don't know about the RVGs.