Sabu had a strong connection to Art Blakey and Blue Note - remember the duo both recorded on November 23, 1953 which was released on Horace Silver's second 10-inch Blue Note Trio LP. He guested on one of Jay Jay Johnson's Blue Note sessions.
He was an important figure in Blakey's percussion recordings, his own LP was in between:
- Drum Suite (Columbia, February 22, 1957)
- Orgy In Rhythm (Blue Note, March 7, 1957)
- Palo Congo (Blue Note, April 28, 1957)
- Cu-Bop (Jubilee, May 13, 1957) The Jazz Messengers plus Martinez
- Drums Around The Corner (Blue Note, November 2,1958) Ray Barretto for Martinez
- Holiday For Skins (Blue Note, November 9, 1958) Martinez and Barretto
That's a nice series, isn't it? Maybe Martinez and Blakey talked Alfred Lion into giving it a beak. Blakey's next percussion record, The African Beat, led to another non-jazz Blue Note LP, Solomon Ilori's African Highlife.
I think it's great that Alfred Lion was open for such things. Only vocal recordings are found less often in the Blue Note catalog.