mikeweil

I've seen the James Carter Organ Trio with Leonard King two years ago - the drummer didn't look old enough to have played on a 1975 session. I'd say he's in his thirties .... just my thoughts.

Yes, because the groove was made by non-members on that album.

That's a neat description of one of the problems I had with this type of music back then ... Although Pike was American, their groove sounded so .... German to me. A nice band, and very influential, but I was missing some type of black groove.

Back to topic: This is the most stunning new recording of Beethoven Piano Concertos in recent years: About everybody I have talked to about this was surprised, excited, you name it - back to Beethoven. This is performed like the master himself first heard it. Give it a try, and the world will be changed forever.

Discs for me, please - PM sent.

my baby (3 1/2) always asks me to put on some jazz music! Yeah, but keep the Mosaics out of reach for them - only handle them yourselves!

Got the A.K. Salim double CD yesterday - there would have been enough playing time left for the two alternates from the Pretty For The People session! From the Savoy label discography I know there are still three unissued tracks - but this includes everything originally issued.

That alternate take was on the OJC reissue. Till There Was You (Take 1) was not on my OJC version.... OJC Version ======== 1. The Freedom Suite 2. Someday I'll Find You 3. Till There Was You (take 4) 4. Till There Was You (take 3) 5. Shadow Waltz Keepnews Version ============ 1. Freedom Suite, The 2. Someday I'll Find You 3. Will You Still Be Mine? 4. Till There Was You (Take 4) 5. Shadow Waltz 6. Till There Was You (Take 1) 7. Till There Was You (Take 3) 8. There Will Never Be Another You Oh - I have to admit I didn't compare take numbers and didn't assume there was another take. So Keepnews is still mining in the vaults, even though Iron Mountain keeps them ...

The Nat Adderley was on SACD - now which disc has better sound? The Hawk is available on a great sounding Mobile Fidelity SACD.

That alternate take was on the OJC reissue. This is a bass/drums duet recorded when OP and Max where waiting for Sonny to arrive - it was added to Roach's "Deeds Not Words" OJC reissue. Duh - I made my own burn of the complete session ...

# 58 - The Magnificent Goldberg - June 2008 # 59 - wordsandsounds - July 2008 # 60 - Eloe Omoe - August 2008 # 61 - fent99 - September 2008 # 62 - Mr. Bassman - October 2008 # 63 - Claude Bartee - November 2008 # 64 - sidewinder - December 2008 # 65 - Durium - January 2009 # 66 - Nate Dorward - February 2009 # 67 - RDK - March 2009 # 68 - Dan Gould - April 2009 # 69 - Thom Keith - May 2009 # 70 - Bill Barton - June 2009 # 71 - mikeweil - July 2009 # 72 - EKE BBB - August 2009 # 73 - Dmitry - September 2009

Saw Mr. Bassman today at the rehearsal - we're both too busy with too many things to step up. Since nobody else volunteered, I'd say MG has the go! I'll move Dmitry to the bottom ofthe list - won't delete his name unless he wishes so.

Tyner used a harpsichord on that LP.

There is a new 6-CD-box on Tumbao: A comprehensive documentation of the legendary Arsenio Rodriguez - a must, IMO - it's up high on my buying list for the summer. http://www.freshsoundrecords.com/record-ma...?record_id=4931

Up - now who's gonna do the next one, please?

IIRC none of Freddie McCoy's Prestige dates was reissued by Fantasy - one of the artists they never got around to. I can't even recall there were Japanese LP reissues! I guess emusic has only stuff that already was on CD.

I once found a copy of the Pozar LP in a sales bin - bought it for Garrison but it didn't thrill me that much. Not as spectacular as it looks like. Pozar was not that original as a drummer, the date didn't jell, IMO. If I still had it I would give it to you ...

I second the recommendation of Jean-Joel Barbier's Déodat de Séverac disc - I have yet to find a better one. Japanese pianist Izumi Tateno made a double disc for Finlandia, a Warner label, that's pretty comprehensive and very well played, certainly better than Ciccolini. There's a disc on Hyperion with his songs that I haven't heard yet, and one on Aeolus with his organ music, but I find the latter is not nearly as fascinating as his piano pieces. A friend of the composer told Séverac once played an hour-long suite to him that was magnificent, that he never wrote down ... André Caplet could be interesting to you, Randy, he was involved in Debussy orchestrations just like Koechlin. Conte fantastique; Sextuor; Prières; by Ensemble Musique Oblique

There's a small error: It's Jonas Gwanga, not José - he was from South Africa and a friend of Hugh Masekela et al. That Levin LP is a minor gem, IMO, and helped me a lot to appreciate free improvisation, as Levin was a lot more sensitive than most free from players and did not overpower that much. Calo Scott is great here. Drummer Frank Clayton later married singer Jay.

The CD reissue sounds good, and I think it is still the best of his albums as a leader. Beautiful album. As a sideman, Herbie Hancock's Mwandishi & Crossings would be my top choices.

Sad news - another giant of the B3 organ gone .... R.I.P.

Sorry to be late, but I was out of town and saw this just now. Belated happy birthday, many years to come, good health, all the best for your family, and plenty of brilliant musical ideas!

So I was not too far off track with my slow train association ... Should have gotten the Kirby track that comes next, as I have that and like that band a lot!

Okay - so now it looks like this: # 58 - Dmitry - June 2008 # 59 - wordsandsounds - July 2008 # 60 - Eloe Omoe - August 2008 # 61 - fent99 - September 2008 # 62 - Mr. Bassman - October 2008 # 63 - Claude Bartee - November 2008 # 64 - sidewinder - December 2008 # 65 - Durium - January 2009 # 66 - The Magnificent Goldberg - February 2009 # 67 - Nate Dorward - March 2009 # 68 - RDK - April 2009 # 69 - Dan Gould - May 2009 # 70 - Thom Keith - June 2009 # 71 - Bill Barton - July 2009 # 72 - EKE BBB - August 2009 # 73 - mikeweil - September 2009 The Magnificent Goldberg volunteered to step up - anbody else? Any objections?

Chiming in at last - I wish I had more time for concentrated listening these days .... # 1 - Should be Eric Dolphy, but it's not a record I have. Always liked Eric. European recording from the end of his life? # 2 - Starts like a rather unexciting ballad, but the effects of the backward tapes give it a nice effect. Reminds me strongly of some Miles ballad performance. Some Porgy & Bess tune? Well ... interesting - chorus effects later - he tries to do something new, but he stays too close to Miles et al. to be really original. # 3 - Monk's tune "Panonica" - the way they spread the melody between the guitar and the horns and how they throw in additional arranged parts is nice. It's only that I would prefer a more angular sound on the guitar for a Monk tune. The solos sound more like running the changes than playing a commentary on Monk's melody, which would be the better way to do his music right. **** for the arrangement, ** for the solos. # 4 - nice open trio performance - no idea who it could be. I enjoyed this 'cause they do not overplay but leave a lot of space and listen a lot and interact. # 5 - "Autumn in New York" - nice version, like the flutist, but it's not the perfect soundtrack for a sunny spring day :-; # 6 - Tenor of the Brothers school - doesn't thrill me that much. # 7 - A rather romantically inclined violinist doing "I can't get started" - don't like his tremolo. Pianist is not as subtle in his solo as I would like to hear after such a violin solo. # 8 - Sonny Stitt and Paul Gonsalves on an Impulse LP from the 1960's - nice meeting. Osie Johnson on drums. # 9 - Another violinist - this time it's "Parker's Mood" - I like this player a lot more,his sweet but thick tone, straight, no vibrato. From the rhythm section I'd place this in the 1980's - they should restrict themselves a little more - the drummer is playing stock licks or bland effects. Violinist is the most original of the group. ***** for him, ** for the trio backing him. Who is this? # 10 - I think I have this - Clark Terry? Yes, and Paul Gonsalves again - that's an Argo session. Nice stuff. # 11 - "The Summer knows" - soprano is using too much vibrato,for my taste. Close to kitsch, as far as I'm concerned. Bassist's intonation is awful. # 12 - Should be the Pepper Adams - Zoot Sims album on Prestige. Well yeah - a welcome contrast. Rather jam session like, but with players of that caliber, what can you say? # 13 - Hmm ... "A Night in Tunisia" - Eddie Louiss with Kenny Clarke and Jimmy Gourley? Don'thave the time to look this up on the shelves. Yeah. # 14 - "All the things you are on a strangely tuned piano. Too busy,just going for the harmonic aspects of the tune, but not a bit referring to the mood transported by the lyrics and the original tempo - not to my taste. # 15 - Nice ending - is this André Hodeir? Thanks much for the ride!!!