Both very good in very different ways. The Roscoe is "musical pointillism" if I were sat in Pseud's Corner. Very deliberate use of space/time, lots of single notes from saxophone and/or the percussion. All sounds very organic. I haven't enjoyed a RM release as much on first listen for ages.
I knew Mortazavi from his last solo album so was intrigued by the addition of beats. Works really well and is short and sweet at just over 20 minutes. It's on Tidal and Spotify.
I do like the Navarro/Holmes a lot despite it always sounding too short or unfulfilled in some way. What makes you of it?
The
I assume you saw this review.
https://londonjazznews.com/2021/10/04/keith-tippett-weekend-bristol-beacon-st-georges-bristol/
I also got a review from Bev (A Lark Ascending) that confirmed how moving the event was
Just found the card they gave me 'VDS', only web presence is Instagram. Had a good few hundred all Japanese stock. Jazz, Funk and other sections I didn't look at. Jazz was 50s through to new releases. Two I bought are NM, looked a pretty good set up.
I stumbled across it whilst killing time after picking purchases up from WoE. They had the Texture Sextet which I have been after for ages.
As this seems to be turning into a bit of a Prince thread...I'm happy to say that I thought at the time, and still do, that he was a major talent producing some great albums - the run from 'Dirty Mind' through to 'Lovesexy' was one of the strongest of the time. He wrote some great songs, just try listening to 'Parade'. I was hearing and buying these as they came out and I always thought 'Purple Rain' was the weakest of that fine bunch though.
Back to 80s Jazz, really looking forward to the blog as it runs through from the time I was starting to listen to Jazz from about 80/81 (hope that album's in the list )
Yes, I suspect as much. I read that BN have posted the cover on one of their social feeds with a 'watch this space' message so they probably want to tease it up a bit more