couw

poop & football: http://www.pureesoiree.be/Post/?P_ID=7592

1956, Art Tatum records in a quartet with Buddy De Franco 1957, Cannonball Adderley records some tunes to be issued on Sophisticated Swing (EmArcy) 1959, Paul Chambers - Go (Vee Jay) (ctd.) EDIT: not! 1959, Zoot Sims/Al Cohn/Phil Woods - Jazz Live/A Night At The Half Note

more orange

1960, Benny Carter - Sax à La Carter (Capitol) 1960, MTJ+3 - Make Everybody Happy (Vee Jay), continued the next day 1964, Quincy Jones - Mancini's Song Book (Mercury) 1972, Mal Waldron - Blues for Lady Day (Black Lion) 1982, Archie Shepp - Mama Rose (SteepleChase)

yessss: http://web.axelero.hu/nadori2/index.html It's like watching flippin' Napoleon and Kip Dynamite. GOSHHH!!! just as funnee?

yessss: http://web.axelero.hu/nadori2/index.html

I always give Reeves performance in this movie as an example of how not to do Shakespeare. Everything he says sounds just like "This is what the teleprompter says." --eric I thought that was part of the idea. The whole movie was just a play, wasn't it?

you mean you see a cover with Darth Vader working out before your inner eye?

ow yes, need to dig it out again. Memory says it's pretty great.

now *there's* a world premiere... har har har international talk like a pirate day is not until september 19

I stand by my comments on the Sharrock (track 10), really don't like those schlocky geetarr twangggs that stretch into eternity. The bassist saves the track, who is he?

I'm stuck with this image of Olivia Newton-John

the strange thing is that US sellers on the German amazon marketplace are offering the Farlow for 45EUR (~60$).

Fits like a glove! I knew it would!

three days later and 2500km further up North

the ostrich would fit better if it went in head first

see, it worked

now *there's* a world premiere...

http://www.flickr.com/photos/mhusson/3253841/

1957, Louis Smith records 3 tunes for Blue Note (Here Comes Louis Smith) 1959, Charles Mingus - Blues & Roots (Atlantic) 1972, Charles Mingus and Friends in Concert (CBS)

(yes, that's when you're not yet sure it's really a rumor or not.)

In the same thread (post #9) Hoffman said something about the cymbal problems. interesting. If it is indeed a question of the actual recording being faulty, the question remains why the TOCJ does not have a problem with the highs. Or are the Japanese engineer filtering out this distortion as well? Or is it hidden in the hiss?