CJ Shearn

In the liners to the new Trane at Newport reissue, Ashley Kahn states that Willis Conover was trying to calm the crowd after a raucous JOS trio set before Trane came on. Was this recorded? I'm thinking it's probably something Verve would issue rather than Blue Note b/c Jimmy's final BN sessions were February 1963. Does anyone know if tapes exist?

Ron does NOT play electric bass on "Sugar" its DI'ed acoustic bass. I just looked at the "Pieces of A Man" CD booklet, Jerry Jemmott is not listed in the credits. It just says "Ron Carter: bass and electric bass".

exactly.

happy belated birthday! I am glad there are other young people who dig jazz seriously.

really? I thought the solos on "Tunisia" were smoking, I think Kenny really loves the laid back style, he has for years, I have never heard him return to the fire of "Blue Lights", "Round About Midnight At the Cafe Bohemia" (w/ KD) or the Jimmy Smith sides, but he still is one of my all time fav. guitarists.

well, the notes to the Shaw say that Cuscuna put in "All Things Being Equal Are Not" to restore the sequence of the original album, "It All Comes Back To You" was not planned to be on the original album.

yes, it is contrafact from "Sunny". Anyway, Ron is seen playing electric bass on the inner sleeve to "CTI Summer Jazz At the Hollywood Bowl", but reportedly the actual electric bass you hear on that record was overdubbed by Gary King, that is definitely true as Steve Gadd overdubbed drums over Jack DeJohnette who is only heard on "Cherry". Tho if you listen closely throughout all three volumes you can hear Jack's cymbals from the original recording bleed through.

indeed that is very interesting. I don't think I have anything with Gilmore in my collection other than the date with Hank Mobley.

what were they thinking marketing this to kids? It was on webjunk 20 but I've seen it before.

so did I with the 8/57 session.

Big Al, Bailey is the drummer on all the other "Confirmation" LP tracks. The 8/57 tracks were misidentified as Blakey. Art was not present at the August 25, 1957 session, but was the drummer for most of the February 25, 1958 session, only "Lover Man" featured Bailey on drums. The entirety of that latter session is contained on "The Sermon" and "Houseparty" RVG's. Also it is easy to hear the 8/25/57 tracks feature Bailey, as both drummers are very different and distinctive.

if the RVG's for "Midnight Special" and "Back At the Chicken Shack" sound anything like "The Sermon" and "Houseparty" RVG's they'll be fantastic. I wonder if those sessions have any more additional tracks besides "On The Sunny Side Of The Street"?

will they change the title of the tune "Gaza Strip"? Dan, I have not pulled out my copy of the Morgan Mosaic in a while either but IIRC "The Lady" is a composition by Owen Marshall.

that's good to know. Last session I have with him playing drums is Jack McDuff's final album.

well, I hear a definite thread in his ideas of expanding the melodic content, like on "Blue Monk" he often explores different facets of the melody in his right hand while trilling with the left. After hearing the "It Club" set, I find his playing, and comping to be pretty inventive, maybe also because there are tunes there that were not played as much on some of the Columbia albums. But then I haven't heard everything.

has he stopped playing drums largely to pursue singing or for something like health reasons?

well, my uncle always tells me about Paradigm bookshelf model speakers. I may want to get some myself.

the chatter will be "hey Red... I told you to play them fuckin blockchords!"

why are they putting out the Paul Chambers when the Mosaic Select is out? I bought that a few years ago so theres no reason for me to buy the RVG? I remember they put RVG's out of the Byrd/Adams stuff before the Mosaic went out of print, it soon did. At least domestically, I think all sessions except for "The Creeper" have been out on single CD. Hooray for the JOS discs tho, finally!

well, I bought it a few days ago. It's not that bad really. It's very explosive music, I think whatever tension John and Tony had with Jaco gives the live cuts an exciting edge, truthfully I think the drum solo into the opening "Dark Prince" really smokes. While the album is not a revelation for either of the members I think it's fine addition, plus I am a Tony freak. I think that the initial disappointment for many was based on the studio doctored cuts from "Havana Jam", that's my $.02

cool. Thanks. She would like to buy herself that album as well.

well, one of my best friends got me this for a belated b-day gift. Funny cuz I was looking at it in the store the other day. How is this set, from all the more experienced Monk listeners here?

I know Soulstream is disasapointed with this session initially and I kept his comments in mind when listening when I received it for my birthday the other day. I think it's a nice session with some grooving JOS originals, and for me, the session fits more stylistically as a nice complement to "Plays Fats Waller", now "Straight Life" is only for the most devoted JOS fans, so you don't need it if you are satisfied with the major JOS albums, but if you are a Jimmy fanatic, like myself its a must. I do find it odd that Jimmy reverted to a sound circa "The Sermon" for this date, the 2nd drawbar is not pulled out at all, and also he doesn't have the Leslie spinning at all at times, which is unusual for his sound in 1961, which became more familiar on the Verve sides. Overall a nice session to have I think.

love that chord JOS signals in to end Wes' solo and start his own.

great! going to download!