felser

PM sent on ECM 1933/34 9870670 Battaglia, Stefano Raccolto --------- $4 ECM 2120 271 3754 Battaglia, Stefano & Rabbia, M Pastorale --------- $4 ECM 1768 549 610-2 Alperin, Misha At Home NM- $4 ECM 1588 Louis Sclavis Sextet Les Violences de Rameau $5.00 ECM 1805 Louis Sclavis Dans la Nuit $5.00 ECM 2044 Trygve Seim / Frode Haltli Yeraz $5.00 ECM 1764 Trygve Seim / Øyvind Brække / Per Oddvar Johansen The Source and Different Cikadas $5.00 ECM 1991 Dino Saluzzi / Anja Lechner Ojos Negros $5.00 ECM 1616 Dino Saluzzi Cité de la Musique $4.00 ECM 2155 Dino Saluzzi El Encuentro $4.00 ECM 1816 Dino Saluzzi Trio Responsorium $4.00 ECM 1639 John Surman Proverbs and Songs $5.00 ECM 1802 John Surman Free and Equal $6.00 ECM 2180 Amina Alaoui Arco Iris $5 ECM 1907 Gianluigi Trovesi Round About Weill $5 ECM 2217 Gianluigi Trovesi / Gianni Coscia Frère Jacques - Round about Offenbach $4 ECM 1703 Gianluigi Trovesi / Gianni Coscia In Cerca di Cibo $5 ECM 1827 Gianluigi Trovesi Ottetto Fugace $5 ECM 1286 Shankar Song for Everyone (O-Card) $5.00 ECM 1586 Egberto Gismonti Meeting Point $4 ECM 2017 Tord Gustavsen Trio Being There .... $6.00 ECM 1101 Gary Peacock Tales of Another $9 ECM 1354 Oregon Ecotopia card sleeve $6 ECM 2080 Stefano Bollani Stone in the Water $6 ECM 1734 Charles Lloyd The Water is Wide $4 ECM 1642 OM A Retrospective $8

And I'm holding out for CD release.

There were years in the early/mid-90's when it felt like I was buying 10.2 million Blue Note/OJC CD's during Tower Records all-label sales myself. One hit CD could sell millions of CD's itself back then (looking at you, Norah Jones) Sad state of affairs now.

It's in the next batch of ENJA CD reissues.

Love the McBee's, great Chico Freeman playing. Criminal that 'Compassion' has never been on CD.

I'm in for this, and for future installments through the 60's and 70's.

RIP. Impressive discography (show below from Wikipedia, ranges from Sonny Stitt to Alan Shorter), and never disappointed to my ears: Discography[edit] As leader/co-leader 1985: First Edition – JR Records As sideman 1965: Fire Music – Archie Shepp (Impulse! Records) 1966: Hold On, I'm Coming – Art Blakey (Limelight) 1966: Buttercorn Lady – Art Blakey & The New Jazz Messengers (Limelight) 1967: Booker 'n' Brass – Booker Ervin (Pacific Jazz) 1968: The Jazz Composer's Orchestra – Jazz Composer's Orchestra (ECM) 1968: Total Eclipse – Bobby Hutcherson (Blue Note) 1968: Bish Bash - Walter Bishop, Jr. (Xanadu) 1969: Orgasm – Alan Shorter (Verve) 1971: Coral Keys - Walter Bishop Jr. (Black Jazz) 1971: Spring Rain Rudolph Johnson (Black Jazz) 1971: Head On – Bobby Hutcherson (Blue Note) 1972: Black Vibrations – Sonny Stitt (Prestige) 1972: Choma (Burn) - Harold Land (Mainstream) 1972: Constant Throb – John Klemmer (Impulse!) 1972: 'Round Midnight – Kenny Burrell (Fantasy) 1973: Both Feet on the Ground – Kenny Burrell (Fantasy Records) 1977: Tin Tin Deo - Kenny Burrell (Concord) 1977: Mapenzi – Harold Land-Blue Mitchell Quintet (Concord) 1978: Handcrafted - Kenny Burrell (Muse) 1979: Spiral – Bobby Hutcherson (Blue Note) 1980: Medina – Bobby Hutcherson (Blue Note) 1981: Jaw's Blues – Eddie "Lockjaw" Davis (Enja) 1981: Pannonica – Horace Parlan (Enja) 1982: New Morning – Johnny Coles (Criss Cross Jazz) 1983: Two at the Top - Frank Wess and Johnny Coles (Uptown) 1988: Live at the Theatre Boulogne-Billancourt/Paris, Vol. 1 – Mingus Dynasty (Soul Note) 1988: Live at the Theatre Boulogne-Billancourt/Paris, Vol. 2 – Mingus Dynasty (Soul Note) 1990: Epitaph – Charles Mingus (posthumous) (Columbia Records)

I have always considered this to be much less than the sum of it's parts (Gilmore, Lee Morgan, Curtis Fuller, John Hicks, Victor Sproles, Blakey), but at least it's another small group setting for Gilmore.

Freed up my used copies of the CD's, PM me if interested.

And I remain even more taken with the three albums where Danny Kirwan was the main guy. 'Kiln House', 'Future Games', and 'Bare Trees' are just lovely albums. Jeremy Spencer had major contributions to 'Kiln House', Bob Welch and Christine McVie to the other two.

That's the only one in this set Green plays on. Danny Kirwan is the big draw on this set, with lots of Bob Welch and Christine McVie, and the best Jeremy Spencer on record from Kiln House. Yep. For that matter, pre- and post- Peter Green were like two different bands, and then Buckingham/Nicks was something else again. All have their substantial pleasures.

This may help also - I think Christine McVie's early Fleetwood Mac work was far superior to her Buckingham-Nicks era work, which I always found too sugary.

Agreed. Those last three Coltrane box sets, the Miles First Quintet box set, the Evans Village Vanguard box set, Stitts Bits, the Sonny Rollins Prestige set, the Dolphy Prestige set, the Joe Henderson, all things of beauty. A McCoy Tyner set would have also been great.

+1

Charles Tolliver and Hannibal Peterson too. But again, not many sideman appearances.

Maybe we'll see "John Fahey Plays for Lovers", a 34 minute compilation, next Valentine's day. That seems to be their approach now.

I can't imagine Concord springing for something like this. What they've done to that catalog is a crime, and Fantasy was putting out some really nice packages from it before they sold.

Beautiful 8 CD set with mini-LP gatefolds, great remastered sound, many bonus tracks, previously unreleased 1974 concert. This was the period from 'Then Play On' to 'Heroes are Hard to Find', everything from when they broke free of the strict blues structures up to the doorstep of the Buckingham-Nicks superstar years. Danny Kirwan shines on the first four albums (these albums are his legacy), and Bob Welch, Christine McVie, and Jeremy Spencer have great moments at different points. And 'Then Play On' is Peter Green's greatest moment. $31.15 at importcds.com. I'm thoroughly enjoying it.

You also need to hear every other album he played on in the 70's! But that is a really good album, recorded six months after the wonderful Shaw "Live at the Berliner Jazztage" album (a desert island disc for me) with almost identical personnel (Frank Foster is added to the Berliner album). Shaw and Hayes were co-leaders of that group.

Those Art Pepper albums are outstanding. The box set of the whole gig is essential. He was consistently inspired in that period, to me the strongest of his career. Remember reading somewhere that "he played each solo like it could be his last one". And a Cables/Mraz/Elvin rhythm section ain't too shabby.

I was a fan of the group's first two albums ('Live at Cafe Au Go Go", "Projections", which has the original "Flute Thing"), though Verve did them wrong in releasing that "At Town Hall" monstrosity and the musically unrelated "Planned Obsolescence", which in reality was basically the first Seatrain album. Danny Kalb was great in the original group, which are perfectly anthologized here, and had a fabulous one-shot reunion concert in the early 70's here:

That's how I interpret the article, yes.

https://www.nytimes.com/2020/04/24/your-money/fees-mobile-app-payments.html See article bove. Bottom line, it's the credit card company choosing the charge the fee. How do you complete the paypal transaction, do you use "payment for goods or services" or "friends and family"? The latter, using a credit card, is a money transfer, and the banks then choose if they are charging a fee for that or not. The "payment for goods and services" should never be treated as a money transfer on a credit card. AmEx and Discover do not charge the money transfer fee, and cards issued by Chase do not charge the fee.