EKE BBB

Thanks, brownie!

Just listening to Jimmie Noone´s Apex Club Orchestra 1928 recordings with Jimmie Noone (cl, voc), Earl Hines (p), Joe Poston (as, voc), Bud Scott (bjo, g) and Johnny Wells (d). Lawson Buford added on tuba on some tracks. I dig this unusual quintet/sextet, with an alto sax instead of the classic trumpet or cornet plus clarinet front line. Joe Poston states the melody (or counter-melody) but never soloes. From my reading, this Apex Club Orchestra with Earl Hines only recorded 12 masters and 4 alternative takes. Is this information accurate? I have the 12 masters and one alternate in a King Jazz release (The quintaessential Jimmie Noone 1928-38) with this discographical data: Chicago May 16, 1928 Noone, Poston, Hines, Scott and Wells 1 I know that you know (Vocalion 1184) 2 Sweet Sue, just you (Vocalion 1184) 3 Four of five times (Vocalion 1185) 4 Every evening (I miss you) (Vocalion 1185) 5 Every evening (I miss you) (Vocalion 1185) Chicago June 14, 1928 Poston also plays clarinet 6 Ready for the river (Vocalion 1188) 7 Forevermore (Vocalion 1188) Chicago August 23, 1928 Buford added 8 Apex blues (Vocalion 1207) 9 A monday date (Vocalion 1229) 10 Blues my naughty sweetie gives to me (Vocalion 1215) ?????? Same personnel 11 Oh, sister! Ain´t that hot? (Vocalion 1215) 12 King Joe (Vocalion 1229) 13 Sweet Lorraine (Brunswick 80023) You can also find the 12 master takes in the Decca "Apex Blues" release or on Classics Jimmie Noone 1928-29.

Thanks, Lon. That´s right, sound´s not good by today standards... ... but anyway I want to complete my Ma Rainey collection!!! I have volumes 2, 3 and 4 and have never been able to find that volume 1.

In the early-to-mid 90´s they launched some very interesting series with "Complete" or "Quintaessential" chronological collections of early jazz artists on CD: Mezzrow-Bechet 45-47 ; Fats Waller & his rhythm 34-43 ; King Oliver 23-31 ; Louis Armstrong & the singers 24-30 ; Armstrong from the original Okehs 27-32 ; Ma Rainey ; Jelly Roll piano rolls... I have a bunch of them and find them very, very useful to fill gaps in my collection. The only piece I´ve read about this label is included in their booklets: "King Jazz was the label under which the Mezzrow-Bechet 1945-47 recordings were originally issued. In 1960 Mr. Mezzrow sold it to Alessandro Protti, the Italian music producer and Johnny Dodds specialist. King Jazz is now back in business wich a 96 CD program dedicated to the finest and rarest traditional jazz..." Anybody´s got some additional information on this label? I got my copies in some Collectors Fair in Madrid a few years ago. Anybody knows where could I find some of these rare CDs (on-line or not)? Thanks in advance

Yes, Chuck I have the original (Carnegie Hall 1943) and it´s great, as well as the 1944 and 1947 (not complete) Carnegie Hall versions.

Don´t know if it´s "lesser known" enough , but this is one I like a lot: Live at Ronnie Scott´s ´61 Originally released on ??? Reissued by Fresh Sound Records (1991) Recorded live at Ronnie Scott´s London, November 14&15, 1961 Zoot on tenor sax; Stan Tracy on piano; Kenny Napper on bass and Jackie Dougan on drums Tracklisting: 1. Stompin' At The Savoy (Goodman-Webb-Sampson-Razaf) 2. Love For Sale (Porter) 3. Somebody Loves Me (Gershwin-McDonald-De Sylva) 4. Gone With The Wind (Wrubel-Magidson) 5. Autumn Leaves (Kosma-Prévert-Mercer) 6. Blues In e Flat (G.McFarland)

Hammond what? You mean John Hammond?

You mean this one? Recorded in Terrassa Jazz Cava on March 6, 1997. Horacio Fumero on bass and Peer Wyboris on drums? Track list: 1. In Walked Bud - 7,22 2. Ask Me Now - 4,46 3. Well, You Needn´t - 4,46 4. Piano Solo - April in Paris - Sweet & Lovely - 5,42 5. Bass Solo - Eronel - 3,44 6. Tete´s Blues - 3,40 7. Rhythm-a-Ning - 3,48 8. Balada - 2,43 9. Misterioso - 4,36 10. Naima - 13,04 11. I Want To Talk About You - 10,10 12. Some Other Blues - 6,14 Got it!!! PM me if you´re interested

Just received an e-mail from Legacy Recordings announcing that the expanded editions of "Masterpieces", "Ellington uptown" and "Festival session" are due out on February 17. Festival Session CK 87044 JAZZ MASTERPIECES Duke's recorded tour of the summer jazz festivals Includes 2 Previously Unissued Bonus Tracks, New liner notes by Duke's longtime publicist, Patricia Willard. A brilliant, ebullient album! 24 BIT DIGITALLY REMASTERED Recorded just after Labor Day 1959, following a highly successful run on the U.S. summer jazz festival circuit, Festival Session is one of the Duke Ellington Orchestra's most consistently invigorating albums. Ellington (1899-1974) mixes old and new, with the orchestra in peak form, whether the material is tried-and-true (e.g. "Perdido" and "Things Ain't What They Used," the former co-written by the Maestro's longtime star valve trombone soloist Juan Tizol, the latter composed entirely his Duke's son, Mercer) or of then-recent vintage Ellingtonia. "Copout," is a workout for Paul Gonsalves' booting tenor saxophone;" Duael," a collegial stereophonic battle between drummers Sam Woodyard and Jimmy Johnson;" "Idiom '59," a three-part suite spotlighting Russell Procope's and Jimmy Hamilton's clarinets and Clark Terry's flugelhorn; and "Launching Pad," which, like earlier "train tunes," evinces Ellington's interest in a form of travel -- in this case, outer space. The newly remastered set is completed by a pair of previously unreleased tracks, making this an additionally exciting Festival Session. Masterpieces by Ellington CK 87043 JAZZ MASTERPIECES One of Duke's absolute gems! Includes 3 Bonus Tracks New liner notes by Duke's longtime publicist, Patricia Willard. The composer at his peak 24 BIT DIGITALLY REMASTERED Masterpieces by Ellington is among the most significant recordings in the vast discography of Duke Ellington (1899-1974). The four selections comprising the original album, recorded in December 1950, catapulted the Maestro into the LP era; the still-new 33-1/3 rpm format allowed this great composer/ arranger/ pianist and his matchless orchestra to take full advantage for the first time of the possibilities extended, high-fidelity performances. Ellington did not merely revisit three of his signature songs ("Mood Indigo" and "Sophisticated Lady," with evocative vocals by Yvonne Lanauze, as well as "Solitude"), he modernized their arrangements in a concert vein. "Masterpieces" was also notable for the debut of the full-bodied, surprise-laden "The Tattooed Bride," and for the swansongs of three Ellingtonian giants of longstanding: drummer Sonny Greer, trombonist Lawrence Brown, and alto saxist Johnny Hodges. (The latter two would eventually return to the fold.) Newly remastered, and containing three bonus tracks from 1950-51, Masterpieces is a revelation Ellington Uptown CK 87066 JAZZ MASTERPIECES Duke presents extended renditions of his classics Includes 6 Bonus Tracks New liner notes by Duke's longtime publicist, Patricia Willard. Contains 2 stunning suites by Duke 24 BIT DIGITALLY REMASTERED Recorded in December 1951 and 1952, Ellington Uptown joins stunning, extended works of recent vintage ("A Tone Parallel to Harlem", "The Liberian Suite," "The Controversial Suite") with fresh looks at such bona fide classics by Ellington and alter ego Billy Strayhorn ("The Mooche," "Take the 'A' Train)," as well as "Perdido," co-written by longtime star valve trombone soloist Juan Tizol. Ellington (1899-1974) was justly acclaimed for his portraits of various principal players; "Harlem" is a portrait-in-sound of daily life in the world's most famous African-American community. Vocalists also take star turns herein, with Betty Roche's jauntily bopping rendition of "'A' Train," and Al Hibbler's moving "I Like The Sunrise," the first movement of "The Liberian Suite." And there's Louie Bellson establishing himself as the dean of double bass drums on his "Skin Deep." Now expanded by six bonus cuts, and remastered to enhance the album's already spectacular sound, Uptown is a high water mark in the annals of Elingtonia.

Tete Montoliu made a pair of very short, almost impresionistic, but wonderful covers of "Come Sunday" a few months before his death in this piano solo live recording:

Yeah, more than 104.000 posts and 596 members right now! Who will be member number 600? Another incarnation of sir DEEPness? Or the ghost of Hardbop?

And discography: DISC ONE: FLYING HOME Lionel Hampton and his Orchestra : Karl George, Ernie Royal, Joe Newman, tp; Fred Beckett, Sonny Craven, Harry Sloan, tb; Marshall Royal, cl, as; Ray Perry, as; Dexter Gordon, ILLINOIS JACQUET, ts; Jack McVea, bs; Lionel Hampton, vib; arr ; Milt Buckner, p; Irving Ashby, g; Vernon Alley, b; George Jenkins, d. New York, May 26, 1942 70773 FLYING HOME Decca 18394 Jazz at the Philharmonic : J.J. Johnson, tb; ILLINOIS JACQUET, Jack McVea, ts; Nat King Cole, p; Les Paul, g; Johnny Mller, b; Lee Young, d. Philharmonic Hall, Los Angeles, July 2, 1944 V17, V18, V19 BLUES Verve MGV 1013 Jim Wynn’s Bobalibans : Stanley Casey, tp; David Graham, as; Freddie Simon, ts; BIG JIM WYNN, ts, bs; Theodore Shirley, b; Robert Sims, d; Pee Wee Wiley, voc. Los Angeles, 1945 V-160-ME ROCK WOOGIE Gilt Edge GE 528 Jim Wynn & his Band : "Goo Goo" Hutcherson, tp; Ed Hale, as; Eddie "Lockjaw" Davis, ts; BIG JIM WYNN, bs; Zell Kindred, p; Chuck Norris, g; Buddy Woodson, d. Los Angeles, February 15, 1951 3857 WEST COAST LOVER Mercury 314528 297-2 The Beale Street Gang : PAZZUZA SIMON, ts; Milt Buckner, p; Curley Russell, b; Art Herbert, d. New York, October 28, 1946 S 3365-B RAISIN’ THE ROOF Savoy 653 David Page, tp; Michael "Booty" Wood, tb; ARNETT COBB, ts; George Rhodes, p; Walter Buchanan, b; George Jones, d. New York, August, 1947 R1256-2B COBB’S CORNER Apollo 792 R1267-3D1 GO, RED, GO Apollo 778 David Page, tp; "Booty" Wood, tb; ARNETT COBB, ts; Charles Fowlkes, bs; George Rhodes, p; Walter Buchanan, b; George "Butch" Ballard, d. New York, September 12, 1950 CD 44335 SMOOTH SAILING Columbia 39040 Ed "Tiger" Lewis, tp; Dickie Harris, tb; ARNETT COBB, ts; Willard Brown, ts, bs; George Rhodes, p; Gene Wright, b; George Duvivier, arr. New York, November 20, 1951 CO 47174 OPEN HOUSE Okeh 6887 Morris Lane, Tenor Sax Section : MORRIS LANE, ts; Edwin Swanston, p; George Baker, g; Franklin Skeete, b; Bob Aviles, d. New York, January 24, 1947 S-3382 DOWN THE LANE Savoy 646 Morris Lane & his Orchestra : MORRIS LANE, ts with unknown, tp; bs; p; b; d. New York, March 13, 1951 R-1451 BLUE JEANS Apollo 808 Morris Lane & Band : MORRIS LANE, ts with unknown, tp; bs; p; b; d. New York, 1951 R-101-7 BOBBY’S BOOGIE Robin 101 Dick Davis Orchestra : Dick Davis, ts; Sonny Thompson, p; Lefty Bates, g; Eddie Calhoun, b; Buddy Smith, d. Chicago, circa, 1947 UB 21048 SCREAMING BOOGIE Miracle M 108 Phil Guilbeau, tp; WILD BILL MOORE, ts; Paul Williams, as, bs; T.J. Fowler, p; Herman Hopkins, b; Reetham Mallett, d. Detroit, December 18, 1947 D 823 WE’RE GONNA ROCK, WE’RE GONNA ROLL Savoy 666 Same personnel as above, but Floyd Taylor, p replaces T.J. Fowler. Detroit, November 21, 1948 D 816 BUBBLES Savoy 662 John Hunt, tp; WILD BILL MOORE, Paul Quinichette, ts; Bill Graham, bs; Milt Buckner, org, p; Franklin Skeete, b; Joe Harris, d. New York, March 3, 1950 K 5862 BALANCING WITH BILL King 4383 K 5864 HEY SPO-DEE-O-DEE King 4383 Paul Williams Sextet : John Lawton, tp; Walter Cox, as, ts; PAUL WILLIAMS, as, bs; T.G. Fowler, p; Hank Ivory, b; Clarence Stamps, d. Detroit, October 6, 1947 D 808 35-30 (THIRTY-FIVE-THIRTY) Savoy 661 Paul Williams, as, bs; Floyd Taylor, p; Herman Hopkins, b; Reetham Mallett, d. Detroit, November 20, 1947 D 811 WALKIN’ AROUND Savoy 680 Paul Williams Sextet : Phil Gilbeau, tp; Sam Miller, ts; PAUL WILLIAMS, as, bs; Floyd Taylor, p; Herman Hopkins, b; Reetham Mallett, d. Detroit, December 15, 1948 23011 THE HUCKLEBUCK Savoy 799 Paul Williams & his Hucklebuckers : James "King Porter" Pope, tp; Billy Mitchell, Louis Barrett, ts; PAUL WILLIAMS, bs; Floyd Taylor, p; John Holiday, b; Bill Benjamin, d; Joan Shaw, voc. Detroit, January 13, 1949 D 0007 HE KNOWS HOW TO HUCKLEBUCK Savoy 702 D0008 BACK BENDER Savoy SJL 2234 Jack McVea and his All Stars : Sammy Yates, tp; JACK McVEA, ts; Tommy Kahn, p; Gene Phillips, g; Frank Clarke, b; Rabon Tarrant, d. Los Angeles, December 1947 1228 JACK FROST Exclusive 266 Cootie Williams and his Orchestra : Cootie Williams, tp; Rupert Cole, as; WEASEL PARKER, ts; Arnold Jarvis, p; Mundell Lowe, g; Leonard Swain, b; Sylvester Payne, d. New York, late 1947 1586-2 TYPHOON Mercury 8083 DISC TWO: BLOW YOUR BRAINS OUT Wynonie Harris : Hot Lips Page, tp (-1); Joe Britton, tb; Vincent Bair-Bey, as; HAL SINGER, TOM ARCHIA, ts; Joe Knight, p; Carl Wilson, b; Clarence Donaldson, d; Wynonie Harris, voc. Cincinnati, December 23, 1947 K 5325 BLOW YOUR BRAINS OUT King 4226 K 5326 BLOWIN’ TO CALIFORNIA (-1) King 4252 Same per sonnel as above, but Wynonie Harris out Cincinnati, December 27, 1947 K 5400 BOODIE BOODIE Blue Boar CDBB 1010 HAL SINGER SEXTETTE : Milton Larkins, tb; HAL SINGER, ts, Wynton Kelly, p; Franklin Skeete, b; Heywood Jackson, d. New York, June, 1948 S35-127 CORNBREAD Savoy 671 Willie Moore, tp; Chippy Outcalt, tb; HAL SINGER, ts; George Rhodes, p; Walter Page, b; Bobby Donaldson, d. New York, December 10, 1948 S23006 BEEFSTEW Savoy 686 Tiny Grimes Quintet : JOHN HARDEE, ts; George Kelly, p; Tiny Grimes, g; Lucille Dixon, b; Sonny Payne, d. New York, December 20, 1947 114 BOOGIE WOOGIE BARBECUE Atlantic 854 Tiny Grimes and his Rocking Highlanders : JOHN HARDEE, ts; Ray Bryant or Freddie Redd, p; Tiny Grimes, g; Ike Isaacs, b; unknown, d. New York, 1950 TG 15 - ROCKIN’ AND SOCKIN’ Gotham 278 Little Willie Jackson & the Original Honeydrippers : LITTLE WILLIE JACKSON, ss, as, bs; James Jackson, ts; probably Joe Liggins, p; Frank Pasley, g; Eddie Davis, b; Peppy Prince, d. Los Angeles, November 1, 1947 MM702-3 JACKSON’S BOOGIE Modern 566 Same personnel as above Los Angeles, December, 6, 1947 MM 744-2 LET’S JUMP Modern 613 Sonny Thompson with the Sharps and Flats : EDDIE CHAMBLEE, ts; Sonny Thompson, p; Arvin Garrett, g; Leroy Morrison, b; Thurman "Red" Cooper, d. Chicago, late 1947 LONG GONE, PT 2 Miracle M 126 John "Streamline" Ewing, tb; EDDIE CHAMBLEE, ts; Andrew "Goon" Gardner, bs; James Craig, p; unknown, g; Ernie Shepard, b; Chuck Williams, d. Chicago, 1948 UB 9195 BACK STREET Miracle M 133 EDDIE CHAMBLEE, ts; Walter Scott, g; unknown, tp; bs; b, d. Chicago, 1952 82117 SOUTHERN COMFORT Coral 65080 Tiny Grimes Quintet : Wilbur "RED" PRYSOCK, ts; Jimmy Saunders, p; Tiny Grimes, gl; Ike Isaacs, b; Jerry Potter, d. New York, August 1, 1948 131 HOT IN HARLEM Atlantic 869 Tiny Grimes and his Rocking Highlanders : BENNY GOLSON, RED PRYSOCK, ts; Freddie Redd, p; Tiny Grimes, g; Ike Isaacs, b; unknown, d. Philadelphia, circa September 1950 TG 11 BATTLE OF THE MASS Gotham ?? Red Prysock and his House Rockers : RED PRYSOCK, ts; unknown, tp; tb; as, bs; p; g (-1): b; d. New York, circa January 1952 R 2001 WIGGLES Red Robin 107 R 4005 THE HAMMER (-1) Red Robin 139 R 4004 JACKPOT Red Robin 139 Tiny Bradshaw and his Orchestra : Lester Bass, tp; RED PRYSOCK, Rufus Gore, ts; Jimmy Robinson, p; Clarence Mack, b; Philip Paul, d. Cincinnati, October 6, 1952 K 9175-1 SOFT King 4577 EARL BOSTIC, as; George Parker, p; Vernon King, b; Shep Shepherd, d. New York, 1948 S243 8:45 STOMP Gotham 155 S247 DISC JOCKEY NIGHTMARE Gotham 168 Roger Jones, tp; EARL BOSTIC, as; Count Hastings, ts; Jaki Byard, p; Vernon King, b; Shep Shepherd, d. Cincinnati, January 12, 1949 K5661 EARL BLOWS A FUSE EP202 EARL BOSTIC, as; Count Hastings, ts; Clifton Smalls, p; Gene Redd, vib; Rene Hall, g; Keeter Betts, b; Jimmy Cobb, d. New York, January 10, 1951 K 9007-1 FLAMINGO King 4475 Blue Mitchell, tp; EARL BOSTIC, as; Ray Felder, ts; Joe Knight, p; Mickey Baker, g; Ike Isaacs, b; George Brown, d; Gene Redd, vib. New York, December 17, 1952 K 9225 STEAM WHISTLE JUMP King 4603 Todd Rhodes and his Orchestra : Howard Thompson, tp; Holley Dismukes, as; JOE THOMAS, Louis Barnett, ts; George Favors, bs; Todd Rhodes, p; Joe Williams, b; Huestall Tally, d. Cincinnati, January 25, 1949 B 7094 PAGE BOY SHUFFLE Sensation 16 Joe Thomas and his Orchestra : Ernest V. Perry, Johnny Grimes, tp; Dickie Harris, tb; Ben Kynard, as, bs; JOE THOMAS, ts; George Rhodes, p; George Duvivier , b; Joe Marshall, d. Linden, N.J., May 21, 1949 K 5727 BACKSTAGE AT THE APOLLO King 4926 Joe Thomas and his Orchestra : Ernie Devilles, tp; Dickie Harris, tb; JOE THOMAS, Fred Williams, ts; George Rhodes, p; Laverne Baker, b; Bazley Perry, d. New York, April 26, 1951 K 8015-1 JUMPIN’ JOE King 4460 Harold Land All Stars : Froebel Brigham, tp; Russell Campbell, tb; William Doby, as; HAROLD LAND, ts; Freddie Jackson, p; Dave Dyson, b; Leon Petties, d. Los Angeles, April 25, 1949 SLA 524 OUTLANDISH Savoy SJL 2215 DISC THREE: BOOGIE’S THE THING John Anderson, tp; Britt Woodman, tb; BIG JAY McNEELY, ts; Jimmy O’Brien, p; Ted Shirley, b; William Streetser, d. Hollywood, December 15, 1948 SLA 502-1 DEACON’S HOP Savoy 685 John Anderson, tp; Jesse "Streamline" Ewing, tb; BIG JAY MCNEELY, ts, Bob McNeely, bs; Jimmy O’Brien, p; Prinze "Candy" Stanzel, g; Leonard "Tight" Hardiman, d; Charles McNiles, bgos. Hollywood, February 1949 1375-2 BLOW BIG JAY Exclusive 90X Probably same personnel as above but Bob McNeely, as (-1); Ted Shirley, voc (-2) Hollywood, April 1949 1392-2 ROAD HOUSE BOOGIE (-2) Exclusive 96X 1399-2 TONDALAYO (-1) Exclusive 108X Probably same personnel as above, but omit Candy Stanzel Los Angeles, January/February 1950 JAY’S FRANTIC Aladdin 3050 BIG JAY McNEELY, ts; Bob McNeely, bs; Jimmy O’Brien, p; "Porky" Harris, g; William "Buddy" Woodson, b; Wayne Robinson, d. Hollywood, August 26, 1952 F 280 THE GOOF FEDERAL 12102 FRANK "FLOOR SHOW" CULLEY, ts; Harry Van Walls, p; Tiny Grimes, g; unknown, b; d. New York, January 17, 1949 A-176 FLOORSHOW ATLANTIC 880 A-177 COLE SLAW ATLANTIC 874 A-178 CENTRAL AVENUE BREAKDOWN Wallace Wilson, tp; Walter "Phatz" Morris, tb; FRANK CULLEY, ts; Randy Weston, p; Count Edmondson, b; Connie Kay, d. New York, February 27, 1951 A-573 CULLEY FLOWER ATLANTIC 935 EDDIE "LOCKJAW" DAVIS, tp; Bill Doggett, org; John Simmons, b; Jo Jones, d, unknown, tp; 2nd ts; bs; voc. New York, August 16, 1949 K5767 MOUNTAIN OYSTERS KING 4321 Freddie Mitchell and his Orchestra : Unknown, tp; probably Alton "Slim" Moore, tb; FREDDIE MITCHELL, ts; Bill Graham, as, bs; probably Joe Black, p; unknown, b; d. New York, June 1949 D 107 SLIDER DERBY711 Freddy Mitchell and his Orchestra : Probable pers : Joe Ball or William Sciow, tp; Slim Moore, tb; FREDDIE MITCHELL, ts; Pinky Williams, bs; Art Sims, p; Butch Barrett, b; Jerry Smith, d; Sarah Dean, voc. New York, 1951 D 709 I GOT YOUR BOOGIE DERBY 765 Freddie Mitchell and his Orchestra : Frank Hollins, tp; Walter "Phatz" Morris, tb; FREDDIE MITCHELL, ts; Pinky Williams, bs; George Holmes, p; Lee Atkins, b; Herman Bradley, d. New York, 1952 D825 MOON DOG BOOGIE DERBY 793 Paul Gayten & his Band : Wallace Davenport, tp; Frank Campbell, as; bs; LEE ALLEN, ts; Paul Gayten, p; Jack Scott, g; George Pryor, b; Robert Green, d. New Orleans, 1949 R-1030 BACKTRACKIN’ (DR. DADDY - O) REGAL 3230 Alma "The Lollypop Mama" Mondy with George Miller’s Mid-Driffs : Alma Mondy, voc; Dave Bartholomew, tp; LEE ALLEN, LEROY "BATMAN" RANKIN, ts; Alex "Duke" Burrell, p; Jack Scott, g; George Miller, b; Lester "Boots" Alexis, d. New Orleans, August 18, 1949 7800 MISS LOLLIPOP’S CONFESSION MERCURY M 8190 George Miller & his Mid-Driffs : Dave Bartholomew, tp; LEE ALLEN, LEROY "BATMAN" RANKIN, ts; Alex "Duke" Burrell, p; Jack Scott, g; George Miller, b; Lester "Boots" Alexis, d; Theard Johnson, voc. New Orleans, August 22, 1949 7810 BOOGIE’S THE THING MERCURY M 8183 Joe Turner with Dave Bartholomew’s Orchestra : Dave Bartholomew, unknown, tp; Waldron "Frog" Joseph, tb; Joe Harris, as; Clarence Hall, HERB HARDESTY, ts; Fats Domino, p; Ernest McLean, g; Peter Badie, b; Thomas Moore, d; Joe turner, voc. New Orleans, April 1950 IM 191 JUMPIN’ TONIGHT IMPERIAL 5090 Tiny Davis & her Orchestra : BERT ETTA "BIRDIE" DAVIS, as; MARGARET BACKSTROM, ts; Tiny Davis, p, voc; Eileen Chance, b; Helen Cole, d. New York, October 24, 1949 W 75438 RACE HORSE DECCA 48220 Clyde Bernhardt and his Kansas City Buddies : Clyde Bernhardt, tb; SAM "THE MAN" TAYLOR, ts; Dave Small, bs; Earl Knight, p; Rene Hall, g; Gene Ramey, b; Gus Johnson, d. New York, October 6, 1949 BN 366 CRACKLIN’ BREAD BLUE NOTE BN 1202 Bull Moose Jackson & his Buffalo Bearcats : Harold "Money" Johnson, tp; Eugene Adams, Snooky Hulbert, as; Bull Moose Jackson, ts, voc; SAM "THE MAN" TAYLOR, ts; Irving Greene, p; Eddie Smith, b; Kelly Martin, d. Cincinnati, September 27, 1950 K 5966-5 BIG FAT MAMAS ARE BACK IN STYLE AGAIN KING 4412 Bull Moose Jackson & his Buffalo Bearcats : Frank Galbraith, tp; Bernie Peacock, Snooky Hulbert, as; Bull Moose Jackson, SAM "THE MAN" TAYLOR, ts; Bill Doggett, p; Carl Pruitt, b; Jerry Potter, d. New York, May 4, 1951 K 8019-1 CHEROKEE BOOGIE CD CHARLY 274 Irving Stokes, tp; Bruce Kinkson, ts; CECIL PAYNE, bs; Billy Kyle, p; Franklin Skeete, b; Hayward Johnson, d. New York, June 21, 1949 75004 EGG HEAD DECCA 48109 Teddy Brannon & his Orchestra : RAY ABRAMS, ts; Teddy Brannon, p; Dickie Thompson, g, voc; Aaron Bell, b; Denzil Best, d. Linden, N.J. October 1949 1103-2 EVERYBODY GET TOGETHER REGAL 3241 Johnny Otis & his Orchestra : Don Johnson, tp; George Washington, tb; Lorenzo Holden, JAMES VON STREETER, ts; Walter Henry, bs; Devonia Williams, p; Johnny Otis, vib; Pete Lewis, g; Mario Delagarde, b; Leard Bell, d. Los Angeles, December 23, 1949 SLA 4457-2 HEAD HUNTER SAVOY 774 Doc Sausage & his Band : EARL JOHNSON, ts; Charles Harris, p; Charlie Jenkins, g; Doc Sausage (Lucius Tyson), d; voc. Linden, N.J., January 2, 1950 1144-2 SAUSAGE ROCK REGAL 3256 Calvin Boze, tp, voc; MAXWELL DAVIS, ts; unknown, p; g; b; d. Los Angeles, January 13, 1950 RR-1512-2 SAFRONIA B DISC FOUR: MORE BOUNCE TO THE OUNCE Willis Jackson & his Orchestra : Andrew "Fats" Ford, tp; Booty Wood, tb; WILLIS JACKSON, ts; Ben Kynard, bs; Bill Doggett, p; Leonard "Heavy" Swain, b; David "Panama" Francis, d. New York, 1950 R 1404 ON MY OWN Apollo 801 R 1407 DANCE OF THE LADY BUG Apollo 801 Willis Jackson and his Orchestra : Andrew Ford, tp; Booty Wood, tp; WILLIS JACKSON, ts; Reuben Phillips, bs; Arnold Jarvis, p; Leonard Swain, b; Panama Francis, d. New York, 1950 R 1431 LATER FOR THE GATOR Apollo 806 Willis Jackson and his Orchestra : John H. Russell, tp; Walter "Phatz" Morris, tb; WILLIS JACKSON, ts; Otis Sutton, as, bs; Jimmy Evans, p; Leonard Swain, b; Emmanuel Simms, d. New York, July 3, 1951 A 624 WINE-O-WINE Atlantic 957 WILLIS JACKSON & Unknown others New York, November 27, 1951 A 706 GOOD GLIDING Atlantic 957 WILLIS JACKSON, ts & unknown others New York, May 23, 1952 A 844 GATOR’S GROOVE Atlantic 975 Charlie Singleton & his Orchestra : Ray Copeland, tp; CHARLIE SINGLETON, as; Lucky Thompson, ts; Eddie Barefield, bs; Herbie Nichols, p; Peck Morrison, b; Sticks Evans, d New York,December 6, 1950 80257 ELEPHANT ROCK Decca 48193 Charlie Singleton & his Orchestra : Earl Alexander, tb; Lou Donaldson, as, bs; CHARLIE SINGLETON, Moe Jarman, ts; Gildo Mahones, p; unknown, g; Martin Rivera, b; John Godfrey,d. New York, 1951 CS 503 EARTHQUAKE Red Robin 103 Fred Jackson & his Orchestra : FRED JACKSON, ts, rest unknown Atlanta, late 1950 1401-2 BUCK FEVER Regal 3323 Lynn Hope Quintet : LYNN HOPE, ts; Robert "Fox" Martin, vib; Mary Hope, p; Billy Davis, g; Ray Coulter, b; Billy Hope, d. Chicago, April 1950 UB 50 - 226 SONG OF THE WANDERERPremium 851 UB 50 - 227 TENDERLY Premium 851 Same personnel as above, but add unknown ts and bass sax. Chicago, circa 1950 U 7420 MORE BOUNCE TO THE OUNCE Chess 1499 Julian Dash and his Orchestra : Julian DASH, ts; Haywood Henry, bs; Freddy Jefferson, p; Leroy Kirkland, g; Lee Stanfield, b; Sonny Payne, d; Sammy Lowe, arr. New York, March 17, 1951 2307 OPEN UP THEM PEARLY GATES Sittin’ in with SIW 649 2309 HOT ROCK Sittin’ in With SIW 600 Rene Hall Sextet : Reunald Jones, tp; Bobby Green, BUDDY TATE, ts; Edwin Swanston, p; Rene Hall, g; Bill Swanston, b; Bobby Donaldson, d. New York, 1950 BLOWIN’ AWHILE Jubilee 5020 BLUE CREEK HOP Jubilee 5013 Ike Lloyd, lead voc; Art Farmer, George Orendorff, tp; Earl Brown, as; PLAS JOHNSON, ts; Lloyd Glenn, p; Pee Wee Crayton or Chuck Norris, g; Billy Hadnott, b; Bob Harvey, d. Los Angeles, June 14, 1951 3895 WORRYING BLUES Mercury M 8241 Johnny Hodges and his Orchestra : Emmett Berry, tp; Lawrence Brown, tb; Johnny Hodges, as; AL SEARS, ts; Leroy Lovett, p; Lloyd Trotman, b; Sonny Greer, d. New York, March 3, 1951 515-2 CASTLE ROCK Clef 8944 Al Sears and hs Orchestra : Emett Berry, tp; Lawrence Brown, tb; Charlie Holmes, Johnny Hodges, as; AL SEARS, ts; Leroy Lovett, p; Lloyd Trotman, b; Joe Marshall, d. New York, September 21, 1951 K 8064 MARSHALL PLAN King 4520 ORVILLE "FATS" NOEL, ts, voc : Bill Spooner, p; Alfred Matthews, b; John Tucker, d. Cincinnati, September 6, 1951 D 1549 RIDE, DADDY RIDE De Luxe 3321 ORVILLE "FATS" NOEL, acc. by unknown, tp; tb; p; b; d. New York, August 26, 1952 HR 1003 DUCK SOUP Herald 402 Jimmy Jackson All Stars : JIMMY JACKSON, ts; Devonia Williams, p; Mitchell Webb, g; Billy Hadnott, b; Al "Cake" Wichard, d. Los Angeles, 1952 MM 1765 HONKIN’ RPM 349 Paul Bascomb & his Orchestra : Ed Lewis, tp; Frank Porter, Tommy Waters, as; PAUL BASCOMB ts, voc; Harold Wallace, bs; Duke Jordan, p; James McCrary, b; George Dettart d. New York, March 3, 1952 1089-4 PINK CADILLAC Delmark DL 431 Same personnel as above, but Tommy Waters out New York, August 25, 1952 9490 MUMBLES BLUES Mercury 8299 Joe Houston & his Orchestra : JOE HOUSTON, ts; unknown, p; b; d. ACA-1800 Los Angeles, 1951 CORNBREAD AND CABBAGE GREEN Recorded inHollywood 426 JAY’S BOOGIE Recorded in Hollywood 426 JIMMY FORREST, ts; Bunky Parker, p; Johnny Mixon, b; Oscar Oldham, d; Percy James, cga, bgo Chicago, November 27, 1951 1034-6 NIGHT TRAIN United 110 Sonny Thompson & his Orchestra : Dennis Brooks, as; DAVID BROOKS, ts; Sonny Thompson, p; Bill Jackson, g; Cliff McGray, b; Bill English.d. Cincinnati, June 30, 1952 FLYING HOME Sequel NEM CD 900

Track listing for the Proper Box: P1341 THE BIG HORN FLYING HOME 805520013413 1. ILLINOIS JACQUET - FLYING HOME Hampton, Goodman, Robin p 1942 3.07 2. ILLINOIS JACQUET - BLUES Etaoin p 1944 10.18 3. BIG JIM WYNN - ROCK WOOGIE Luper, Wesley p 1945 2.44 4. BIG JIM WYNN - WEST COAST LOVER Ellen p 1951 2.40 5. PAZUZZA SIMON - RAISIN’ THE ROOF Buckner p 1946 2.31 6. ARNETT COBB - COBB’S CORNER Cobb p 1947 2.39 7. ARNETT COBB - GO, RED, GO Cobb p 1947 2.36 8. ARNETT COBB - SMOOTH SAILING Cobb p 1950 2.44 9. ARNETT COBB - OPEN HOUSE Duvivier p 1951 2.52 10. MORRIS LANE - DOWN THE LANE Lane p 1947 2.23 11. MORRIS LANE - BLUE JEANS Lane p 1952 2.16 12. MORRIS LANE - BOBBY’S BOOGIE Lane p 1951 2.37 13. DICK DAVIS - SCREAMING BOOGIE Thompson p 1947 2.36 14. WILD BILL MOORE - WE’RE GONNA ROCK, WE’RE GONNA ROLL Reig, Moore p 1947 2.37 15. WILD BILL MOORE - BUBBLES Moore p 1947 3.08 16. WILD BILL MOORE - BALANCING WITH BILL Moore p 1950 2.35 17. WILD BILL MOORE - HEY SPO-DEE-O-DEE Brannon, Theard p 1950 2.40 18. PAUL WILLIAMS - 35-30 (THIRTY-FIVE-THIRTY) Williams p 1948 3.11 19. PAUL WILLIAMS - WALKIN’ AROUND Williams, Parker p 1948 2.45 20. PAUL WILLIAMS - THE HUCKLEBUCK Gibson, Alfred p 1948 3.04 21. PAUL WILLIAMS - HE KNOWS HOW TO HUCKLEBUCK Alfred p 1949 2.41 22. PAUL WILLIAMS - BACK BENDER Williams p 1949 2.28 23. JACK McVEA - JACK FROST McVea p 1948 2.28 24. WEASEL PARKER -TYPHOON Williams, Redd p 1948 2.41 P1342 THE BIG HORN BLOW YOUR BRAINS OUT 805520013420 1. HAL SINGER/TOM ARCHIA - BLOW YOUR BRAINS OUT Harris p 1948 2.40 2. HAL SINGER/TOM ARCHIA - BLOWIN’ TO CALIFORNIA Harris p 1948 2.23 3. HAL SINGER/TOM ARCHIA - BOODIE, BOODIE Unknown p 1948 2.42 4. HAL SINGER - CORNBREAD Singer p 1948 2.55 5. HAL SINGER - BEEFSTEW Singer p 1948 2.29 6. JOHN HARDEE - BOOGIE WOOGIE BARBECUE Grimes p 1948 2.59 7. JOHN HARDEE - ROCKIN’ AND SOCKIN’ Grimes p 1950 2.30 8. LITTLE WILLIE JACKSON - JACKSON’S BOOGIE Jackson, Josea p 1948 2.46 9. LITTLE WILLIE JACKSON - LET’S JUMP Jackson, Jackson p 1948 2.33 10. EDDIE CHAMBLEE - LONG GONE, PT.2 Thompson, Simpkins p 1948 2.51 11. EDDIE CHAMBLEE - BACK STREET Chamblee, Simpkins p 1948 2.45 12. EDDIE CHAMBLEE - SOUTHERN COMFORT Marsala, Wayne, Doraine p 1951 2.51 13. RED PRYSOCK - HOT IN HARLEM Prysock, Grimes p 1948 2.50 14. RED PRYSOCK/BENNY GOLSON - BATTLE OF THE MASS Grimes p 1950 2.35 15. RED PRYSOCK - WIGGLES Prysock p 1952 2.41 16. RED PRYSOCK - THE HAMMER Prysock p 1952 2.28 17. RED PRYSOCK - JACKPOT Unknown p 1952 2.36 18. RED PRYSOCK - SOFT Bradshaw p 1952 2.30 19. EARL BOSTIC - 8:45 STOMP Bostic p 1948 2.33 20. EARL BOSTIC - DISC JOCKEY NIGHTMARE Bostic p 1948 2.24 21. EARL BOSTIC - EARL BLOWS A FUSE Bostic p 1949 2.43 22. EARL BOSTIC - FLAMINGO Grouya, Anderson p 1951 2.39 23. EARL BOSTIC - STEAM WHISTLE JUMP Bostic p 1952 2.58 24. JOE THOMAS - PAGE BOY SHUFFLE Glover p 1949 2.38 25. JOE THOMAS - BACKSTAGE AT THE APOLLO Thomas p 1949 2.35 26. JOE THOMAS - JUMPIN’ JOE Thomas p 1951 2.32 27. HAROLD LAND - OUTLANDISH Land p 1949 2.36 P1343 THE BIG HORN BOOGIES THE THING 805520013437 1. BIG JAY McNEELY - DEACON’S HOP McNeely p 1949 2.48 2. BIG JAY McNEELY - BLOW BIG JAY McNeely p 1949 2.49 3. BIG JAY McNEELY - ROAD HOUSE BOOGIE McNeely, Shirley p 1949 2.52 4. BIG JAY McNEELY - TONDALAYO McNeely p 1949 2.45 5. BIG JAY McNEELY - JAY’S FRANTIC McNeely p 1950 3.01 6. BIG JAY McNEELY - THE GOOF McNeely, McNeely p 1952 2.21 7. FRANK "FLOORSHOW" CULLEY - FLOORSHOW Culley p 1949 2.57 8. FRANK "FLOORSHOW" CULLEY - COLE SLAW Stone p 1949 2.43 9. FRANK "FLOORSHOW" CULLEY - CENTRAL AVENUE BREAKDOWN Hampton p 1949 2.15 10. FRANK "FLOORSHOW" CULLEY - CULLEY FLOWER Culley, Albert p 1951 2.27 11. EDDIE "LOCKJAW" DAVIS - MOUNTAIN OYSTERS Bernard p 1950 2.38 12. FREDDIE MITCHELL - SLIDER Raeburn, Temple p 1949 2.40 13. FREDDIE MITCHELL - I GOT YOUR BOOGIE Unknown p 1951 2.10 14. FREDDIE MITCHELL - MOON DOG BOOGIE Mitchell p 1952 2.42 15. LEE ALLEN - BACKTRACKIN’ (DR. DADDY-O) Scott, Theard, Brannon p 1949 2.55 16. LEE ALLEN / LEROY "BATMAN" RANKIN - MISS LOLLIPOP’S CONFESSION Mondy p 1949 2.41 17. LEE ALLEN / LEROY "BATMAN" RANKIN - BOOGIE’S THE THING Bartholomew p 1949 2.45 18. HERB HARDESTY - JUMPIN’ TONIGHT Turner p 1950 2.20 19. BIRDIE DAVIS/MARGARET BACKSTROM - RACEHORSE Davis p 1949 2.35 20. SAM "THE MAN" TAYLOR - CRACKLIN’ BREAD Bernhardt p 1949 2.44 21. SAM "THE MAN" TAYLOR - BIG FAT MAMAS ARE BACK IN STYLE AGAIN Millinder, Clawson, Toussaint, Pope p 1950 2.20 22. SAM "THE MAN" TAYLOR - CHEROKEE BOOGIE Mullican p 1950 2.41 23. CECIL PAYNE - EGG HEAD Payne, Mendelsohn p 1949 2.44 24. RAY ABRAMS - EVERYBODY GET TOGETHER Brannon p 1949 2.24 25. JAMES VON STREETER - HEAD HUNTER Otis p 1950 3.02 26. EARL JOHNSON - SAUSAGE ROCK Tyson p 1950 2.34 27. MAXWELL DAVIS - SAFRONIA B Boze p 1950 2.20 P1344 THE BIG HORN MORE BOUNCE TO THE OUNCE 805520013444 1. WILLIS JACKSON - ON MY OWN Cobb, Kynard p 1950 2.52 2. WILLIS JACKSON - DANCE OF THE LADY BUG Cobb, Kynard p 1950 2.32 3. WILLIS JACKSON - LATER FOR THE GATOR Jackson p 1950 2.40 4. WILLIS JACKSON - WINE-O-WINE Stone, Ramson, Nugetre p 1951 2.45 5. WILLIS JACKSON - GOOD GLIDING Jackson p 1951 3.02 6. WILLIS JACKSON - GATOR’S GROOVE Jackson p 1952 2.37 7. CHARLIE SINGLETON - ELEPHANT ROCK Field, Schuster, Tucker p 1950 2.37 8. CHARLIE SINGLETON - EARTHQUAKE Singleton p 1951 2.28 9. FRED JACKSON - BUCK FEVER Unknown p 1951 2.25 10. LYNN HOPE - TENDERLY Gross, Lawrence p 1950 2.31 11. LYNN HOPE - SONG OF THE WANDERER Moret p 1950 2.43 12. LYNN HOPE - MORE BOUNCE TO THE OUNCE Hope p 1950 2.25 13. JULIAN DASH - OPEN UP THEM PEARLY GATES Dash p 1951 2.42 14. JULIAN DASH - HOT ROCK Dash p 1951 2.55 15. BUDDY TATE - BLOWIN AWHILE Unknown p 1951 2.53 16. BUDDY TATE - BLUE CREEK HOP Unknown p 1951 2.59 17. PLAS JOHNSON - WORRYING BLUES Hogg p 1951 2.38 18. AL SEARS - CASTLE ROCK Sears p 1951 2.49 19. AL SEARS - MARSHALL PLAN Baker, Cue, Sears p 1951 2.44 20. FATS NOEL - RIDE DADDY RIDE Noel p 1951 2.07 21. FATS NOEL - DUCK SOUP Noel p 1952 2.15 22. JIMMY JACKSON - HONKIN’ Jackson p 1952 3.11 23. PAUL BASCOMB - PINK CADILLAC Bascomb p 1952 2.20 24. PAUL BASCOMB - MUMBLES BLUES Bascomb p 1952 2.33 25. JOE HOUSTON - CORNBREAD AND CABBAGE GREENS Jacques p 1952 2.24 26. JOE HOUSTON - JAY’S BOOGIE Jacques p 1952 2.44 27. JIMMY FORREST - NIGHT TRAIN Washington, Simpkins, Forrest p 1951 2.58 28. DAVID BROOKS - FLYING HOME Hampton p 1952 4.09

We should add the one included in The Private Collection, volume 10: 1. Black (Ellington) - 8:09 2. Come Sunday (Ellington) - 5:59 3. Light (Ellington) - 6:29 4. West Indian Dance (Ellington) - 2:15 5. Emancipation Celebration (Ellington) - 2:36 6. The Blues (Ellington) - 5:23 7. Cy Runs Rock Waltz (Ellington) - 2:18 8. Beige (Ellington) - 2:24 9. Sugar Hill Penthouse (Ellington) - 4:55 All tracks recorded on 1965 except for "The Blues" which is actually a 1971 recording featuring Tony Watkins on vocals: this is one of the very few times this song has been sung by a male vocalist.

List for the recordings of the "complete" BBB suite with the title for each track, according to YOSHIOKA TOSHIYA: BLACK,BROWN AND BEIGE (Ellington) (1943 version) BLACK BROWN BEIGE BLUES, THE (*) (1944 version) WORKSONG BLUES, THE THREE DANCES COME SUNDAY (1945 version) WORK SONG BLUES, THE WEST INDIAN DANCE EMANCIPATION CELEBRATION SUGAR HILL PENTHOUSE (1958 version) PART 1-6 THE 23RD PSALM (*) My copy of the Carnegie 1943 Concert doesn´t include "The blues" as a separate track ?????

These tenor players may fit your definition: ILLINOIS JACQUET ARNETTE COBB EDDIE LOCKJAW DAVIS From a bit later in the timeline: WILLIS GATOR JACKSON

Congratulations, Jim!!!

I´m not an audiophile at all, but my 1999 reissue sounds good to these ears, as all the Ellington CDs released on his Centennial year that I have.

OK, I´ll start this one. BBB´s premiere took place on January 23 (1943) in the first of many Carnegie Hall Concerts for the Duke Ellington Orchestra. It received a cold reception from critics and public. This suite, as many of the extended works Ellington developed through his career, was criticized as being "pretentious" and as being a vain try of melting "serious music" and jazz. BBB has been criticized as well of having too much themes, too much changes of time and too much different moods. I couldn´t disagree more. It contains wonderful moments of fabulous music and some of the best Ellington melodies. It´s one (if not the most) spinned Ellington discs on my shelves. BBB original version (about 45 minutes) was edited, reduced, expanded and changed many times through Ellington´s career. *-*-*-*-*-*-*-*-*-*-*-*-*-*-*-*-*-*-*-*-* This 1958 (recording date) performance consists of the two principal parts of the complete piece, "Work song", heard in Parts I and III, and "Come Sunday", heard in parts II, III, IV and V. My personal highlights include: -the complete Part I, with its grandiloquent orchestral start, with that drum making its tom-tom tom-tom (this effect is even greater in the version included in Duke Ellington Private Recordings, vol.10), with continous new melodies and changes of rhythm. Dig it! ... and then there´s that simple but beautiful solo by Harry Carney. He makes another good one on Part II (I must recognize the first time I listened to this second one I thought it was a tenor sax and not a baritone) -the superb introduction by Shorty Baker on Part III and his brief call and response game with the orchestra. This 40 seconds are worth the price of the CD. Shorty Baker is a great asset in the whole suite. -Come Sunday: Mahalia Jackson is simply amazing here. This is one of my favorite Ellington melodies (and I have a great deal of them). Actually, I don´t own any Mahalia Jackson disc apart from this. So, this AOTW and this re-listening of BBB will make me include some MJ CDs on my wish-list (I know you´ll recommend some). -Ray Nance´s violin solo on Part V is one of his best with Ellington Orchestra. Keeping the Come Sunday melody, it introduces the 23rd Psalm. More impressions to come!

I must recognize the only CD I have with Roland Hanna as a leader is "Sir Roland Hanna plays the music of Alec Wilder" in the "Helen Merrill presents" series, reissued in Gitanes/Verve. A good collection of solos, halfway between jazz and classical music (at least to my ears) rounded off with a beautiful version of "Sounds around the house" with Helen on vocals. Though this one is not in the first line of my "most spinned discs" starting grid, I really dig it. And I really appreciate his work with Mingus.

To keep this ball rolling, I oficially nominate Jim Sangrey (under his permission ) to pick next AOTW (Feb 1-7) B)

Thanks Jim R for allowing me to pick AOTW for January 25-31. This is one of my favorite LP-era Ellington recordings, no doubt. Recorded in 1958, it´s BB&B´s third appearance on disc in an altered and edited version. It features Mahalia Jackson on "Come Sunday" and "23rd Psalm". This could be a good chance to discuss Ellington´s extended works skills (by comparison with his mastering within the song-type musical form). In advance, I must recognize I love Duke´s suites... and it doesn´t mean that I don´t like his hundreds of songs. BTW, now you know the meaning of the second part of my username, dig it?

1929

Freddie Jenkins, Cootie Williams, Sonny Greer, Aurthur Whetsol, Jaun Tizol, Wellman Braud, Harry Carney, Fred Guy, Barney Bigard, Joe Nanton, Johnny Hodges, and Duke Ellington seated at the piano.

Manuscript, complete with Ellington´s notations, of "Light", the last section of the first movement of Black Brown and Beige, as of Carnegie Hall 1943 concert.