I wrote for Cadence near the beginning of my sideline as a jazz journalist. I appreciated Bob Rusch giving me the opportunity but I was exasperated at some of his quirks, like holding reviews for six months or more, while restricting regular contributors voting best of the year releases to the titles reviewed in Cadence during that year, while the editor could choose any release for his list. The miserly compensation ($2-$4 in trade credit, even for a large boxed set, was also a reason that I finally gave up contributing to them. I didn’t know about his troublesome past until reading it in this discussion board awhile back.