Ken Dryden

Aaron Judge George Foreman Margaret Court

Canal Winchester, Ohio. Never heard of it... Love my iPhone app that routes these bozos to voicemail without ringing, they rarely leave a message, unless it is the last part of the foreign-accented moron's robocall that implies the person is in tax trouble...

I'm sure that Mosaic Records has been in the limited edition boxed set game long enough that they have learned a few things, though it is likely impossible to predict whether a set will set out before the lease is up. I'm sure the owners of recordings they would like to issue are holding out for more money in many cases, while it is always nice to have the music packaged in a more intelligent manner vs. scattered over numerous CDs and LPs, with detailed liner notes and period photos missing from earlier issues. It seemed like they frequently had sales on sets of Capitol recordings, so maybe they are shying away from further releases from that label. Also, by producing only 3,500 sets, they may be lowering leasing costs and taking on less risk than they did with larger runs. This is all guesswork, I've never run a record label...

Jane Ira Bloom David Rose Daisy Mae

Sun Ra Keith Moon John D'Earth

I wonder if anyone will get one from Yeehaw Junction, Florida? I will have to start jotting them down before deleting them.

I have mentioned the tight hub issue to Scott at Mosaic in the past and I think they solved that problem. I can remember thinking that I was going to break a cd by trying to get it off the spindle. I have no problem with Mosaic’s outer packaging.

1) I don't mind seeing Dave Liebman and David Liebman from one release to the next, but I get tired of misspelled names: Richard Rodgers, Sarah Vaughan, Cannonball Adderley (and Nat, too), Willard Robison (probably the most misspelled composer), and David Raksin are just a few of the most commonly misspelled names. I realize some artists that changed the spelling of their names over time (Stephane Grappelli, though his autograph on an LP I own that he signed in 1989 uses the original spelling, George Brunis, Charli Persip, for example) Related omissions are not crediting the lyricist on a vocal track, or omitting the composer of the music, again, this seems to happen a lot when Willard Robison is omitted but the lyricist is credited. Some of the mistaken titles or composers happen on live sessions, where a performer forgets the title. Eubie Blake, on the Chiaroscuro release Jazz Piano Masters, introduces his "Troublesome Ivories" as "Tricky Fingers," both before and after he plays it. Given that he was 86 at the time, that is understandable. Another is when the artist misintroduces the title, like saying "Squeeze Me" (Fats Waller) in place of "Just Squeeze Me" (Duke Ellington). There have also been times when the performer identifies the song as by one composer and it is actually a tune only recorded by that artist. But it gets silly when one sees "Nardis" credited to Bill Evans (though he recorded it many times) or John Coltrane's "Locomotion" listed as Thelonious Monk's "Locomotive." If there are liner notes, the writer should catch those kind of obvious mistakes. It is very possible that in the production of a release that there's a late change in the final playlist and someone forgets to make the change to the track list for the jacket, booklet or tray card. From the time I wrote my set of liner notes, I have assumed it is my duty to check all of the information. Almost always I have found various errors that I have described. One unusual goof was a Best of anthology that featured a track where the leader didn't even solo; it was removed after I pointed out that odd track choice. I will say that I did a series of biographical liner notes for a European anthology series and I wasn't given a playlist for any of the CDs. So I had no way to check titles, composers, or musicians to verify that they were correct. Errors are the responsiblity of the label, if any. 3) When I am discussing band images being correct, it is often a problem found on historical releases. For example, don't show Teddy Wilson behind Benny Goodman if he isn't on the release, find a different photo. 5) I have lost count of how many flipped images I've seen with Lionel Hampton's name appearing backwards on the front of his vibes, plus piano images flipped, bassist and guitar images mirrored, plus the infamous left handed trumpet image of Miles Davis on the Columbia/Legacy Kind of Blue in the 1980s. 6) I am in full agreement about those annoying sleeves where you feel like you're going to tear them to get the CD in or out. Then there is always the oddball release where the designer puts the text on the spine upside down, so when you file the LP or CD, it either has to be flipped or appear backwards compared to adjacent recordings. I prefer the top of the text to be beside the front cover. 7) Having logical catalog numbers in sequence for an artist is helpful so one doesn't have to look for the copyright date on each title. But maybe that is overkill...

Other than possibly tray cards that have lots of short tracks over 2 CDs, I can't think of any Mosaics that are all that hard to read.

Cedar Walton Courtney Pine Phil Woods

mjzee: That kind of credit shortcut makes it a lot easier to make a mistake when reviewing or airing a release. My pet peeves: Labels, artists, producers, liner note writers, etc., who don't bother to do their research to check that all names are correctly spelled and credited (composers, lyricists, musicians), all instruments listed, song titles match their published titles, images of the band match the group featured, using an age appropriate image for a historical release (instead of Benny Goodman in his 70's for a CD of 1930s music), not looking out for mirrored images, graphic designers who choose tiny, hard to read fonts using colors that blend into the background, plus the bozos who design boxed sets who obviously aren't collectors (worst offenders are the Bill Evans Compete Verve set with all that rust and hard to use booklet and flip out CD sleeves, and the complete idiot who designed the 4 CD Charlie Christian set, with the CDs set in a ceramic like block). Young artists who feel they must feature all originals on their debut CDs right after they graduate or leave school, without realizing that not everyone has the talent to write a full CD of original works. Issuing a self-titled CD, when the artist already has released one or more titled CDs on the label. Labels who use catalog numbers in no logical order whatsoever... Why isn't a larger number used for a later CD by the same artist?

I hope Mosaic drops this Bozo as a customer, his amateurish, incoherent review deserves to be deleted.

Wondering where my charge and shipping notice are, I ordered it the same day as the original press release.

I wrote the liner notes to The Classic Concert Live and was dismayed when they sent the advance CDR and discovered that they had omitted all of Mulligan's big band instrumentals. I don't believe that this entire broadcast was aired as a part of NPR's Jazz Alive!, because I taped it when it aired. So I was already very familiar with the music long before the CD came into being. Kool Jazz Festival, Carnegie Hall, New York City, N.Y., June 29, 1982 Another Kind Of Sunday (4:36/4:18) Big Band 42nd And Broadway ** (5:32/5:08) Big Band K-4 Pacific (10:17) Big Band There are several songs listed as being broadcast on Jazz Alive! that are not present on my 1982 cassettes. Unless they aired on a separate broadcast, this may be in error in this discography. Concord Jazz should have issued a 2 CD set, there was more than enough great material, though Torme's loopy ending to the Willard Robison medley probably made it unusable.

If one exists, I'd love to hear it. One of things I treasure is the suite that Bob Brookmeyer wrote for Mulligan as the featured soloists. It was performed and broadcast in Europe, though Scott Robinson appeared on the eventual recording after Mulligan's death. I shared a copy with Brookmeyer. Bob Brookmeyer & the New Art Orchestra: Salzau, Germany, August 12, 1994 City of Angels Duets King Porter Stomp Dreams Celebration: Jig Celebration: Slow Dance Celebration: Remembering Celebration: Two And Bob Brookmyer-vlv tbn, cond Gerry Mulligan-bs (Celebration) Oliver Leicht-reeds Nils Van Haftern-reeds Edgar Herzog-reeds Paul Heller-reeds Marco Lackner-reeds Ralf Hesse-tpt Thorsten Benkenstien-tpt, flug Sebastian Strempel-tpt, flug Wim Both-tpt, flug Eckard Bauer-tpt, flug Anael Soomary-tpt, flug Ruud Breuls-tpt, flug Ansgar Streipens-tbn Christian Jakso-tbn Domnik Stoeger-tbn Christian Nasjö-tbn Anders Wiborg-tbn Ed Partyka-b tbn Jurgen Grimm-keys Kris Goessens-p Ingmar Heller-b John Hollenbeck-d other musicians are also present...

B.B. King Alvin Queen Bob Prince

Cadence carried a lot of them for years in their catalog.

Horace Silver Jared Gold Neil Diamond

Squatty Roo is a notorious bootleg label. They have reissued some of the dreadful audience recordings of Duke Ellington from late in his career. It is clearly taking low budget operations to a new level. If you do decide to invest in further Squatty Roo, here are some to avoid, obvious audinece recordings with crappy fidelity: https://www.discogs.com/Duke-Elling70n-And-His-Orchestra-Live-At-The-Cave-Super-Club-Vancouver-Canada-1970/release/6132183 https://www.discogs.com/Clark-Terry-Featuring-Frank-Foster-Carnegie-Blues-The-Music-of-Duke-Ellington/release/6821793

What is interesting is that Shelly Manne died around the age of 64, much younger than some of the other greats.

PM aent on Silvert, Conrad ..Presents Jazz at the Opera House SRCS 7068-9 $8

The science is inconclusive about how much protection a mask provides. I am more likely to lose a hearing aid from removing a mask then to get COVID-19 at this point. I have both shots and spend a lot of time at home when not running an errand or dining out. I still avoid the gym and haven’t flown anywhere since fall 2019.

I am sick of wearing a mask, period. What is political about that?

While exploring Archive.org, I ran across Jaki Byard's 1996 appearance on A Prairie Home Companion. He plays a medley of “Autumn in New York” and “Hello, Young Lovers,” then returns to play excerpts of his “Family Suite.” Easily the highlight of the broadcast for me.

Thankfully our state is ending its mask mandate on April 29th.