B. Clugston

The Lions have given the Ti-Cats permission to speak to Bob O' B.

I bought both Oxleys in London about eight years ago. I was as surprised to see them on CD as I was to learn they were on Columbia in the first place. Both are great discs with quite the line-up from the burgeoning UK improv scene.

I'm deeply offended that Morton Feldman appears sideways. Please bring back your previous avatar.

Congrats! I had a baby girl born on Halloween. For all the diapers and lack of box set purchases, it's a wonderful experience.

Saskatchewan, 48 points.

I didn't watch the game (tending to a newborn instead), but I wondered this as well. Buono gets stubborn with Dickenson sometimes. Remember the Grey Cup loss when he wouldn't throw in Casey Printers, the league MVP.

Those were the days. I can vouch for Physics and Pakistani Pomade. Hunting the Snake never really grabbed me.

Er... Bloody turnovers! It's a Bombers-Riders final. Good to see the Green Guys back in after so many years of disappointment.

Which album? The original On the Corner is on Disc 6. You won't be able to program Get Up With It since "Honky Tonk" is on the Jack Johnson box.

I'm predicting a Lions-Bombers final.

Belden's notes are excerpted from the previous reissue of On the Corner. The documentation is pretty lousy on this set. Why is there no mention of the Get Up With It tracks?

Unlikely, based on what has been said so far in print by Bob Belden and others. I'm hoping they will though get round to a 'Live Japan '75' box, with any additional material that can be found. That would be a great set. The 1973-75 band was far more interesting live than in the studio.

I think Laswell's mix of "Rated X" is very worthy and in some respects superior to the original. Guy I agree. I like what Laswell does with "Rated X," "Billy Preston," and "He Loved Him Madly."

Panthalassa has some good remixes of "Get Up With It" tunes. But Laswell doesn't get the In a Silent Way tracks, so go to the original first. Not one of Miles' best overall (poor sounding and some filler), but "He Loved Him Madly" is an incredible track.

There's no Deep Purple.

Happy belated birthday. Three downs are better than four.

Quote me if you wish.

For new CDs from the bigs, I try to stay under $15. For the smaller independents, I usually order directly from them and don’t care about price. In the pre-eBay days, I once spent CDN $37 on a Japanese import of Ornette Coleman’s Croydon concert. The old Hat Huts used to set me back CDN $28.Nowadays, if it’s OOP and I really, really want it, I’ll go up to $33.

The On the Corner stuff is great. It includes the segment used by Bill Laswell for “What If” on Panthalassa. “Chieftain,” as I mentioned before, is the same tune that opens In Concert at Philharmonic Hall. The “Turnaround” tracks are the same tune from the second part of “Prelude” on Agharta. Some of this music was used on Panthalassa. “The Hen,” “Big Fun-Hollwuud,” and “Peace” are kind of dull along the “Billy Preston” lines and lack the edge the band had in its live shows. “Mr. Foster,” recorded the day after “Calypso Frelimo” in 1973, is a good one. It sounds like “For Dave,” which closes Agharta and Pangaea and is on the latter part of Side 2 of Dark Magus. Confusingly, the more mainstream “Minnie” from 1975 is also known as “Mr. Foster.” “Hip Skip” and “What They Do” are from 1974 and include Dominique Gaumont on guitar. The former song features Pete Cosey on drums and was performed on a few live bootlegs from this period; the latter is a great stop-start guitar-fueled rave-up not unlike the “Turnaroundphrase” finale on Dark Magus.

Just got it. Nice looking package. The track "Chieftain" is the same tune that opens the In Concert at the Philharamonic Hall album. In case this hasn't been mentioned yet, there's interviews with Pete Cosey, Michael Henderson and Dave LIebman at www.miles-davis.com/onthecorner.

I've got quite a lot of music by that gentleman. Modern composers (Feldman, Kagel, Ligeti) are the second largest part of my collection behind jazz. The two non-jazz genres I've really been into lately are baroque and black metal. I probably own less than 10 "rock" CDs.

Jarrett is becoming so known for this now that I think I'd be disappointed if I went to one of his gigs and he didn't pull a hissy fit.

I would guess because 'Red China Blues' is considered more an 'outside' project. It's not Miles' band or anything, he just happens to be playing on it. And it sucks.

My favourite of the Patton/Dunn/Baron group. But I've found this gets diminishing returns after a few spins. Still, it's a lot of fun if you like this kind of stuff.

How is the 2-CD version of House of Saints? I got the original version and quite like it, particularly the closing number.