Guy, you've just reminded me of a past conversation: A friend of mine told me a while back, when I was first getting into WR (and couldn't quite love the whole bouyant, dense feel of the track 'Nubian Sundance') that Mr. Gone was the high point of the band's entire output.
First he raved about Shorter's solos on 'The Elders' and 'Young & Fine', saying that they were on "another level" to what he had done beforehand; he hadn't, I should add, heard any of Wayne's stuff from his tenure at Blue Note, the Plugged Nickel set or from his entire association with Miles .
Secondly, he would rave about Pastorious. Then again he just raves about Pastorious anyway. To the exclusion of all other bass players.
Lastly, the use of all those drummers seemed to fascinate him. For some reason.
I really should hear this album to get what he, and forum members are on about.
To be honest I'd be amazed if it hit, for me, any of the high points of 'Tale Spinnin' ' or 'Mysterious Traveller'. Not a slight at the album, since the aforementioned are fantastic albums from any band or any genre, and furthermore, the AOTW should allow us uninformed to be exposed to these more 'idiosyncratic' or controversial sides.
Sounds like a good choice for this week Guy.