I had no idea that BYG was "one of those" labels. I normally don't support any of those record labels who screw over the artists or their living heirs. That's really unfortunate, because I've really been digging the "Live In Paris" disc. I'll just add this company to Proper, JSP and the other labels I'm boycotting. Thanks for the information.
I recently picked the Art Ensemble of Chicago's "Live In Paris" which is fantastic. I noticed that there are two more reissues from the same era, "Reese and the Smooth Ones" and "Jackson in Your House/Message to Our Folks". How are these albums? Has anybody heard the reissues? Comments? Thanks in advance!
I agree with Rooster with regards to the first Bad Plus disc, but I probably won't be buying the new one. While "These Are The Vistas" is enjoyable, its not good enough to warrent purchasing the next one.
1. I've been eying "New York is Now!" and am really intrigued by that lineup. But I've heard from many that there's something about this album that doesn't quite work well. What are your opinions on this album? Should I pick it up?
2. Where should I start with Prime Time?
Like J.A.W and couw, this one just doesn't do it for me. I'm a big Osby fan, and I the playing is first rate, especially Jason Moran, but the string arrangements just kill it for me. They kind of seem.....thrown together? I can't explain it really, but I just don't dig those strings.
Kind of Blue and Miles Smiles are my all time favs. Of course, you can't exclude Relaxin', Filles De Kilimanjaro, In A Silent Way, Milestones, ESP, etc...........
That question is too difficult!
I have the first six Selects, and the one that just blew me away was the Carmell Jones, simply because I hadn't heard any of that music before. I was so pleasently surprised to discover that talent. All the rest of the sets are great, especially the Moncur and Weston. I don't find myself listening to the Patton too much, but its a good set nonetheless.
I agree with those who are disgusted by Jimmy Smith's behavior. I have no sympathy for him. If he, or any other musician, hate their jobs so much, they can always go get a nine to five. That will teach them to appreciate what they have.
Like couw says, his Verve stuff is good, but not great. I've always found that he performs best as a sideman. "St Louis Shoes" along with Eric Alexander's "Summit Meeting" and Tim Warfield's "Jazz Is...." contain some of his best work.
I'd see Jimmy Smith. I've heard reports (on this board, actually) of his ailing health, so who knows how many opportunites you'll have left to see this legend. I know Ray and Lou are both older, but they both seem to be going strong.