I like that one because on "All the Things You Are", Coleman Hawkins tricks out the changes more than Stan Getz or even Don Byas, and does so in the most understated yet emphatic fashion imaginable, kinda like, yeah, ok, y'all do all that, here's what I got. Hey, how 'bout that, eh? How did THAT happen? Hmmm.
The older I get, the more I appreciate just what an "Ok, you want to fuck with me? Bring it, then! (smirk chuckle digestive fluids beging flowing)" guy Coleman Hawkins was, and why he needed to be that way the older he got.