T.D.

I got curious about this after reading Mark S.'s Jazz in Detroit, picked up a copy via this board. Definitely little-known, I like it but wouldn't go so far as to say "gem".

New one out in the series this month: Zenith

To conclude the thread on a positive note, I've owned the following Zender recordings for a long time: (featured on just 1 of the latter's 8 discs)

R.I.P. Outstanding advocate of contemporary music. The "Hans Zender Series" of recordings on cpo introduced me to composers Feldman, Scelsi and B. A. Zimmermann; indeed to "postwar classical music" in general.

From old days of exploring microtonal/overtone music, hadn't listened for a long time. Not sure what to think, offhand it's kind of a "strongly rhythmic" minimalism that I'm not wild about.

I've always worn a watch. On days I forget to put it on I vaguely feel something is missing. I've never owned a smartphone. For quite a while I enjoyed having a "nice" (but not overly expensive) watch (I still own one from those days). Then I switched to wearing cheap sports watches for a long time. A few years ago I got a fairly nice (by my standards) Citizen "eco-drive" (light-sensitive, never needs winding) watch, which I prefer (in wet/rough conditions I go to a sports watch). It has large digits, which my aging eyes require . When the original leather band wore out I switched to an inexpensive nylon "NATO strap" watchband.

I've been listening to various versions of the Bach/Busoni Chaconne in D minor. This is a pretty good performance and cool video:

Me too. BTW, Dusty Groove maintains a good source of info on upcoming releases (incl. both of the aforementioned): https://www.dustygroove.com/coming-soon/jazz

I'm not much into vocal Bach, but love the St. Matthew Passion and enjoy the Mass in B Minor and Christmas Oratorio. Have not thus far elected to explore the cantatas - it's a daunting prospect and there are too many other things competing for attention. Oddly, I discovered Renaissance polyphony a few years ago and became an enthusiast despite not having a big appetite for Christian religious music. But my collection thereof will never get overly big, because there are only so many Kyrie eleisons, Glorias, etc. I want to hear.

Well, tastes obviously differ and you don't have to like Bach...I'm kind of a math nerd and love the structure of contrapuntal music. Regarding lack of "room for interpretation", I've found plenty in Bach. That said, the three Partitas recordings I currently own (Schepkin 1, Tipo, J. C. Martins; Schepkin 1 the favorite) all feature quite a bit of embellishment or "extravagance". Schepkin 2 supposedly tones down some of his earlier embellishments. (Other Bach solo keyboard performers: I own quite a bit of Gould and Schiff on piano, a Feltsman Art of the Fugue on piano, a Feinberg WTC on piano and a Hantai GV on harpsichord. Plus various recordings by those previously mentioned.) I recently read a review of a Morton Feldman recording in which the critic expressed the opinion that Feldman's piano music allows relatively little "r f i" and that recordings don't differ very much. I don't agree, but the dynamics (often pp to ppp ) tend to obscure differences. I've attended a couple of performances of Steve Reich's music recently, and he seems like a composer who might truly leave little "r f i", because the phasing has to be executed so precisely. But I haven't heard all that much Reich.

I don't exactly need another recording of the Partitas, but they're personal favorites and I really enjoyed Schepkin's earlier (Ongaku) recording, so...

[Tristano, Konitz, Marsh] +1

Mostly to hear Tallis's Spem in alium.