Niko

I'm pretty sure I read that article, too... probably in the stack of recent JazzPodium editions in the Cologne public library... given that I was born 1981, this was certainly not before 1993, most likely 1996 or 1997... I don't think it really was an interview but just a biographic piece by a woman who had tracked her down and talked to her (an art historian from Berlin is what I remember - she didn't seem that young to me then) edit: completely misremembered, this is the article http://www.vonschuttenbach.com/articles/Jutta_Hipp_Jazz_Podium_July_2006_new.pdf 2006 - but Jazz Podium articles are hard to place in your memory because their layout remained stuck somewhere in the late 80s for a long time...

"there are countless examples of this on Blue Note albums. " is really the moment where I thought it probably IS legit but I'll leave the listening to others

John Tirabasso Quartet - Live Jazz At Dino's part of an extended Frank Strazzeri listening program (but Gary Foster doesn't disappoint either)

while looking at the Dolphy site, I stumbled upon this really nice report on Dolphy's Dutch tour http://adale.org/Discographies/KartingHolland.html there's also a letter by Dolphy, written three weeks after the above recording (and probably delivered more or less on his final day...) "can [you] let me know what Han Bennink is doing the rest of the summer and how I can get in touch with him"

A better discography is the one by Alan Saul http://adale.org/discographies/edintro.html at least for most sessions you'll find track by track info on the instruments Dolphy is playing...

and then sit back and let the leaks come in

wondering whether this is really Jon Eardley and Jacques Pelzer with Strings... https://www.discogs.com/Ken-James-And-His-Orchestra-We-Go-To-Midnight-Party/release/2269319 https://www.discogs.com/Jon-Eardly-And-His-Romantic-Strings-Midnight-Music/release/4525743 it does sound plausible (and not like a high point of their careers)

Jon Eardley - Jazz from the States (not really from "the States" but recorded here in the Southern Netherlands)

I guess I'm on ignore for previous misdeeds (which is fine with me)... but be that as it may: I think jsngry just wanted to underline/emphasize your question and did so with a funny picture... (I didn't get that joke either...) imho (and maybe I missed something) either "Edwards Mosaic" is a typo (most likely in "Edwards") or it means "Teddy Edwards Mosaic" which could be fairly exciting... (The legendary session with Don Sleet and Daniel Jackson playing Ornette recorded by Lenny McBrowne's wife ?!?! and more...). edit: the relevant portion of Lord's musicians list https://lordisco.com/musicians/E2.html

of course, my perspective is European and biased by the subset of the population I meet the most... and I wouldn't speak of increased interest... but I really don't think that there is that much of a difference between people born, say, in 1950 and in 1985 when it comes to interest in jazz... one way in which Spotify actually seems to draw some people to jazz is through the subgenre of "unobtrusive piano music for falling asleep" - put predictably this doesn't lead to much exploring (because people are asleep when the music worked out well for them), see here and especially here

I've heard that story "now that I have spotify I can really start exploring genres I never had access to" exactly once... the guy (around 30, indie background) was thinking of Mozart operas rather than jazz... that being said, most of my colleagues between 30 and 45 have at least some interest in jazz (I've been asked to explain concepts like "standards" [is it really unclear who is associated with what song?] and "improvisation" [is everybody improvising at the same time?] by different people in the last few months... when there are interesting concerts, most want to be notified). In contrast, most of the older guys (still working, so below 67) prefer rock to jazz... by and large, I don't think that interest in jazz has changed that much over the past four or five decades... how/whether people buy records has

of course it's not a cause for the problems, it's just a strong indicator that they misperceive the problems... for instance: if you have a high quality product to sell (which they do) you don't advertise that one to me with a freebie that I could recreate in higher quality in 25 minutes max. I don't hate anyone and I actually like Mosaic quite a bit... I'm just trying to help, knowing that if I post something valuable here it will find its way... and if not, then I probably didn't.

In last week's Sunday Gazette there were still two entries by MC (one referring to GoM's Nightlights, the other to Ethan Iverson's blog - nothing new there)... but: this Sunday, the Gazette seems to be delayed.... edit: but there is a new edition on their website, including more links set by MC... if he's the former president, that must be very recent

from lineups I've seen elsewhere plus what seems to be written there I would guess it's Ajaramu (aka Joe Shelton aka Gerald Donovan)

Useful AB chronology by a long gone forum member http://www.jazzdiscography.com/Artists/Blakey/chron.htm apparently, there was quite some confusion after Mobley's arrest with Barney Wilen and possibly Jerome Richardson in the saxophone chair before Wayne Shorter took over... reads like Mobley was back for good but in deep trouble at the time... (My main take home message from this list is however that musicians really shouldn't be trusted for dating anything... )

in my case, I'm pretty sure that the occasional hick-ups are due to the Bluetooth receiver: I get them regardless of whether I stream directly from Wifi, or whether I download music into spotify to play it from there... And when I'm directly streaming music on my phone or laptop, there are no hick-ups... regarding streaming vs ownership: I view spotify more like a substitute for library than a substitute for my own music collection... of course, they don't have "everything" and sometimes stuff comes and goes ... but compared to pretty much any physical library in the world, they're doing extremely well: "Borrowing stuff" is much more convenient and the selection is far better... Of course, you don't get a sense of ownership - but given how vast their collection is that would be a bit too much to ask. The entire (?) Steeplechase catalogue is in there - but I would not even want to feel like I have it all in my apartment in physical form. Nevertheless, it's pretty cool that I can spontaneously start exploring Dexter Gordon's Steeplechase albums while travelling on a train...

Again according to the back cover (found on discogs under "more images"), the piano playing on Plays Duke is by Scott herself

Given the limited information it's hard to judge whether all of it or just most of it is commercially issued... Strange idea to digitize that collection! Then again, those massive private cassette collection were a big thing in their time (as is currently discussed elsewhere here)

According to discogs, The River is a vibraphone-marimbaphone duo album... if that's the material on Side 2, the seller's description would be quite misleading... "comments: looks like an unreleased Dogtown LP !! matrix n° on side a is "dogtown 7"/side b "dogtown 8" (hand-written); very spare and out there music, one side it's under Byard Lancaster/other side by Khan Jamal. could be two different sets as i don't hear for example any vibes on the Lancaster side and viceversa (no sax on Jamal side) ?! unfortunatly not much info on who plays on it (it'd be a trio or 4et on each side ?!) and where it was rec. but without any doubts one of the rarest LP i ever offered for sale in the last 20 years, could easily be the only copy in existence."

of course, it's not a problem - it's just an email. My point is that you can't credibly say "our product is really special" by delivering a freebie that any potentially interested party could assemble in higher quality in 90 minutes. Without looking desperate, that is. [in that respect the Gazette is not comparable to the old catalogue]

the trouble with foreign names...

no, it works as follows... Some master jazz connoiseur at Mosaic assembles a list like this http://www.jazzwax.com/2017/05/kenny-dorham-kd-is-here.html https://ethaniverson.com/2017/05/03/when-you-find-me-will-you-blind-me-with-your-glow/ http://jazzprofiles.blogspot.nl/2017/05/ted-gioia-on-charles-mingus-history-of.html plus three links further links (took me 90 seconds, maybe they invest 10 minutes...) and then looks up whether Francis Wolff took photographs of anybody involved (certainly KD, maybe Charles McPherson or Mingus, too) and adds those to the links... and then someone writes up stuff like "Charles McPherson discussing Bird vs Coltrane vs Dizzy in the second in the second link is really interesting - and don't forget to watch the video" or "Yoshiaki Masuo in that video illustrates that all over the world people were playing the same music Gabor Szabo played in the US"... and because they're professional writers who actually spend like 30 minutes on it, they do a bit better than me and they call it a Gazette... for me, that additional layer of editing is completely useless but ymmv... the only twist is that they don't post the links directly in the email but rather post them on their webpage so you go from the email to the webpage and then possibly on to jazzwax or dothemath or whereever... in this sense, Marc Myers is working for them just like he's working for us btw: "Charles McPherson discussing Bird vs Coltrane vs Dizzy in the second in the second link is really interesting - and don't forget to watch the video" this is actually highly recommended, that video of Charles McPherson and Ethan Iverson playing Lover is not to be missed

I looked through the line-up carefully this morning, the only other player that could be traced reliablly is sax player Dave Parnell http://forrestmcdonald.com/DaveP.html the other two sessions that are assigned to "Jimmy Smith (3)" on discogs (McGriff and Lambert, Hendricks Bavan) are almost certainly wrong and belong to "Jimmie Smith". Do you know who played on your father's Imperial album (Makin' Waves)... I listened a bit this morning and really liked it ? That information seems to be lost to history at present

Well, they send the Mosaic Daily Gazette via email every sunday. That they send it on sundays is, of course, clever, because that's when people actually have time to order... Otherwise... well, it is a collection of interesting jazz links of the previous few weeks - Scott Wenzel (?) handpicks worthy blogposts on jazzwax, dothemath etc, adds a youtube link or two, and might even throw in a few Francis Wolff photographs so that it's not simply a collection of links... I'm not saying they should stop sending those emails... but... I always found them kinda sad and desperate... I can select what to read on these websites myself ... in a way these newsletters are a sad reminder that Mosaic booklets are not as essential as they used to be as I can always find plenty of information online ... and no, it's not the same quality... but then: I can listen to hours of, say, Gene Ammons on spotify, read old issues of Jet and Billboard, augment with some more recent reviews... for me, that comes close enough to a Mosaic experience without anybody producing a boxset... Good for them that so many here think differently from me. (Let's also not forget that they (must have) misunderstood the market a few times in recent years, True Blue and that Smooth Jazz Series come to mind)

Don't think it's that simple... magazines, newspapers, catalogs, encyclopedias... are going under but in general, physical books are doing pretty well for the moment - what's changed is their distribution which has migrated from physical stores to amazon... Regarding the university libraries: Print copies of scientific journals are hardly used nowadays and they do take up space. Text books are a different story... I do see students use "computer stations" but I would not expect that to be a long-run phenomenon either... What most students need are desks, electricity, wifi and access to the relevant databases... as an aside: I doubt that the Joe Castro boxset was a profitable enterprise overall, but one thing they did very well was replace the need for a fancy booklet by a very nice website which (I guess) was still cheaper, takes care of some of the advertising and allows to include many original documents, photographs and extensive, unobstrusive footnotes https://www.joecastrojazz.com/chapter1