Brubeck had great time. When he wanted to play simple swinging lines he did just fine.
His comping was good and often perfect.
He seems to have really enjoyed playing with chords/harmony in his improvisations.
I wish he had found a less heavy handed way of doing it :-)
Thing is, Kirk was perfect for TV. He was visually interesting and different. Unique actually, and his music was great.
Wait...he was not middle class enough. Never mind.
Paul Stocker was influenced by Eric Dolphy.
"The Dolphy/Little Five Spot recordings I think of as some of the very best live jazz ever recorded. A wonderful balance of tradition and adventurous musical spirit."
I have to agree with that.
Harmon muted trumpet and flute in thirds or sixths is a useful voicing. Unison too.
Harry Klee
Bud Shank
Paul Horn
Buddy Collette
Frank Wess
Yusef Lateef
Bobby Jasper
etc.
Volare is a great song that I never gave any attention to.
It came in second in the Euro song contest 195?.
The recording of it by L. Hampton, E. Hines, G. Tate and L. Vinegar (I think)
shows what can be done with it. Each section can have a different mood.
Garrett, Donald (Rafael), saxophone, bass clarinet; b. February 28, 1932 in Eldorado, Arkansas; died 14 August 1989.
http://www.jazz.com/encyclopedia/garrett-donald-rafael
I sent a link to a You-Tube video to the wife of a friend (sax-clarinet player) who is an elementry school teacher.
She wrote back to me:
"Did you know that my class of third graders wrote Dave Brubeck two years ago for his 90th? He replied with the most thoughtful responses to each and every student! Sent a deluxe DVD/CD set of Take Five, post cards of a photo of himself for EACH child, with his signature, answered everyone of their questions in his letter! It was so great..."