chewy-chew-chew-bean-benitez

great! (lol im bein sarcastic, im really gonna listen to Richard 'Groove' Holmes)

DON BROWN GOT IT. SORRY I GUESS I WAS GONNA WRITE INK SPOTS BUT NEGELTED TO, I MUST OF GOT DISTRACTED

THE INK SPOTS sorry, sorry, THE INK SPOTS....

CHAS: now by any chance, do you know if that was Harry James's THEME SONG??? I think this MIGHT be what i was after. Good job all you guys!

like right when u drop the needle, for like 1/2 a sec. b4 the track 1 starts, u hear some like music noise....what is this?

so even though you love jazz, you also were totally cool with having a night of disco-dancing at studio 54? me and you really share a lot of sensibilites.

does anyone know of any such tune?

networking party at studio 54!!!?!? wha?!? did u ever have a Studio 54 disco expierence?

i have an orriginal pressing of this in Mint ++ condition. maybe triple plus. still havent obtained the necessary equp to rip it or tape it. someone i know really wanted 2 hear it :(

you prob. dont have the same budget lp player like im usin now....(rip hi-fi)

in the 50s, JOS was using his jazz percussion sounds, etc in the late 60s/early 70s, Jon Lord pioneered the overdriven Hammond beast but i was just checkin out YES footage shot on handicam back in 1988, on it, tony uses the synthesizer pitch bend, as expression on his Hammond organ patch. It sounds so good.

i just cant remember who.......its someone we all love.....

hellz no dawg! i fixed it...filed a teeny tiny bit of the hole- now drops on the player perfectly, and bobby cooper with mike wofford trio are ripping it at 33 1/3 even!!!!!

1st, the hole in the middle of lp is too small and its a tight fit on the player--- 2: it plays all wobbly, like the speed drops like every 6 seconds, for like a second- lather rince repeat. if i made the middle whole bigger would this solve the problem?

the only zappa bootlegs ive regularly listened to are shows from 1974 and 1981. ive been scared to delve into the world of frank concerts just casue its going to be so daunting to try and do it the way i wanna do it. right now i am listening to zappas pre-Freak Out! discography the thing i notice in franks early singles, on one song he can be really funky, on the next he can play blues as good as bb king, on another song, he might play jazz, on yet another, now hes in a "garage" rock type of vein, the variety on the singles is great he recorded under many different band names for labels such as DEL-FI back in the early 60s.....chewy recommendation: i highly recommended seeking this stuff out: to research, try using he term: THE CUCOMONGA YEARS. as in rancho cucomonga, calif- where franks studio was

dude, i dunno anymore- when i was in like 10th grade i scored some tix 2 his concert, every song in the whole concert sounded exactly like the one before. years later someone instructed me about how jeff beck is the greatest "missed opportunity" in all of rock. after the concert, one dude was saying how he thinks beck quoted like 1/2 of a lick from a yardbirds song that night, but he really wasnt sure

i have not heard his cd releases. i have all the 40s stuff on cd and some on 78 and i have some orig lps and the mosaic but what im really lookin for is mike wofford trio: geralds people (discovery) and gerald wilson's Orchestra of the 80s lp

oh i know know! don lanpheres on the woody one! JSNGRY::: does he take any solos? i SWEAR i saw this one and passed somewhere in the last 6 mos but i cant recall for the life of me which lp store it was....ive since scoured all my usual jaunts and cant find it

why dont u file it at the end of your Stan Kenton pile? that were im gonna put it. just like how i have my Hollidridge strings play the beach boys songbook at the end of my capitol beach boys collection, right before it goes into Warner Bros and on to Brother

here we go again- my guess is michael cuscuna is a thousand miles away from this project, ditto rudy v. gelder. I also bet you they are using for the master, U-matic copies blue note sent out to whomever to do their dirty work for them. If this was a mastering of the unreleased Tyrone Washingon Trainweck album, i would pick up a copy probably

THE STEREPHONIC SOUND OF STAN KENTON BY MEMBERS OF THE STAN KENTON ORCHESTRA A LIMITED EDITION SERIES BRIGHT ORANGE X-BO-705 BRIGHT ORANGE 5819 S. NORMANDIE AVE. LOS ANGELES, CALIFORNIA 90044 ----------> 5810 S. Normanie Ave?????? Crown world headquarters!!!!!!!!!!!!!!!!!! was not aware of the "bright orange" imprint...... the names i do not know (topics for disscussion) for in caps, others are not..... PERSONNEL: bud shank, MAHLON CLARK (alto), bill holman, bob cooper, vido musso, CHUCK GENRTY (bari), conte c., pete c., a porcino, CONRAD GOZZO, OLLIE MITCHELL (tps), milt bernhart, frank rosolino, bob fitzpatrick (i think ive heard of him), JOHN HALIBURTON (tb), MILT RASKIN (piano), L. Alemida (g), DON BAGLEY(b), mel lewis, CHICO GURRERO (bongos), and arr. cond by maxwell davis Intermiss. riff/sorrento/dk.eyes/martha/elgy --- artistry in rhythm/p.vendor/estrellta ---------------------------------------- on a lesser note i got one of these SESSIONS lps i sometimes see....this one is Don Fagerquist, Dave Pell, and Al Viola side one is dons side, 11=18-58 (maybe ill wait till tues to listen to it) side 2 is dave pells side: 4-28-58 the back cover states the SESSIONS series is all unrelased material.....is this radio b'casts or another variety of source. they for some reason always remind me of a major label reissue the way the covers all look, but in fact its on Callipoe records, whatever that is. 1976. any eleboration on any point i mentioned in this thread would be appricaited (sic)

battersea power station

what, did u read on AMG that "too old to r&r" was a disapointment, so now you think it? the critics have been spewing that about since back in '76...and here u are, in twenty-08, licking up rock-critic diehereea quote ian: "I must confess I'm slightly put off by the fact that the 'Too Old To Rock And Roll' song was completely refused as a single by the rock press and by BBC radio. I hadn't realised just how difficult it is at the BBC these days to get plays." but anyone who was there can tell you that the tour for it was stellar: the new album sounded even better on stage...some of the songs, which never stuck in the regular tull setlist again, i urge you to watch this clip from the tour stop in Flordia:

if u want a huge list of these, consult the steve hofmann forums, there is a sizeable list over there...can someone say Frampton Comes Alive? lol

Crazy Tuba Guy. I can't say I ever had a fondness, or particularly cared, for him- but never would I have wished this fate upon him, and I do feel very bad. at the ballet, like at swan lake for example, there was crazy tuba guy, playing the bass part by himself outside after the show. Bom-Bom Bom Bom BOm boooooom bom bom- he was also in front of every rock concert at the colliseum and apparently he also made every sports event too, both at the seattle center as well as the mariners games. the last time i saw crazy tuba guy, it was sans tuba, at ballard bros cajun fish sandwich reastaurant, i looked up, saw him in his trademark funny hat, and thought "oh god, its crazy tuba guy". queen anne neighbourhood where this happneed is not exactly the heart of urban downtown, and it is very shocking that this happened right there. on a day to day basis you never see shit like that. a gang of 15 yr old boys....my god. they had to kill crazy tuba guy. fucking bullshit