chewy-chew-chew-bean-benitez

what do u mean pearson interview? print or recorded? what do you mean? what are you talking about? how can we learn about this interview in its entirety?

oh god! cecil taylor's comming? yuck!

oh yea, i meant soul stream, sorry Jsngry. although im sure you called some crazy jazz musican in your day too!

BTW, why isnt the only World Pacific demo that is publically traded is the Doors demo (as a trio w/o robby kreiger) from 1965. couldn't they copy some gerald wilson while they were at it.

ive been going victor feldman crazy these last few weeks- i ordered 'plays everything in sight' on the ebay and bought Latinville! too. but nothing compares to his smooth jazz work in the 80s. the man made the best smooth jazz ive ever heard

lol

oh, its on Vee Jay?

yea yea but what us lp issue is it orginally from, if any? or was it issued in the US as a 45 on a label- if so, what label? or is this item unique to FONTANA. i would say it is cause its vic feldman from england, however the presence of buddy collette makes me think otherwise....

so when i do it, its mocked, but when jsngry does it, is praised- oh well, well ask him how he met big john, and what big john told him about what he wanted from the music, and if they played any live shows, and what it was like making music with big john, and his whole expierence dealing with the great BJP

http://cgi.ebay.com/Victor-Feldman-A-Taste...p3286.m63.l1177 u guys, i have NO idea what this is: is this some PJ lp i dont know about? whats going on here!

thanks brownie, u know ive never heard ira sullivan?

I Cried For You You'd Be So Nice To Come Home To Takin' A Chance On Love That Old Black Magic is it true these were the only songs from the session: at the end of the album tehres one called "spring will be a little late this year" that sounds like it could be from the same date, but i dunno...

what do u mean about his arms?

1st order of bussiness come november with obama: get me this cd!

lennie niehaus is the shizz-nit!

to access LOC do u need credentials? or are any and all americans allowed in , eg. like your local public library?

ugh http://www.youtube.com/watch?v=e-qIZdB7Hgg

nono, that was a mistake- have you seen the EARL HINES EXPLAINS HIS INFLUENCES AND TECNIQUE clips from i think the ralph gleason show on youtube?

so BJP only recorded other peoples songs on that lp beacuse he was pissed at Lion and didnt want to give him publishing credits? or is that how the story goes?

do you have the interview still, in unreleased form?

Sonny is pulling a 21st century coleman hawkins- hes lettin it go and tellin' em all to go to hell, and just fro'in on out- god bless u sonny

would u of liked am i blue better if they all did a bunch of speed and played lightnin' fast bebop? what is wrong w/ u, havent you ever felt like takin it easy and just chillin', or are u always "on", "all" the "time"? AM I BLUE is in a way the greatest treasure in the Blue Note vaults, it is a magnificant record and the holy trinity of grant green, big john patton, and laid back, melllow songs, makes it like the Dark Side of the Moon of Blue note albums

I want to know...if you see where I'm comming from, or at least can wrap your mind around a statment I truly stand behind: a statement ive never heard anyone else ever anywhere say, but is more valid to me than selmer is to saxophones, for the record, this statement is: "EARL HINES IS THE ONLY PERSON I TRUST TO TEACH ME ABOUT THE HISTORY OF JAZZ" - Chewy if i may be so kind to provide a recommended link: http://www.organissimo.org/forum/index.php?showtopic=46870

hell yeah sonny rollins, keep on rockin the fro

the sidewinder is not overrated: the melodies lee wrote for that are unlike any other record date he ever created. the whole album. its like a hard bop concept album man. i dunno what it is but the flow of that album surpasses even other well programmed lee albums