chewy-chew-chew-bean-benitez

wait what was cuscanas criteria for who he mailed tapes to, people he knew who liked jazz? like the pre-organissmo, organismo list or something? what other items did he share with people. are other tapes known by collectors?

i think im going to be sick

guys who said electric miles..... was this really the loudest show youve ever been to or was it cause electric miles was the only electric concert you guys ever went to...or was electric miles genuniely really really land

so Christern over the years you have had music expierences not just with the Prez and Billie but the Dead and Band of Gypsys? why did you have to concern yourself at all with rock or pop music...were you genuinely interested or there "on assingment"? what was your favorite rock band, or one you liked more than most, etc

hands down Alice Cooper, late '02 or so, Emerald Queen Casino- Tacoma, WA: louder than the who by far

there is also a My brother the wind Vol I. on which sun ra tweaks the the moog to sound like some sort of altered hammond sound, like a hammond sound with added resonsance filtered to the point of almost self oscilation....of course he makes it swing

why is it the ONLY dub of World Pacific stuff that people actually circulate and know about, IS BY THE DOORS? out of ALL the cool session tapes I or you or me would want to hear, the only leaked item circulating from the world pacific label, is a DOORS demo- how dick bock even let those hippies in the studio in the first place, is BEYOND me. Other than the explanation, that Dick Bock was converted in LA from wcj to the crazy ass LA 60s scene. with all those crazy pop lps with ravi shankar and bud shank ploaying together? that certainly wasnt bud shank who set all that shit up i dont think.

you guys, the B-Side to this thing is un-freaking-belivable: its credited to Marascalco-harshmann. is this a pop hit for someone else? i looked those names up and the former did some work for imperial with fats domino and ricky nelson or some shit like that/ the closest thinbg it remind me of, is like, say....oh, Soulita- but on this buddy colette could put even Benny Maupin (who if you guys didnt know, i think is one of the best hard bop saxophone players to come on the scene post-Hank) to shame you guys sohuld seek this out: vic feldmans leadership w/ buddy colette, leroy malt vinnegar and ron jefferson, les mccann's drummer (pfsst

GROOVIN' ON IT RIGHT NOW. ALSO GOT THE V-DISC VERSION OF TOSCANINI'S NUTCRACKER: 2 DISCS WORTH

i used to have one of his lps and i found it to have no value in my collection- ill just stick to Hank Jones trio on savoy for jazz piano trios

update: INFINITY (label) prod. john marascalco product of C.G recording co. - bev hills 45 rpm GOT IT FOR THREE BIG ONES!!!!!!!!!!!!

there are too many threads to go through over there. so many kevin would you be so kind to post that pic of your avatar over here, ive never seen the uncropped No Room for sqares photo-- where did u get that?!

They marked the new Dolby A dub turks the "MASTER" and ash canned the original Van Gelder tapes (and a lot of Jan & Dean, etc. stuff). This engineer named "Bert" did them all and when we (Ron F. and other restoration engineers across the land) see the name BERT in the new tape box legend we cringe, knowing it's going to be a dub that is incorrectly marked MASTER. Thing is, it actually (in a sense) IS the master 'cause that is what we have to master stuff with now that the originals are burned i have to really pay more attn to this other forum- im appaled yet oddly attracted to hearing tales like this--- did they really just have complete idiots in charge back in the 80s? too much happy powder perhaps? what in the holy hell of all things holy? was he just trying to "create work" to make his job look prouctive? thats the only thing i can logically think of. did he TRULY think re doing the tapes was in the name of preservation?

ok, just so were all on the same page, this is by all means NOT the lp i had--- the lp i had was a DEMONSTRATION lp with a white cover depiticting JUST the organ- no jimmy

hello james, your knowledge of West Coast Jazz (herein refered to as WCJ) is much appriciated here. since you are a new board member, can you share with us what you know and like about WCJ and interesting WCJ discoveries you have made and/or been associated with, etc?

i dont know how i feel about Harold Land stooping to play with Bobby Hutcherson & Joe Chambers- i have not fully "digested" this period of Land's history. any pointers greatly appriciated, as I am *VERY* willing to alter my present attitude

the lock nessa monster brings up a good point: after 78s died in the states, the major labels still continued for a while to press them for their other markets, namely the third world markets where electricity was in short supply or non existent. The most famous example of this are the Beatles 78's that were pressed for India, Argentina, & the Phillipines

stereojack: what were the last issued 78s in 1957 by those particular labels you mentoined? i am interested in figuring this out- thankx for yr help.....

so its just a 10 inch w/ a mislabeled ebay post? well what about the other part to my q about the latest jazz 78s pressed.....does anyone remember getting them as late as 59?

Art Pepper- Smack Up! Acetate press on ebay....only $150...if i was just a --little-- richer, i'd buy this up in a heartbeat! http://cgi.ebay.com/ART-PEPPER-Smack-Up-Ex...p3286.m20.l1116

ok let me expand this: the latetest rock & roll 78 i have is from '59: "tequlia" by the champs what is the lastest or some of the latest 78 pressings of Jazz out there?

http://cgi.ebay.com/Clifford-Brown-Max-Roa...p3286.m20.l1116 have you EVER seen anything like this before??!?!?!?!

bob shads grandson is the guy who writes all those whaky movies like anchorman and 40 yr old virgin- didnt know that! lol

hmm, they never recorded for Bob Shad and Mainstream? right?

wow! thanks jsngfyr!