This just in:
"New Lester Young from 1937*
The Basie band arrived in New York for the very first time in late 1936, to play a Christmas week engagement at the Roseland Ballroom opposite Woody Herman. Their first recording date came a few weeks later, on January 21,1937. Honeysuckle Rose was the first tune cut, opening with two choruses of Basie, showing what he had learned from his close friend and mentor, Fat Waller. It was only natural that next up to bat would be theband's most brilliant soloist, Lester Young, who took a break modulating down a major third that swung directly into a typically inspired chorus. Band riffs a la Fletcher Henderson followed and they were on to the next tune.
It has long frustrated collectors that there are only a handful of alternate takes extant for the entire Count Basie Decca recording series (1937-39). Many theories have been advanced for this.
The reason for alternate takes was that the recording company needed to have more than one version of the tune as a master in case there was a glitch with the original one chosen. So they would record a second version and keep it on the shelf as insurance. Decca had a second turntable installed that would cut two versions of the same master simultaneously, obviating the need for a second one to keep in case it was a mistake with the chosen one. This seems like a plausible scenario. And of all the alternates that do exist, none contain a significant solo by Lester Young, which made the dearth all the more frustrating.
I'll turn things over to a hero of classic jazz, producer Scott Wenzel from Mosaic records.
Eureka! You never know what’s lurking around the corner. The premier jazz film historian Mark Cantor, while recently visiting the Grammy Museum in L.A., chanced upon a Decca shellac test pressing of Basie's "Honeysuckle Rose” housed within a display case. After closer inspection he saw that it was a previously unissued alternate take. Knowing that Mosaic Records will be re-releasing an 8 CD set of Count Basie and Lester Young sessions (to be released in early June), he contacted Steven Lasker who is one of the transfer engineers for this set. Steven immediately contacted the Grammy Museum curator about this disc, plans were immediately made to borrow and transfer the disc for our set. Many times when finds like this happen it’s usually too good to be true…but not his time. The take is beyond anyone’s expectations. Bravo Mark! Bravo Steven!!"
Mark sent me an e-mail about this last night but asked me not to circulate the news until Loren made the announcement. He says Lester's solo is "amazing".