Surely it's important that the new laws pay something to performers (or at least their record companies) for streaming, unlike over-the air-radio which only paid composers.
BTW When I saw him at the Santa Barbara Bowl he began Moondance just as the full moon appeared over the stage. Coincidence? Or, despite appearances, does he have a sense of showmanship?
I've seen him live about once a decade since 1970 or so. Last time I saw him was a couple of years ago and he was great. (He dos seem to tease the audience at the end-- walks off stage and the band vamps for about 10 minutes looking offstage as if he might return but he doesn't. Though I do think I have seen him play encores a couple of times. )
One of the great American movies. Maybe Ford and Wayne's best. BTW The Searchers like many British groups seemed to get songs from American composers before US groups. E.g. When You Walk in the Room is by Jackie de Shannon.
Nice. Here's the front page obit from the LA Times: https://www.latimes.com/sports/la-sp-don-newcombe-appreciation-20190219-story.html
And I won't repeat the story of how I once mistook Newcombe for Newk in a club.
I'd pre-ordered before they sent this. (And I'm not even as big a Hank fan as most of you seem to be. However that meant I didn't have most of these records.
Is much from the Concord catalogue available on streaming services? That seems to be the main source of income for record companies nowadays. (We may soon have to stop calling them "record companies".)
When the Lp was released in the UK and Canada it came in a box with a book of pictures and dialogue. IIRC the book contained some disconcerting dialogue not in the film. I still have the book but it's falling apart.