ghost of miles

Received it today & listened through once--first impression is that it's quite good & that the use of electronics/computer is nicely restrained, sounding organic to the music rather than a forced "effect." I'm definitely going to listen to it again. Dave Douglas fans, take note--he's here, along with Chris Potter, Scott Colley, and Brian Blade.

That's the name that came to my mind as well. Didn't Berigan start a thread a few months ago about a bop-sounding instrumentalist in the Jimmy Dorsey orchestra--or at least a player who seemed to be anticipating bop?

Sorry to hear this never came out, Allen--I would've definitely picked it up. I have the Circle transcriptions, the Decca CONTRASTS compilation, and some airshots from roughly that period. I liked Joe Lippman's work in that band. Too bad Chronological Classics hasn't gotten around to reissuing this music (or have they?).

Interesting to me because Osby emphasized the on-the-job musical training that he got, as well as the importance of connecting with the audience (although, when he came back to B-town a year or two later with his quartet, he seemed to be in more of a Miles bag vis-a-vis said audience, and it didn't really go over too well... but everybody dug Jason Moran!). I really got the sense that playing with the 1970s soul revues was, for Osby, perhaps roughly equivalent to the kind of experience that Coltrane, Bird, Dexter et al got playing in the big bands in the 1940s.

Hey, that's the guy I interviewed for this show. He teaches here at IU; quite a jazz fan.

I liked it a lot until the ending, which seemed to tip into the realm of the ridiculous. Either Roth should've gone with a different outcome, or invented something more logical to bring his plotline into sync with the eventual results of the war.

I mean, that's the kind of finish you dream up as a kid when you're out shooting baskets by yourself around twilight.

I saw it after the fact... holy freakin' comeback! That's right up there with Reggie Miller's 8-point NBA-playoffs miracle against the Knicks a few years ago.

I remember that exchange--last-laff time, eh? Wonder if anybody happened to tape PP's sojourn with Thelonious.

Been revisiting the Ellington Capitol, which I haven't listened to in a looooooong time. Some real gems here... and most of this still hasn't been reissued elsewhere on CD, correct? Outside of the piano trio album and ELLINGTON '55.

That's one of the most moving jazz articles I've ever read on this board. Thanks so much for posting it.

We're re-airing this program this weekend on WFIU, WNIN, and Blue Lake Public Radio, but it's already archived for listening under the date of April 29, 2006. Here are some videos of Nina Simone performing at the Central Park Harlem Festival in 1969: Young, Gifted and Black Next week: "Emily Remler: a Musical Remembrance."

Huh well, that explains a lot... and accounts for "the sound of surprise" that I experienced. Did you clue Wynton in too?

Beautiful record--get it while it's still around. I doubt we'll see titles like this getting domestically reissued much longer.

Not his b-day, obviously, but I was really enjoying his playing earlier today on Lorez Alexandria's MORE OF THE GREAT LOREZ ALEXANDRIA & wanted to express my appreciation, once again, for all that Mr. Kelly left us.

When I read your notes, Allen, I thought you'd come across a lost Bix composition--"I Am a Swan''--but then I remembered that that's what Bix said. BTW, thanks for the bonus Buddy Bolden cylinder that came with it!

There's a possible RCA set in the works, but not by any of the above-mentioned artists. No green light to say more about it at this point... and the Goodman Sony-licensed set is apparently still on the back burner. Still crossing my fingers for a Duke box next year.

I didn't end up getting a chance to catch it--will have to check the FA archive. A friend mentioned (as did GA elsewhere) that Boyd produced P-Floyd's "Arnold Layne," and I'd totally forgotten about that... he talks a fair amount about Floyd/Syd in one of the bios that I read.

Hey, thanks for the info, sheldonm... we've already got a 75th b-day Night Lights show for Slide in the hopper. I'll make sure Joe Bourne gets this info for his weekday afternoon show here at the station.

"The International Sweethearts of Rhythm" is now archived.

He also produced Fairport Convention and an R.E.M. album (Fables of the Reconstruction). I'll try to check it out; I think FA is in fund-drive mode this week, so not sure whether we're carrying this particular show or not.

In the announcement e-mail they sent out today, they refer to building a separate website for Mosaic Contemporary. I suppose that could simply mean a new page on the existing Mosaic site, but still had a kind of "other side of the tracks" sound to it.

I think VF was 10 when he sat in with Glenn Miller's band; the English press called him "Kid Krupa." Did a show on Feldman not too long ago that taps some of the LPs mentioned in this thread.

This week on Night Lights it’s “The International Sweethearts of Rhythm.” The Sweethearts of Rhythm, considered today to be the most renowned of the 1940s “all-girl” bands, emerged in the late 1930s from the Piney Woods School, a foster-child institution for African-American children in Mississippi. The “International” part of their moniker was inspired by the Chinese, Hawaiian, Mexican, and Native American heritage of some of the members. By 1941 the Sweethearts were playing the Apollo Theater in Harlem and garnering rave reviews in the African-American press; the advent of World War II, which led to the propagation of numerous all-girl bands, only lifted the Sweethearts’ profile even higher. Their hard-swinging sound won them fans such as Count Basie, Jimmy Lunceford, and Louis Armstrong, and in 1945 they toured Europe, playing for military audiences who had followed them through Jubilee broadcasts. We’ll hear some of those Jubilee broadcasts as well as some of the rare studio recordings that the band made. Their story is told at length in Antoinette Handy’s The International Sweethearts of Rhythm, Sally Placksin’s American Women in Jazz, and Sherri Tucker’s Swing Shift (an excellent book that looks at all of the all-women bands of the 1940s). You can see a video of the band performing “Jump Children” here. “The International Sweethearts of Rhythm” airs Saturday, March 17 at 11:05 p.m. EST on WFIU and at 9 p.m. Central Time on WNIN-Evansville. It also airs Sunday evening at 10 EST on Michigan's Blue Lake Public Radio. The program will be posted Monday evening in the Night Lights archives. Next week: "Here Comes the Sun: Nina Simone on RCA."

Up for this coming Sunday: