Hey all,
I know there's a Sam Rivers discussion going on elsewhere, but this is a kind of offshoot... I'm putting together a "Night Lights" program that focuses on Rivers' time with Miles in 1964, as well as some of Rivers' recordings for Blue Note with Miles sidemen in 1964-65, and wondered what your thoughts were as to why Sam's stay with Miles did not "work out," as it were. The conventional wisdom seems to be that Rivers was not willing to accommodate himself to Miles' aesthetic vision, or that he was more avant-garde in his direction than Miles was willing to be at that time. I'm not sure I really buy that, listening to what I've heard of both Rivers w/Miles in 1964 (two live performances in Japan that exist outside of MILES IN TOKYO) and Rivers' own work for Blue Note shortly thereafter. I mean, there may be some grains of truth there, but such explanations strike me as terribly reductive.