ghost of miles

Wow--guy was a legend. I'll bet Gerrit Cole's a fan. Ford had to be one of the last surviving members of those 1950s teams, right? Tony Kubek's still around, maybe a handful of others.

My memory fwiw is that the shift occurred from the 1970s on. This comment (you have to scroll down a bit) says it began before that. But I do recall that having a starter go on three days' rest wasn't the radical outlier back in the 1970s that it is now.

Tonight’s game is going to be very interesting. Cole on short rest for the first time in his career against Glasnow on two days’ rest—I’m sure Cash’s plan is to use Glasnow as a 1-2 IP opener and then empty the Rays’ formidable pen. Yankees’ challenge will be getting 5-6 solid innings out of Cole and then somehow finding a bridge to Britton/Chapman. Since Green pitched the last two nights, I doubt he’ll be available—esp given the new rule that a reliever has to face a minimum of three batters. Should be quite a barnburner at Petco tonight.

There’ll be a sequel (tentatively scheduled for next month) that covers the 1960s, again with Mark as a guest.

Posting this week’s show, the first of a two-part tribute to Yusef Lateef, a bit early because today is his centenary. Mark Stryker, author of Jazz From Detroit (and well-known as a contributor to this forum) joins the program to talk about this key period in Lateef’s development as a musician: The Jazz Message Of Yusef Lateef: The 1950s

Thanks for the reminder of this one--just pulled it off the shelf and will give it a spin tonight. 2020 needs some vintage Red!

Also didn't realize, till I got to the chapter on the Postcard label, that the book's title comes from the Orange Juice song "Rip It Up." There's a band I hadn't thought about in quite awhile, but I always liked what I heard of them, which sounded both influenced by early Talking Heads and anticipating the sound of some early Smiths songs as well. Such an excellent book, sending me back to some artists I hadn't listened to in many years, and inspiring me to check out others that I missed the first time around.

Really glad you enjoyed it. Steven Isoardi is such a wonderful scholar and commentator on all things Horace, and we were finally able to reactivate the interview outtakes that I had included in the original post for the show. (WFIU's web platforms have changed over the years, and older shows sometimes include material in the posts with links that no longer work and need to be updated.)

He gave NY a good quality start tonight. Boy, does Choi have his number, though. Glad they decided to issue him an intentional pass the last time Cole faced him.

I wasn’t—thanks much! Probably going to seek out Reynolds’ book on glam-rock as well. I really enjoy his writing.

I really want this! Probably going to wait till I get my tax refund check early next year, though--most of which is set aside for practical matters, but there's $100+ that I'm reserving for an extravagant purchase... and this may well be the winning choice in that category.

One of my first baseball cards (either a 1974 or 1975 Topps, can’t recall which year exactly, but it was at the end of his career), and an early favorite, though he was in his twilight when I started following baseball as a kid. What a competitor. His 1968 season might be the greatest by a pitcher in the modern era. 13 shutouts! I think that’s probably the collective total for an entire league these days.

I just got that one several days ago—it’s next on the reading list after I finish Rip It Up. Wow, there’s a band I haven’t heard or thought about since I was a young’un! Iirc they were often grouped under the stylistic umbrella of early R.E.M.-type groups. I need to revisit their recordings. Last night I was bopping around the house to this record, which I probably hadn’t listened to in 25 years or so. Blissfully good late 70s/turn of the 80s UK pop:

The story of Horace Tapscott seems more relevant than ever in 2020. We re-aired One More You Wrote Through Us: Horace Tapscott with special guest Steven Isoardi this past week on Night Lights, and it remains archived for online listening.

Funny, Prez’s term “Von Hangman” popped into my head just the other night for no apparent reason.

The unabridged UK edition--great book!

Yeah, I love that period and this live album (which tends to get overshadowed by its concert successor Stop Making Sense)... went back to it after reading the chapter about Talking Heads and Wire in Simon Reynolds' wonderful book Rip It Up And Start Again: Postpunk 1978-1984 (highly recommended for anybody interested in that period of music).

Hey Mark, fun Indiana jazz note about that February 1942 Savoy broadcast--is that the first McShann orchestra airshot we have with Jimmy Coe playing baritone while Parker was still there? I think it might be. Coe's also present on the July 1942 McShann Decca sides with Parker, though he doesn't solo on either of these dates. I always enjoyed his stories about his brief crossing of paths with Bird in the McShann band.

Charlie Parker Young Bird V. 1 and 2 1940-1944 credits the arrangement to McShann. (The arrangement of "Swingmatism" from the same broadcast, a McShann-William J. Scott composition, is attributed to Scott alone. Perhaps he or somebody else had an uncredited hand in "St. Louis Mood," if you think the arrangement doesn't sound evocative of McShann himself?)

The 1993 GRP/Decca CD of the same name identifies the soloists as trombonist Ted Donnelly (twice), trumpeter Clarence Trice, Williams on piano, and John Harrington.

Slick Dude-- Paul Weeden At Odds-- Jimmy Coe Boogie Down-- Jimmy Coe April Is Pretty-- Paul Weeden Naptown Shuffle-- Paul Weeden Interestingly enough, the CD credits "Dexter," "In Between," and "Now I Know" to Paul Weeden as well. "More Today Than Yesterday" is credited to Patrick Upton, not Stevie Wonder.