This piece by Jim Feast, inspired by my book (& other things) is up on Jazz Right Now; I recall him working on it in late 2023/early 2024, but not being able to find a home for it. Honored & glad it eventually found space at JRN:
https://www.jazzrightnow.com/thoughts-on-clifford-allens-singularity-codex-matthew-shipp-on-rogueart/
(& yes, I still have a handful if anyone is interested)
yeah, I pronounce(d) it the second way.
the first, I guess, is more correct according to that site (and sounds pretty good).
I was kind of surprised that, in Danish, Bent Axen is pronounced just like it looks!
Haven’t read Cole’s Miles but I did read his Coltrane bio.
Bill Cole is also a very interesting musician! Saw his Untempered Ensemble a couple of times.
I can't really give details but as far as I know all the basic work is done and it is awaiting manufacture. It's done with the cooperation of Tyler's (rather confusing) estate.
I've been revisiting Alvin Fielder's A Measure of Vision (Dennis González, Chris Parker, Aaron González, Stefan González) recently and think it's one of the label's finest.
Judging from the labels on the verso, I see only a few that are super expensive, and all of those have been reissued (Ra, Pullen-Graves, Black Unity Trio, and Cairo Free Jazz Ensemble). Cautiously hoping that it won’t be all flexing…
The only way to give these albums proper “period” artwork is to build a time machine, go back, and have them issued in the 1960s. Failing that… we get what we get!
FWIW, the Japan-only designs that King used on some titles are pretty appealing. Not all LT’s had concurrent Japanese versions, however. And some of those Kings did not appear in the US until much later.
the cover photo on the Mother Ship CD is all right; I have the 1980 LT version which is a bit less inspiring. Neither match what a 1960s design could have looked like.
Given its appeal to fans of Strata-East and related, it seems ridiculous not to release the unissued Tyrone Washington album at this point.
It is a really good date, too...