Hardbopjazz

I can also see Horace Silver as being identifiable, I can't say the same for Mobley and Shorter. Silver always had that funk in his melodies right from the beginning. He's the true Funkateer. He's the funkmister. Now Monk was hearing shit in his melodies that only pure geniuses understand. The same can be said of Coltrane’s compositions. They're still trying to figure out Coltrane’s musical theories. Monk was about 30 years ahead of his time. Today his music doesn't sound so unconventional, it sound just right.

If that's the case, tuba player and anyone playing large instruments should be able to sure since they require more space. I don't think they will win.

I'm gonna be real broke. I have the Tyner stuff on CD's or LP's. Unless there is something else added that wasn't out there before, I'll pass on that one. Gonna want the Dexter, Mulligan, Farlow, and Farmer/Golson. I have to start buttering up the wife. "Your hair looks lovely." "Did you lose some weight?"

All the live stuff from 1958 his European tour smokes. The line up is the Moanin' group. Morga, Golson, Timmons and Merritt. Olympia Concert Paris 1958 1958: Paris Olympia Live in Holland (1958) Au Club Saint-Germain, Vols. 1-3

Does Columbia records still have current jazz line up of current artists? Wynton's no longer on the label. True jazz isn't going to sell 2 million copies of a record, but there is still an audience that buys this style of music.

He tops my list. This guy is so white bread, no spice or anything. His music is so boring that it could make someone on speed fall asleep. I only wish he wouldn't be listed in the jazz section. But makes money doing what he does. Who can figure out the minds of the feeble music audience?

Whenever I hear a Monk composition play by someone, I right away knows it’s a Monk tune. I can't think of anyone else that can be identified so easily. Can you think of anyone else?

I guess it was mainly a rock club, i can understand why Miles played there. It was during electric fusion phase.

I don't want but the whole cartridge, just the needle. I don't use my turntable that much anymore, but for the times I do, I want to have a new needle.

I remember joining the Blue Note board, and 5 days later it was down to 5 categories and then nothing.

I guess we need to get a life.

I'm seriously going to have to give Soul Station a harder listen. It seems to be the favorite of most people. I had it thrid on my list.

How many times are you flipping through the board each day.

Yeah, and how sad. If there was money in this art, there would be mroe cats recording or signed to record.

I liked the Joe Pass sessions that were recorded there.

I'm a completists for Wes Montgomery, Grant Green, Horace Silver, Lee Morgan, Hank Mobley just to name a few. Whenever I see a session either as a leader or as a sidemen for one of these guy, I have to have it. The wife doesn't understand that though.

I thought the Turnaround would get some votes. The title track is a a catchy number.

Maybe there is a scale wage someone gets for studio work. I would hhope it would be more then $50 or $90 dollars for a few hours of work.

The date was July 10, 1973. Here's the info. Rainbow Theatre, London Band recording Miles Davis Septet Miles Davis (tpt, org); Dave Liebman (ss, ts, fl); Pete Cosey (g, perc); Reggie Lucas (g); Michael Henderson (el-B); Al Foster (d); James Mtume Foreman (cga, perc) First set Turnaroundphrase (M. Davis) 11:55 Tune in 5 (M. Davis) 10:24 Unknown title 730620 (M. Davis) (with applause, announcement) 21:27 Second set Right Off (M. Davis) 13:38 Ife (M. Davis) 20:50 Calypso Frelimo (M. Davis) (incomplete) 12:18 Cut off at 12:18. Commentary by Peter Losin: This recording was probably made by one of the band members, since musicians' voices are audible at several points (9:20, 10:38, 16:50 of "Unknown 730620" and 9:59 of "Right Off"); and Davis can be heard tapping out the tempo for "Ife" at 0:03-0:08.

I thought so. I had downloaded a Miles show from off of sharingthegroove and this was the club. I couldn't find any info on it.

What Ibenez did Joe Pass play? That was one big ass mother fucker guitar. It has such a great tone. I believe GEorge Benson was playing the same model.

I guess I'll bump it up again.

This was a question someone asked me this morning. My answer was, “Art as you go.”

After seeing Jimmy Smith, he would be at the bottom of the list coolest stage manner. Lou Donaldson is up there for me of the live performers I've seen. I saw the MJQ in 91. There stage manner was so professional, maybe a bit too professional. Right to busniess with them.

Yeah, you can only fit 10. I wanted this on eon the list.