I have an eighties LP reissue - German WB. I haven't played this for quite a little while. Daughter and grandson visiting most of today, so I'll line this up for tomorrow.
MG
Finally got around to this.
I agree about the stereo separation - it's as if there's nowt in the middle; everything is coming out of one speaker or the other (this sounds silly). And it's also peculiar to hear Elvin's solo on Africa - one of his drums (the bass drum I think) seems to have been fed into the left channel, but the rest of the kit is in the right.
My copy, I see from close examination of the writing in the runoff, is a DMM job, by WEA German in the eighties. So the position wasn't improved by then. I've got to say, though it's a bit peculiar, I don't object to it.
There's nothing in the sleeve notes of my copy to say who recorded this or who produced it. I can't imagine RVG recording it like this. Could it be one of the Creed Taylor jobs, before he went to Verve?
MG
I assure you, this was recorded by RVG at his Englewood Cliffs studio.
The stereo separation doesn't seem that big an issue for me but I have my stereo biased more towards depth than side by side separation, that may be why. Love these sessions but I confess I like the first issued version of title track far more.