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Posted

I felt we needed a separate thread to talk about the music contained on this set (the other thread has kind of meandered into a discussion about bargain-hunting). I picked this set up this past Tuesday (the official release date in Canada), and have been enjoying it immensely.

I think the comments about Sam Rivers' playing - soloing in particular - in Miles' band are unfounded. I quite enjoy his contributions to the "Miles book". I find his solos to be somewhat akin to his work on his own standards album, A NEW CONCEPTION, on BN.

That Berlin concert really cooks, but you can tell it's just the begining of what was to become one of the best "bands" (total collaborative/cooperative groups) in jazz. Man, I'd sure love to hear some of those grey market tapes circulating around with the 1966-67 concerts.

But, I digress, let's discuss this wonderful box set.

Posted

I think the comments about Sam Rivers' playing - soloing in particular - in Miles' band are unfounded. I quite enjoy his contributions to the "Miles book". I find his solos to be somewhat akin to his work on his own standards album, A NEW CONCEPTION, on BN.

What are the comments about Rivers' playing?

Do they also offer any explanation as to why they left off the other two concerts with Rivers in Japan that were recorded by Columbia?

Posted

I think the comments about Sam Rivers' playing - soloing in particular -  in Miles' band are unfounded.  I quite enjoy his contributions to the "Miles book".  I find his solos to be somewhat akin to his work on his own standards album, A NEW CONCEPTION, on BN.

What are the comments about Rivers' playing?

Do they also offer any explanation as to why they left off the other two concerts with Rivers in Japan that were recorded by Columbia?

To quote Bob Blumenthal: "The Tokyo performance, which may not give a fair sampling of what Rivers brought to the band, was among the last of his tenure" (p.78). - italics are mine.

also

"Chambers [Miles' biographer, Jack] also suggests that the music was toned down for the Japanese" (76). -Perhaps Miles told Rivers to refrain from playing too "out".

I'm not sure why they left the other two concerts off of the set; maybe because they were not "official" releases at the time.

Posted

I think the comments about Sam Rivers' playing - soloing in particular -  in Miles' band are unfounded.  I quite enjoy his contributions to the "Miles book".  I find his solos to be somewhat akin to his work on his own standards album, A NEW CONCEPTION, on BN.

What are the comments about Rivers' playing?

Do they also offer any explanation as to why they left off the other two concerts with Rivers in Japan that were recorded by Columbia?

To quote Bob Blumenthal: "The Tokyo performance, which may not give a fair sampling of what Rivers brought to the band, was among the last of his tenure" (p.78). - italics are mine.

also

"Chambers [Miles' biographer, Jack] also suggests that the music was toned down for the Japanese" (76). -Perhaps Miles told Rivers to refrain from playing too "out".

I'm not sure why they left the other two concerts off of the set; maybe because they were not "official" releases at the time.

Did Columbia record these concerts, and do they "own" them?

Posted

wouldn't 2 more concerts make this a 9-disc set? Maybe they didn't want to make it unmarketable. Besides, why shoot your whole load-save those concerts for future "previously unreleased" releases!

Posted

I think that they could have made two discs out of the three concerts.

BUT I think Chuck has spelled out the truth. I don't believe these concerts were either recorded by Columbia or subsequently purchased by Columbia and cleared for release. At one point half a decade ago there was talk that Columbia would begin a series of releases of "bootleg" material cleared by the estate. This seems to have not materialized. There is always the chance that if it should materialize these concerts with Rivers would be released in that series.

Posted

I found the inclusion of the extra material from California of the Seven Steps to Heaven lp session to be quite interesting. Seemed to indicate to me how strongly Miles controlled the shaping of the material at that time with that short-lived quintet version.

Also, to have the complete Antibes concert is a great thing for me as I have always been catalyzed by listening to that exciting performance. I didn't ever realize that three tracks were edited previously and found it interesting that the most recent Japanese DSD remastered cd did not include the unedited performances! Here too is an example where another hour or so of material from these Juan-les-Pin performances could have been included if Columbia had meant to, in really good sound from probably the same engineered tapes (released by JMY as "Cote Blues") and the extra material was not released.

  • 2 weeks later...
Posted

Also, to have the complete Antibes concert is a great thing for me as I have always been catalyzed by listening to that exciting performance. I didn't ever realize that three tracks were edited previously and found it interesting that the most recent Japanese DSD remastered cd did not include the unedited performances! Here too is an example where another hour or so of material from these Juan-les-Pin performances could have been included if Columbia had meant to, in really good sound from probably the same engineered tapes (released by JMY as "Cote Blues") and the extra material was not released.

I thought Sony would release all the material from the 1963 Juan les Pins concerts.

Miles and his quintet played three nights in a row: July 26, 27 and 28. It's a real pity that only the July 27 is included in the box. But at least, this performance looks complete this time.

But where are the day before and the day after concert tapes, all recorded by the national radio ORTF?

I will keep and return to the JMY 'Cote Bleue' album for sections from those concerts!

Hope we will not have to wait forty more years to listen to all these full concerts. They were magnificient! And the often maligned George Coleman proves he was a superb player who added his own dimension to the quintet.

I could not afford to go the Riviera to attend the festival that summer but I remember being knocked by the concert given on July 25 at the Theatre des Champs-Elysees in Paris. That one was recorded by the private Europe 1 radio station. Too bad they have not released that performance as part of the series of concerts they issued several years ago.

Posted (edited)

I thought Sony would release all the material from the 1963 Juan les Pins concerts.

Miles and his quintet played three nights in a row: July 26, 27 and 28. It's a real pity that only the July 27 is included in the box. But at least, this performance looks complete this time.

But where are the day before and the day after concert tapes, all recorded by the national radio ORTF?

Maybe Sony didn't have the rights or they were unable to lease the recordings.

Edited by J.A.W.
  • 2 weeks later...
Posted

Hey Lon,

I would be interested in your comments comparing the sound of the Japanese Sony DSD versions to the new box. (on your advice I picked up some of the DSD versions and found the sound to be great!) Is the new box an improvement?

Posted (edited)

In most ways yes, the box is an improvement. NOT hugely different, a little warmer and more dynamic would be my appraisal.

I really didn't want that to be the case. . . I love my little minilp DSD releases!

I was astonished to find the difference in the Antibes material as well (still edited in the DSD Sony releases, unedited in the box set).

Edited by jazzbo

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