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Posted
8 hours ago, JSngry said:

I said it backwards, sorry. I meant that he probably had MORE respect for real players like Tjader than he would have had for the likes of  Fogerty.

Thanks for correcting that. I read your original and (having dim memories of the John Fogarty brouhaha) thought I was losing my mind. 🤪

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Posted

Yeah, Fogarty had a hot string of radio hits, his band left him, and he had exactly one hit after. I get that he feels like he got screwed, but objectively, he got stuck with the deal he made and he was kinda over before he had leverage to redo terms.

Welcome to the record business. He wasn't the first and he won't be the last.

Besides, CCR...good to hear on the oldies radio, but geez, who still listens to that? Ever?

Take me out coach, I'm not ready to play.

Posted
2 minutes ago, JSngry said:

Yeah, Fogarty had a hot string of radio hits, his band left him, and he had exactly one hit after. I get that he feels like he got screwed, but objectively, he got stuck with the deal he made and he was kinda over before he had leverage to redo terms.

Welcome to the record business. He wasn't the first and he won't be the last.

Besides, CCR...good to hear on the oldies radio, but geez, who still listens to that? Ever?

Take me out coach, I'm not ready to play.

I like CCR when I hear them on the oldies radio. But (like a lot of the stuff that comes off well on radio) one tune at a time is kind of the limit...a whole album or even LP side gets monotonous.

Posted (edited)

IIRC,Zaentz sued Fogerty for supposedly plagiarizing himself The Old Man Down The Road, from Run Through The Jungle) as Fantasy held the publishing on the old CCR songs Fogerty wrote.  Fogerty successfully defended himself in court, playing music live in the courtroom and giving lessons on what constituted a musician's style, which would cross over individual compositions.  Fogerty countersued for damages, and won - that case went to the supreme court. I still listen to CCR sometimes, but generally the longer deep cuts rather than the hits.  His later albums were good, but his era had passed.

Edited by felser
Posted (edited)

Back to topic, next are Cal Tjader's final years with releases on Concord and Concord Picante. His association with Fantasy had ended in 1977. Gigs were less frequent than before, as a consequence guitarist Bob Redfield, who never had been a regular member, left, and drummer Pete Riso, too. the gap was filled by an unexpected session:

- - Huracán (1978)

In March 1978 Tjader recorded a 45 rpm direct-to-disc LP with four tracks for the audiophile Crystal Clear label. Clare Fischer wrote arrangements for a band with five horns added to an expanded rhythm section: Besides Fischer, Poncho Sanchez, and bassist Rob Fisher there was a guitarist on two tracks, drummer Pete Riso was replaced by guests Willie Bobo on timbales and Victor Pantoja on bongos. Since this was a limited edition, sales were small, this was for audiophiles. It was later reissued on a German label with two more tracks without the horns; in 2024 all were on a new LP and CD on the Liberation Hall label.

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Carl Jefferson's offer to take Cal Tjader into his Concord artist roster was very welcome at that time. He even created the Picante sublabel to have an appropriate outlet for Latin Jazz (more artists like Tito Puente, Mongo Santamaria, and Tania Maria, were to follow). New to the band was pianist Mark Levine, who had subbed a few times before and was recommended by Robb Fisher, and drummer Vince Lateano. Flutist Roger Glenn had sat in with the band the evening before the session in July 1979 and was invited by Tjader to take part in it, and to stay on. But Tjader had his first heart attack the day after the session weekened and had to take a rest for a few months, had to reduce his heavy drinking and take a whole bunch of pills until his death. 

1 - La Onda Va Bien (1980)

This saw reissues on CD and even SACD, and won Tjader his only Grammy.

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2 - Gozame! Pero Ya (1980)

it was a year later, June 1980, when the band recorded their next studio album, with guitarist Mundell Lowe guesting on three tracks.  This was reissued on CD, as all the Tjader Concord albums first released on LP.

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3 - The Shining Sea (1981)

Next was a mainsteam studio session featuring the music of Johnny Mandel, and featuring young tenor sax Scott Hamilton, who based his style on pre-bop musicians - the album was a major boost to his carrer. Tjader had much confidence in him, and let him direct the session alone, overdubbing his part later on, as Hamilton confessed to Duncan Reid. This was on a single CD, and also on a double set together with the preceding album, Both Sides of the Coin.

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4 - A Fuego Vivo (1982)

Next was a live album with the working band. Poncho Sanchez' buddy Ramon Banda now was with the band off and on. 

This was on CD as well, and was coupled on a double CD with the next Latin Jazz release, Cool Fire. Gary Foster was with the band, whenever he was available, and played excellent solos.

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5 - Good Vibes (1984)

This was a posthumous release comlied from two live recordings of the Latin Jazz band with Gary Foster.

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6 - Cal Tjader & Carmen McRae - Heat Wave (1982)

Tjader's last recording sessions took place in January, 1982, the only one as a co-leader was the one with Carmen McRae. Tjader's concentration had suffered after his heart attack, thus he opted for overdubbing his parts later, which got him heavy accusations from McRae, who questioned his professionalism. This album usde Tjader's band, half each was arranged by MacRae's pianist Marshall Otwell and Tjader's Mark Levine. McRae sound good in this context. This also was on CD, of course.

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In May 1982 Tjader suffered a series of heart attacks while on tour in Manila.  He was only 56 years old. 

There is a number of albums on Concord on which he sat in for a few tracks, all in a mainstream style. He felt more relaxed now with familiar material. I will list these in my next post.

Edited by mikeweil

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