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Posted

I have your guitar up on the bench right now and found that the guy that was

in charge of making the nut for your guitar didn't do a good job.

The nut was sanded down too low, and thus, the slots had to barely get cut in.

If I cut them any lower, the guitar will fret out on the first fret. I can

already tell the D-string is barely buzzing because it is hitting the fret.

Also, I noticed that the neck has a bit more relief (curve) to it than I would

like to see. If I straighten it the way it should be, the strings will most

certianly fret out.

So he's saying the necks fucked and can't be fixed? WTF...

Posted (edited)

Pretty nice.

My mania continues.

I found a beautiful unplayed it seems used (2006) one of these. . . .(Epiphone Jack Casady Signature bass, a extensively designed bass based on an '82 Les Paul bass, has a low impedance humbucker and a mahogany block under the pickup, but the maple top floats free of the block.)

EBJCEBCH1.JPG

SOB has tone to burn. Doesn't play as well as my fretless Wishbass to me yet. . . may need some adjustment.

I'm thinking about taking off the pickguard.

I'm going to try to stop buying guitars now, okay? :)

Edited by jazzbo
Posted

Yay heavy and a bottle of bread!

:)

I think I'm done after I have the Breadwinner worked on . . . or sold and replaced with something with single-ended pups.

Posted

I was in Elderly Instruments today and played several guitars I would have liked to take home. Just two of them - a Benadetto and a Collins (hello Texas!) - would have put me about $8000 in the red. :blink:

Posted

I have your guitar up on the bench right now and found that the guy that was

in charge of making the nut for your guitar didn't do a good job.

The nut was sanded down too low, and thus, the slots had to barely get cut in.

If I cut them any lower, the guitar will fret out on the first fret. I can

already tell the D-string is barely buzzing because it is hitting the fret.

Also, I noticed that the neck has a bit more relief (curve) to it than I would

like to see. If I straighten it the way it should be, the strings will most

certianly fret out.

So he's saying the necks fucked and can't be fixed? WTF...

I think he's just explaining how screwed up the nut is.

They expect a new shipment on 5/9, so I should be getting the replacement about a week after that.

Posted

I have your guitar up on the bench right now and found that the guy that was

in charge of making the nut for your guitar didn't do a good job.

The nut was sanded down too low, and thus, the slots had to barely get cut in.

If I cut them any lower, the guitar will fret out on the first fret. I can

already tell the D-string is barely buzzing because it is hitting the fret.

Also, I noticed that the neck has a bit more relief (curve) to it than I would

like to see. If I straighten it the way it should be, the strings will most

certianly fret out.

So he's saying the necks fucked and can't be fixed? WTF...

I think he's just explaining how screwed up the nut is.

They expect a new shipment on 5/9, so I should be getting the replacement about a week after that.

In that case, they should just replace the neck or the nut! Maybe they just don't have a neck to swap.

Posted

I was in Elderly Instruments today and played several guitars I would have liked to take home. Just two of them - a Benadetto and a Collins (hello Texas!) - would have put me about $8000 in the red. :blink:

They're stunning!

My guitar buying days are over for now, but boy I wish I had the cash for a real nice arch top like a Sadowsky.

Posted

I have your guitar up on the bench right now and found that the guy that was

in charge of making the nut for your guitar didn't do a good job.

The nut was sanded down too low, and thus, the slots had to barely get cut in.

If I cut them any lower, the guitar will fret out on the first fret. I can

already tell the D-string is barely buzzing because it is hitting the fret.

Also, I noticed that the neck has a bit more relief (curve) to it than I would

like to see. If I straighten it the way it should be, the strings will most

certianly fret out.

So he's saying the necks fucked and can't be fixed? WTF...

I think he's just explaining how screwed up the nut is.

They expect a new shipment on 5/9, so I should be getting the replacement about a week after that.

In that case, they should just replace the neck or the nut! Maybe they just don't have a neck to swap.

He offered to replace both in addition to the entire guitar. The nut he could replace and ship within 24 hours, but the neck would have to be ordered. After he told me of all the problems, it seemed like this was a Fender problem and it would be much better to start from scratch. He promised to look it over before they ship the next one.

Posted

not to change the subject, but I just picked up a Trutone archtop off of ebay, though I had sworn off hollow-bodies. The attraction is the Dearmond pickup; guitarists are always talking about getting that "vintage tone" but they are afraid to do what they have to do to get it: low-output, relatively neutral-sounding pickup (6k tops) and low-powered amps (maybe 5-10 watts) with low-powered alnico speakers. I have about 3 such amps and plenty of speakers - will report back whenever I get the guitar in the mail -

Posted (edited)

The Loar LH-600-VS Hand Carved Archtop F-Hole Acoustic Jazz Guitar

LoarLH-600-VS.jpg

Comes with a custom featherweight case!

Modeled after American designs from the early 20th century, The Loar's new

archtop guitar is hand-carved from select, graduated woods and features

a nitrocellulose lacquer finish and unparalleled acoustic projection. The

Loar Hand-Carved Archtop (LH-600-VS) is an authentic replica of the

original archtop acoustic guitars from the 1920's. This all-solid model

features a top that is hand-carved from graduated spruce, and

hand-carved back and sides made from highly flamed maple. The

Loar LH-600 also features a hand-buffed, vintage tobacco sunburst

finish with nitrocellulose lacquer for superior acoustic projection, a

one-piece mahogany, Gotoh tuners and a compensated adjustable ebony

bridge. With

its exceptionally loud tone, carved body and vintage design, this new

archtop took the NAMM show by storm this past January. Jazz players and

archtop enthusiasts will love this professional model.

Features:

  • Solid Select Carved Spruce Top
  • Solid Flamed Maple Back & Sides
  • Arched Top and Back
  • Rosewood Fretboard
  • Hand-buffed Nitrocellulose finish
  • Adjustable Ebony Bridge
  • D'Addario Round Wound Strings
  • Fully Bound Body Neck, Headstock
  • Gotoh Tuning Machines
  • Total Length: 41.25
  • Body length: 20
  • Lower Bout: 16
  • Upper Bout: 11.75
  • Depth: 4
  • Comes with Custom Case

Edited by 7/4

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