Cali Posted August 16, 2004 Report Share Posted August 16, 2004 (edited) I SECOND THAT! Edited August 16, 2004 by Cali Quote Link to comment Share on other sites More sharing options...
Morganized Posted August 16, 2004 Report Share Posted August 16, 2004 I agree that Indestructible and Free for All are the standards for that JM era w/ Fuller. But I have to add my little plug for the Impulse record they cut. I think it's really good, and A La Mode is a minor classic. I SECOND or THIRD that!!!! The Impulse is a surprise treat in the Messengers catalog.IMHO Quote Link to comment Share on other sites More sharing options...
DMP Posted August 17, 2004 Report Share Posted August 17, 2004 "Free For All" is one of the great jazz albums of all time, don't know of many records by any artist that are so strong from beginning to end. (Thank goodness they didn't gum up the CD's with extra tracks.) Did Wayne Shorter ever record a better solo than on the title cut? But also very strong - "Ugetsu" - rarely mentioned, but the band was at its peak. Quote Link to comment Share on other sites More sharing options...
BFrank Posted October 31, 2004 Report Share Posted October 31, 2004 I just got this album. I can't believe that I not only didn't have it before, but I've never even heard it before! It's fantastic! Right up there with "Free For All" (as many have already mentioned). from me. B-) PS - What everyone else said about the Impulse album (and "A La Mode"), too. Quote Link to comment Share on other sites More sharing options...
ASNL77 Posted October 31, 2004 Report Share Posted October 31, 2004 'Indestructible' is undoubtedly one of the best sessions of Art Blakey but I think that 'Mosaic' and 'Buhaina's delight' have the edge.The title track 'Mosaic' is a cracker.Maybe my favourite!! Quote Link to comment Share on other sites More sharing options...
pryan Posted November 3, 2004 Report Share Posted November 3, 2004 I gave this one a spin last night while riding the exercise bike, and forgot how much I liked it. All the horns solo extremely well, everyone seems even more inspired than normal. Lee especially should be mentioned; his "fiery" playing (as Jim mentioned) is on display to its fullest here. Even his solo on the ballad is quite intense with lots of notes, but it still retains a certain probing lyricism, not unlike Brownie's ballad work, but it's still Lee all the way. I really dig Cedar Walton's playing on this album as well. Almost "McCoyish" in some of his solos, but he displays a unique concept, rooted in Bud Powell. Quote Link to comment Share on other sites More sharing options...
Soulstation1 Posted November 5, 2004 Report Share Posted November 5, 2004 i've got this one goin' any fav songs? ss1 Quote Link to comment Share on other sites More sharing options...
sidewinder Posted November 5, 2004 Report Share Posted November 5, 2004 'Calling Miss Khadija' is sh*t hot - but there again the rest of the tracks are pretty incendiary. Morgan is on fire on this date. I've got a mono LP pressing of this one, which makes an interesting comparison listen with the RVG. Like both of them ! Quote Link to comment Share on other sites More sharing options...
Cali Posted November 5, 2004 Report Share Posted November 5, 2004 any fav songs? ss1 The Egyptian followed by Sortie is a helluva one-two punch! Quote Link to comment Share on other sites More sharing options...
sidewinder Posted November 5, 2004 Report Share Posted November 5, 2004 Love Cedar Walton's piano fills behind the unison front line on 'Sortie'. Just perfect ! Interesting to compare 'The Egyptian' with the other version on video with Morgan and John Gilmore, recorded in the UK. 'Mr Jin' of course is the total knockout blow to end the album. Shorter ups a gear on this one. Quote Link to comment Share on other sites More sharing options...
JSngry Posted November 5, 2004 Report Share Posted November 5, 2004 Interesting to compare 'The Egyptian' with the other version on video with Morgan and John Gilmore, recorded in the UK. Even more interesting is the version that Curtis did on FIRE AND FILLIGRE for BeeHive. He replaces the original bridge with the one of "Sortie". Kinda' wack, really... Quote Link to comment Share on other sites More sharing options...
bertrand Posted November 5, 2004 Report Share Posted November 5, 2004 I need to listen to that LP again! I didn't notice about the bridge substitution. Bertrand. Quote Link to comment Share on other sites More sharing options...
sidewinder Posted November 6, 2004 Report Share Posted November 6, 2004 Interesting to compare 'The Egyptian' with the other version on video with Morgan and John Gilmore, recorded in the UK. Even more interesting is the version that Curtis did on FIRE AND FILLIGRE for BeeHive. He replaces the original bridge with the one of "Sortie". Kinda' wack, really... I have this LP and will dig it out from the 'archive'. It's a good one ! Quote Link to comment Share on other sites More sharing options...
Enterprise Server Posted November 10, 2004 Report Share Posted November 10, 2004 (edited) I have this LP and will dig it out from the 'archive'. It's a good one ! Good idea. I think I shall follow your lead... Edited November 10, 2004 by Enterprise Server Quote Link to comment Share on other sites More sharing options...
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