The Mule Posted July 13, 2003 Report Posted July 13, 2003 I'd like to put a good word in here for two big band sessions: PLAY WHAT YOU FEEL (Mapleshade) and DOWN THROUGH THE YEARS (Milestone), both recorded at Condon's in NYC circa 1990-91. Great line-ups on both with the former boasting Dizzy Reece, Charles Davis, John Jenkins, Junior Cook, Don Sickler & Ronnie Matthews among the members and the latter with Reece, Davis, Jerome Richardson, Matthews, and Vernel Fournier on board. Great stuff! Quote
Late Posted October 21, 2003 Report Posted October 21, 2003 Up for air, and because — even though I'm listening to Jerome Richardson right now — I just ordered Night of the Mark VII. I first heard the version of "John Coltrane" from this set 15 years ago on the radio as part of a Coltrane birthday tribute. Liked it, eventually forgot about it, and just now realized I needed to hear it again! (I have the versions from Glass Bead Games and The Descendants of Mike and Phoebe, but I've always thought this particular live version, as far as I remember it, was the strongest.) Quote
AfricaBrass Posted October 21, 2003 Report Posted October 21, 2003 Late, I think you'll enjoy Night of the Mark VII. I picked up my copy when it was still on Muse records. I love that period of Jordan's music. Quote
doubleM Posted October 21, 2003 Report Posted October 21, 2003 I loved the Bearcat, he was a M.F.. I got to see him play at a jazz festival in Telluride once, and he knocked me out! Quote
BruceH Posted November 10, 2003 Report Posted November 10, 2003 (edited) WHAT THE HELL?? Just picked up a used copy of The Adventurer, a Clifford Jordan album I've been meaning to get for some time. The music is just fine, and the cover is of course godawful ugly---this is, after all, 32 Jazz we're talking about. Now, I KNOW that there's been a whole thread about how lame, bland, tacky, and downright terrible 32 Jazz covers tended to be, and I don't want to start another one....BUT--- I had never seen the original Muse front cover for The Adventurer, but 32 Jazz thoughtfully included a reproduction in the booklet, and, in case you missed that, there's a photo of it printed on the inside of the CD tray, about one square inch in size. Now, the original Muse cover photo shows Jordan about to cross a street corner---not the most amazing cover of all time by a long shot, but so much more tasteful and attractive than the thing that 32 Jazz slapped on that it's like night and day. The question inevitably arises: Why couldn't they have just used the original cover? Is it against their religion or something? Edited November 10, 2003 by BruceH Quote
Chuck Nessa Posted November 10, 2003 Report Posted November 10, 2003 Now, the original Muse cover photo shows Jordan about to cross a street corner---not the most amazing cover of all time by a long shot, but so much more tasteful and attractive than the thing that 32 Jazz slapped on that it's like night and day. The original Muse cover (one of their best) is a photo of an anonymous "dandy" crossing a street (not Clifford). This shot is obviously from an upper story or rooftop, with a telephoto lens. Quote
BruceH Posted November 10, 2003 Report Posted November 10, 2003 My mistake, but yes, it's obviously taken from a height, and the light looks like it might be near sunset; the sidewalk and pavement have a delicate orange-pinkish hue. Nice. (Way too nice for 32 Jazz, apparently.) Quote
clifton Posted November 17, 2003 Report Posted November 17, 2003 Clifford Jordan exemplified Chicago tenor, hard swinging, huge sound, a master of the blues, and an adventurous streak. "Repetition", the great album with Barry Harris, is one of his very best. In the early to mid-1980's, Jordan and Harris co-led an amazing quartet. I was fortunate to hear them frequently in New York. They were one of the best bands of their era. Quote
EKE BBB Posted November 17, 2003 Report Posted November 17, 2003 Clifford Jordan exemplified Chicago tenor, hard swinging, huge sound, a master of the blues, and an adventurous streak. "Repetition", the great album with Barry Harris, is one of his very best. In the early to mid-1980's, Jordan and Harris co-led an amazing quartet. I was fortunate to hear them frequently in New York. They were one of the best bands of their era. Hi, clifton. Great to see you here! Quote
Guest Chaney Posted November 17, 2003 Report Posted November 17, 2003 Hi, clifton. Great to see you here! Quote
clifton Posted November 17, 2003 Report Posted November 17, 2003 Thanks to the above. Also thanks to the board member who cited the Art Farmer CD where he and Clifford Jordan play Strayhorn. I think it was "What Am I Here For" but I'm too tired to look it up. Quote
Tom Storer Posted November 17, 2003 Report Posted November 17, 2003 Lots of good recommendations here - a useful thread indeed. I second the applause for Carmen McRae's "Carmen Sings Monk," although I don't know what's "curious" about it - Carmen was great and this is a superb album. Jordan sounds fabulous on it. An interesting album is "Big Band Charlie Mingus: Live at Boulogne-Billancourt." Actually there are two volumes, both recorded at the same concert in 1988, which I attended. The sax section was Jordan, David Murray, John Handy and Nick Brignola. (Trumpets: Randy Brecker & Jon Faddis; trombones: Jimmy Knepper & another; rhythm section: Jaki Byard, Reggie Johnson, Billy Hart). This was a Knepper-directed affair that predated the current Mingus Big Band. The music was rather loose and sprawling but the vibe was good and there were some excellent solos. What was particularly cool was watching Murray, the baby in the sax section, as he attentively and appreciatively drank in the solos of his elders. He and John Handy hung on every note Jordan played. Brignola sat somewhat apart from the other saxophonists, with his deadpan, I'm-bad-and-I-don't-have-to-get-excited-because-I-can-prove-it look; and he proved it. Knepper told dirty jokes to the well-dressed Parisian audience, which was bewildered. Anyway, it was my first exposure to Jordan and I loved it. Elegant, economic lines, so beautifully constructed, and what a sound. Quote
Guest youmustbe Posted November 19, 2003 Report Posted November 19, 2003 Once, when Clifford was with Mingus, playing at Birdland, opposite Coltrane, he was late for the set, so Mingus asked Trane, who had just finished his set, to sit in. Trane did, read the parts, did the whole set, while Clifford stayed at the bar. When it was over, Trane went on with his next set. In those days, when one band finished, the next went on right away. So, Trane played 3 hours straight. (Elvin was late a lot of times, so whoever was the drummer for the opening act, would stay and play the first tune or two with John until Elvin arrived. ) Quote
JSngry Posted March 22, 2004 Report Posted March 22, 2004 Then there's a nice (european) release of late Jordan called "Clifford Jordan meets Klaus Weiss", recorded in Vienna in 1987 it features Jordan with John Schröder, g; Roberto di Gioia, p; Thomas Stabenow, b; Klaus Weiss, d. Find more here ubu DUDE! A good friend just hooked me up with a copy of this, and it's BAAAAADDDD. Clifford's got his burr on real nice, and the rhythm section SMOKES! Probably a bitch-and-a-half to find, but well worth it! I see that nobody's commented on SOUL FOUNTAIN. It's good, not great. If you can find a good deal on it and want something short and hiply entertaining, get it. There's far worse music to buy. Quote
Late Posted July 10, 2004 Report Posted July 10, 2004 Mentioned already by Joe and Bruce, but I wanted to bring attention back to this particular two-fer. Not only is the music great (particularly Starting Time), but the original recording by Ray Fowler (and subsequent remastering by Kirk Felton) is fairly amazing. The horns are dramatically up-front — right there on your lap — but somehow they don't drown out the contributions of the rhythm section. (If you're a Wilbur Ware fan, you need to add this to your collection!) Both albums, originally on Jazzland, are some of the best-sounding I have on compact disc. And, sonics aside, Jordan's solos ... like your favorite slice of cheesecake and cappuccino: scrumptious. (And I didn't even get started on Dorham's contributions ... ) Quote
mikeweil Posted July 11, 2004 Report Posted July 11, 2004 One more recommendation for the Mapleshade recordings of Clifford Jordan. Right now, the label promotes a special offer: If you order four or more CDs from the directly, you get them for $ 9.60 each, which is a bargain. If you don't yet have them ... I especially recommend Live at Ethell's and the collaborations with Ran Blake. Among other artists from the label, the Hamiet Bluiett produced series and Larry Willis' albums deserve mention. Quote
mikeweil Posted July 11, 2004 Report Posted July 11, 2004 Forgot to post link to the Mapleshade website. Quote
Jim R Posted July 11, 2004 Report Posted July 11, 2004 Then there's a nice (european) release of late Jordan called "Clifford Jordan meets Klaus Weiss", recorded in Vienna in 1987 it features Jordan with John Schröder, g; Roberto di Gioia, p; Thomas Stabenow, b; Klaus Weiss, d. Find more here ubu DUDE! A good friend just hooked me up with a copy of this, and it's BAAAAADDDD. Clifford's got his burr on real nice, and the rhythm section SMOKES! Probably a bitch-and-a-half to find, but well worth it! This one found me several years ago in a hole-in-the-wall used CD shop that no longer exists. Sometimes it does pay to beat the pavement! My copy is german, from 1988 (recorded Feb 9, 1987) on Jazzline / Delta music ("an ORF production"). The title is KLAUS WEISS QUINTETT (yes, two T's) FEATURING CLIFFORD JORDAN / LIVE AT OPUS 1. Jordan-ts; Weiss-d; John Schroeder-g; Roberto Di Gioia-p; Thomas Stabenow-b blue 'n boogie eyewitness blues lush life highest mountain L.A. calling lover man don't get around much anymore una noche con francis Quote
mikeweil Posted July 11, 2004 Report Posted July 11, 2004 (edited) The "two T's" are the proper German way of spelling ... This was also sold as an audiophile double LP with identical content; the band toured with Jordan, I missed them in Frankfurt - it wasn't sure wether Jordan could make the gig, so I skipped it, only to learn from a friend a few days later that he had played magnificently that evening! So it goes - a few years later he was gone ... Weiss was one of the first German drummers playing really well with "American" feeling; his band did several recommendable LPs that are hard to find now, one with mal Waldron guesting. Edited July 11, 2004 by mikeweil Quote
Jim R Posted July 11, 2004 Report Posted July 11, 2004 Tthanks for the informattion, Mike. Forgot to mention- the PENTAGON session which somebody (maybe me?) mentioned back when this thread was in its infancy has been released on (mini-LP) CD out of Japan. Got mine from Dusty G around December of last year. Quote
JSngry Posted July 11, 2004 Report Posted July 11, 2004 Weiss was one of the first German drummers playing really well with "American" feeling; his band did several recommendable LPs that are hard to find now, one with mal Waldron guesting. The same friend who hooked me up w/this one also provided a copy of one w/Billy Harper that is very good as well. Quote
Jim R Posted July 11, 2004 Report Posted July 11, 2004 Weiss has been around a long time, I see. I have him on the Hampton Hawes Saba/MPS session from 1967, as well as a 1963 Ingfried Hoffman session for Philips. Quote
king ubu Posted July 12, 2004 Report Posted July 12, 2004 Then there's a nice (european) release of late Jordan called "Clifford Jordan meets Klaus Weiss", recorded in Vienna in 1987 it features Jordan with John Schröder, g; Roberto di Gioia, p; Thomas Stabenow, b; Klaus Weiss, d. Find more here ubu DUDE! A good friend just hooked me up with a copy of this, and it's BAAAAADDDD. Clifford's got his burr on real nice, and the rhythm section SMOKES! Probably a bitch-and-a-half to find, but well worth it! I see that nobody's commented on SOUL FOUNTAIN. It's good, not great. If you can find a good deal on it and want something short and hiply entertaining, get it. There's far worse music to buy. Good to hear you like it! Just got to ignore the ugly cover - it could disturb or even keep you away from the CD... ubu Quote
EKE BBB Posted July 15, 2004 Report Posted July 15, 2004 (edited) Another vote for These are my roots. CJ plays Leadbelly. I recently got it and I´m listening to it again and again! Edited July 15, 2004 by EKE BBB Quote
mikeweil Posted July 15, 2004 Report Posted July 15, 2004 You're at least the second here to praise this one, and I remember it got bad reviews when it was reissued ..... never trust the critics alone! Quote
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