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Posted
9 hours ago, JSngry said:

Coltrane said (in the Kofsky interview?) that the reason he "pulled back" for a quick minute was that he messed up his favorite mouthpiece and it took him a bit to find another one that gave him what he really needed.

I've read that too. His sound on Ballads and the Hartman date is not the sound one hears on Africa Brass, for example. I wonder what he did to his Otto Link? As far as adjusting the physical qualities of a mouthpiece, I thought the main practice was trying to increase the inner bore size, if just by millimeters. I know Steve Lacy did that with his soprano mouthpiece, and then used an alto ligature (which wouldn't affect the bore, but would allow the reed to vibrate more freely)  in order to get the most open soprano sound possible.

Back to rare-ish Japanese compilations, this one looks good:

OTYtNTA4MS5qcGVn.jpeg
 

OTktNDE4OC5qcGVn.jpeg

I would spin this comp!

Posted
1 hour ago, Late said:

I've read that too. His sound on Ballads and the Hartman date is not the sound one hears on Africa Brass, for example. I wonder what he did to his Otto Link? As far as adjusting the physical qualities of a mouthpiece, I thought the main practice was trying to increase the inner bore size, if just by millimeters. I know Steve Lacy did that with his soprano mouthpiece, and then used an alto ligature (which wouldn't affect the bore, but would allow the reed to vibrate more freely)  in order to get the most open soprano sound possible.

Back to rare-ish Japanese compilations, this one looks good:

OTYtNTA4MS5qcGVn.jpeg
 

OTktNDE4OC5qcGVn.jpeg

I would spin this comp!

You can adjust any physical part of a mouthpiece, tip opening, lay, chamber, any of it.

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