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Posted
35 minutes ago, Matthew said:

I can only take Powers in small doses, one or two stories a week. His stories are very finished, if you know what I mean. Though, I will say, he is, to my mind, with out a doubt, the best writer on the priesthood I've ever read. The character and thoughts of the priests are spot on.

I do have this volume of his short stories but haven't cracked it yet.  In the next month or so, I plan on rereading Morte d'Urban, which I enjoyed quite a bit 15 or so years ago.  I suspect I'll still like it on the next go round.

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Posted
38 minutes ago, Matthew said:

I can only take Powers in small doses, one or two stories a week. His stories are very finished, if you know what I mean. Though, I will say, he is, to my mind, with out a doubt, the best writer on the priesthood I've ever read. The character and thoughts of the priests are spot on.

Merton read and commented on some of his work, correct?

Posted

With all due respect and no insult intended to anyone, but reading stories about priests doesn’t sound overly exciting to me, but, then again, reading stories by Isaac Bashevis Singer might not be exciting to others. 

Posted (edited)
1 hour ago, ghost of miles said:

Merton read and commented on some of his work, correct?

Correct, but it wasn't a close relationship, one of the many writers Merton had a passing acquaintanceship with, but nothing deep. In fact, if I remember correctly, they met when Merton when to Minnesota for a psychology workshop on formation, and it was at the workshop that he was ambushed and "diagnosed" by Dr. Gregory Zilboorg. It was Abbot James Fox set up the meeting (with Zilboorg) and never told Merton about it -- Merton never forgave Abbot Fox for that.

 

1 hour ago, Brad said:

With all due respect and no insult intended to anyone, but reading stories about priests doesn’t sound overly exciting to me, but, then again, reading stories by Isaac Bashevis Singer might not be exciting to others. 

Hey, I get what you're saying!

Edited by Matthew
Posted

That paper is one of those sulky sites that block you if you have an ad blocker. I just leave their page when they do that.

Anyway, I know the full story about Wodehouse in WW II. He was a guy who was above the grubby world of politics. He made at least one non-political broadcast from Germany, and some stuffed shirts griped about it. At the war's conclusion, he was arrested by the Brits, but fortunately, he was interviewed by Malcolm Muggeridge, who was an officer at the time. Muggeridge had a brain and soon realized that Wodehouse had done nothing wrong. He was just unlucky to be in Europe at the time. The stupid Brits boycotted him for decades, and it was only just before he died that they finally honored him for the brilliant writer that he was. He was not a N.A.S.D.A.P. member or sympathiser.

So, let us enjoy his superb books and forget about that sad business.

Posted

Wrapped up Achebe's Arrow of God, completing my pass through the "African Trilogy."  My favorite of the three was No Longer at Ease.

Just starting in on Ovid's Metamorpheses.  While the Humphries is still my favorite translation, this time around I'm also going to take a look at Melville (Oxford) as well as Golding (Shakespeare worked from this translation).

 

Posted

"Fifties Jazz Talk" by Gordon Jack.

What other book has loads of stories about obscure musicians like Tony Fruscella and Don Joseph?  Who knew that Don Joseph was Gerry Mulligan's favorite trumpet player (other than Chet), and that he was supposed to be the trumpet player in the sextet that Mulligan formed in 1955, but he just didn't show up, so he had to get Idrees Sullieman.

Or that Getz phoned the A&R man the day after they recorded "The Girl From Ipanema", to make sure that Astrud Gilberto didn't get any kind of deal on the hit record, and that all the money went to Getz.

Although I have some records with Frank Isola playing drums on them, I had no idea that he was considered one of the most respected drummers in NY.

I'm only up to page 70, but this has got to be one of the best collections of oral history on jazz musicians of the 50s ever compiled into one book.

Posted
1 hour ago, sgcim said:

"Fifties Jazz Talk" by Gordon Jack.

What other book has loads of stories about obscure musicians like Tony Fruscella and Don Joseph?  Who knew that Don Joseph was Gerry Mulligan's favorite trumpet player (other than Chet), and that he was supposed to be the trumpet player in the sextet that Mulligan formed in 1955, but he just didn't show up, so he had to get Idrees Sullieman.

Or that Getz phoned the A&R man the day after they recorded "The Girl From Ipanema", to make sure that Astrud Gilberto didn't get any kind of deal on the hit record, and that all the money went to Getz.

Although I have some records with Frank Isola playing drums on them, I had no idea that he was considered one of the most respected drummers in NY.

I'm only up to page 70, but this has got to be one of the best collections of oral history on jazz musicians of the 50s ever compiled into one book.

Good book! There's a thread somewhere ...

Posted
2 hours ago, sgcim said:

"Fifties Jazz Talk" by Gordon Jack.

What other book has loads of stories about obscure musicians like Tony Fruscella and Don Joseph?  Who knew that Don Joseph was Gerry Mulligan's favorite trumpet player (other than Chet), and that he was supposed to be the trumpet player in the sextet that Mulligan formed in 1955, but he just didn't show up, so he had to get Idrees Sullieman.

Or that Getz phoned the A&R man the day after they recorded "The Girl From Ipanema", to make sure that Astrud Gilberto didn't get any kind of deal on the hit record, and that all the money went to Getz.

Although I have some records with Frank Isola playing drums on them, I had no idea that he was considered one of the most respected drummers in NY.

I'm only up to page 70, but this has got to be one of the best collections of oral history on jazz musicians of the 50s ever compiled into one book.

Excellent book.

Posted
17 hours ago, Larry Kart said:

Excellent book.

Best line in the book so far: Don Joseph on being kicked out of most big bands in NYC for general carousing, and exiled from Charlie's for bumming one too many drinks, yells out to Charlie from outside the bar, 

"Hey, Charlie, it's me, Don Joseph. I'm banned from bars, and barred from bands!"

Posted

817P2Wo44mL.jpg

The most memorable part for me - and I suppose it's true - is how the youthful Benny went into the Messengers and reformed them, first getting Art to fire the existing members (not named, but I'm guessing Hardman, Dockery and DeBrest) and replacing them with fellow Philadelphians Morgan, Timmons and Merritt, Art allegedly at first saying, "What's this Philadelphia shit?" :lol: Benny then re-writes the book, telling Art he needs tunes like "Moanin'" and "Blues March". He then plans the famous Blue Note album and tells Art a European trip is essential, so they go to Paris...

Posted
13 hours ago, BillF said:

817P2Wo44mL.jpg

The most memorable part for me - and I suppose it's true - is how the youthful Benny went into the Messengers and reformed them, first getting Art to fire the existing members (not named, but I'm guessing Hardman, Dockery and DeBrest) and replacing them with fellow Philadelphians Morgan, Timmons and Merritt, Art allegedly at first saying, "What's this Philadelphia shit?" :lol: Benny then re-writes the book, telling Art he needs tunes like "Moanin'" and "Blues March". He then plans the famous Blue Note album and tells Art a European trip is essential, so they go to Paris...

And the rest, as they say...😄

Posted
On 19/06/2019 at 1:01 AM, Brad said:

IMG_0953-L.jpg

That looks intriguing

I'm just finishing this. Enjoyable enough read but strikes as quite superficial and betrays the it's culled from so many sources. Taught me things I didn't know about the period that just predates me. I've grown up with its influence. A good primer, perhaps.

41b9SJAyquL._SX325_BO1,204,203,200_.jpg

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