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Posted
3 hours ago, HutchFan said:

51goo4pNG4L._UX500_FMwebp_QL85_.jpg

Egberto Gismonti - Nó Caipira (EMI Brazil/Carmo, 1978)
with Mauro Senise (saxes & flutes); Zeca Assumpção (b); Zé Eduardo Nazário (d, perc); Roberto Silva (perc); and orchestra

Excellent ....

Posted

My5qcGVn.jpeg

12 hours ago, HutchFan said:

51goo4pNG4L._UX500_FMwebp_QL85_.jpg

Egberto Gismonti - Nó Caipira (EMI Brazil/Carmo, 1978)
with Mauro Senise (saxes & flutes); Zeca Assumpção (b); Zé Eduardo Nazário (d, perc); Roberto Silva (perc); and orchestra

 

 

  1. Find the image that you would like to post using a search engine.
  2. Right-click on the image and select "Copy image address."
  3. Come back to this forum, and place your cursor in the field where you want to paste the image.
  4. Click the Other Media button > Insert Image from URL.
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  6. Click the Insert into Post button.

 

Thank you.

Posted

After listening to Mike Osborne's Outback, which features Harry Beckett as a sideman, I decided to stream this:

LTQ2MzcuanBlZw.jpeg

Harry Beckett - Flare Up (Philips, 1970)
with Harry Beckett (tr, flghn); Mike Osborne (as); Alan Skidmore (ss, ts); John Surman (bs, ss); Frank Ricotti (vib, cga); John Taylor (p); Chris Laurence (b); John Webb (d); Graham Collier (arr)

 

Posted (edited)

NzctNzcyNS5qcGVn.jpeg

Nancy Wilson - I Know I Love Him (Capitol)
Wilson seems to be one of those singers who can convincingly put across a song in many different settings, whether it's sophisticated pop, jazz, soul, R&B -- or a cocktail like this 1973 album that blends all of them.  She's supported by The Crusaders (who bring light touches of funk) and Don Sebesky (who brings the swoony-but-effective string arrangements).  I've only recently started looking into Wilson's recordings from the 70s.  It was a big mistake to wait so long.  This is good stuff! 

 

Edited by HutchFan
Posted
2 hours ago, HutchFan said:

NzctNzcyNS5qcGVn.jpeg

Nancy Wilson - I Know I Love Him (Capitol)
Wilson seems to be one of those singers who can convincingly put across a song in many different settings, whether it's sophisticated pop, jazz, soul, R&B -- or a cocktail like this 1973 album that blends all of them.  She's supported by The Crusaders (who bring light touches of funk) and Don Sebesky (who brings the swoony-but-effective string arrangements).  I've only recently started looking into Wilson's recordings from the 70s.  It was a big mistake to wait so long.  This is good stuff! 

I only know the Cannonball. Which other Wilson records do you most recommend?

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