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Posted

Gary Burton “Lofty Fake Anagram” RCA/Sony cd Japan

The second LP featuring Larry Coryell with Gary Burton. Fusion before there was fusion.

1929fe9904609c2d74ef4c507c0c9a6fb7f490e1

Recorded at RCA Victor’s Music Center Of The World, Hollywood, CA on August 15–17, 1967

Gary Burton — vibraphone
Larry Coryell — guitar
Steve Swallow — bass
Bob Moses — drums

Posted
20 minutes ago, jazzbo said:

Gary Burton “Lofty Fake Anagram” RCA/Sony cd Japan

The second LP featuring Larry Coryell with Gary Burton. Fusion before there was fusion.

1929fe9904609c2d74ef4c507c0c9a6fb7f490e1

Recorded at RCA Victor’s Music Center Of The World, Hollywood, CA on August 15–17, 1967

Gary Burton — vibraphone
Larry Coryell — guitar
Steve Swallow — bass
Bob Moses — drums

 

Excellent ....

Posted

Gary Burton “Something’s Coming” RCA/Sony Japan cd

From 1963, featuring players who had played with Bill Evans. A great listen.

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Recorded at RCA Victor’s Studio B in New York City on August 14–16, 1963.

Gary Burton — vibraphone
Jim Hall — guitar
Chuck Israels — bass
Larry Bunker — drums

Posted
49 minutes ago, jazzbo said:

Gary Burton “Lofty Fake Anagram” 

Did anybody every explain what the anagram in question was? I've been trying to crack the code but to no avail.

Posted (edited)
13 minutes ago, JSngry said:

Did anybody every explain what the anagram in question was? I've been trying to crack the code but to no avail.

A one minute internet search revealed:

The Title According to The Man Himself

Typical of the weirdo ’60’s, there isn’t any anagram in the title. It came from a longer statement conjured up by Paul Haines, a writer acquaintance at the time. He had created a computer program to see if he could come up with a sentence that could not be turned into an anagram.

The result—”Your rappaplat bugle calls”—was what Paul referred to as his “lofty fakeanagram.” According to Paul, the computer couldn’t turn that odd sentence into another series of words. For some reason, “lofty fake anagram” had a ring to it that I was looking for in a title—something that was both ambiguous and provocative.

That is also the last time I titled a record or a song with something that required an explanation. People kept asking what it meant, and I got tired of having to offer my pretty obtuse explanation.

 

https://ontherecord.co/2021/09/26/gary-burton-lofty-fake-anagram-now-with-title-explanation/

Billie Holiday “Songs for Distingue Lovers” Verve/Classic Records gold cd

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Edited by jazzbo
Posted
1 hour ago, jazzbo said:

A one minute internet search revealed:

The Title According to The Man Himself

Typical of the weirdo ’60’s, there isn’t any anagram in the title. It came from a longer statement conjured up by Paul Haines, a writer acquaintance at the time. He had created a computer program to see if he could come up with a sentence that could not be turned into an anagram.

The result—”Your rappaplat bugle calls”—was what Paul referred to as his “lofty fakeanagram.” According to Paul, the computer couldn’t turn that odd sentence into another series of words. For some reason, “lofty fake anagram” had a ring to it that I was looking for in a title—something that was both ambiguous and provocative.

That is also the last time I titled a record or a song with something that required an explanation. People kept asking what it meant, and I got tired of having to offer my pretty obtuse explanation.

 

https://ontherecord.co/2021/09/26/gary-burton-lofty-fake-anagram-now-with-title-explanation/

 

Thanks. a minute saved is a minute earned!!!!

Posted

NC0xMjM2LmpwZWc.jpeg

Archie Shepp - The Cry of My People (ABC/Impulse, 1973)

Such monumental, visionary music!  In lesser hands, this would be a sprawling mess -- but Shepp somehow shapes this music into an all-encompassing, TRANSCENDENT vision.  From where I'm sitting, this belongs in the same exalted company as Max's Lift Every Voice & Sing, Oliver Nelson's Black, Brown and Beautiful, and Billy Harper's Capra Black.  Of course, all of these artists -- to a greater or lesser extent -- are standing on Ellington's shoulders, and that's why Shepp concludes the album with "Come Sunday." 

Schoolchildren should be studying this stuff.

 

Posted (edited)

Now spinning this CD:

51jDg30qeTL._SX605_.jpg

Luis Bonilla - I Talking Now! (Planet Arts, 2009)
with:
- Trombone – Luis Bonilla
- Saxophone – Ivan Renta
- Keyboards – Arturo O'Farrill
- Bass – Andy McKee
- Drums – John Riley

 

Edited by HutchFan
Posted (edited)

This was still in the player from yesterday afternoon and it sounds so good that I started my day off with it today.

It has been some time since I reached into Billie's Verve years. . .and I'm always intrigued by the sidemen's contributions and that mature expression Billie delivers.

Billie Holiday "Songs for Distingue Lovers" Verve/Classic Records gold cd

MS01NzIxLmpwZWc.jpeg

Edited by jazzbo
Posted (edited)

Santana “Caravan Serai” Sony Quad/Stereo SACD

So glad I have been ordering the releases of Santana and Miles Davis in the 7" SACD series. Excellent sound and packaging.

 

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Edited by jazzbo

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