david weiss

While you were writing in so many, I hope you included Billy Harper, who is not listed in the Tenor Sax category.....

Thanks guys and thanks John for the kind words about my CD.

This was a tough one for me to sit through.... Not much there really and the trumpet playing...well... I didn't like the voice Hawke created for Chet. Way off base.... And the rest.... not much there....

The kids would have to know who Tadd Dameron was. Not very likely these days....

Up for a new list!

I got a chance to play with Hubert at Freddie Hubbard's funeral of all places and have seen him a few times since, mostly on the West Coast. He is a monster, simply said. Unbelievable musician and flute player and yes, a very sweet guy.

This was his class at the Monk Institute. Some very good players in here.

Yes, this is Tolliver's music. He was commissioned by the Montreux Festival to compose this for Max and Big Band. Over the years, he has talked about resurrecting this from time to time. Once we talked about seeing if we could do it with Roy Haynes as a guest. I'll ask him about it again and see if I can get song titles.....

With maybe one or two exceptions, I've never a musician who wanted to retire or even considered it. It might be a financial decision for some but most want to continue to play and teach as long as they are able simply because it's what they do and they couldn't imagine doing anything differently....

Glad this has been cleared up. I was sent this recording 4 years ago as a blindfold test but the agenda was for me to confirm that this was Herbie's group. I told the person there was no way this was Herbie. When this was posted on youtube, a Facebook page run by someone who has had some experience working with Herbie posted it on his wall exclaiming check out this great, newly discovered live Herbie and I disputed it and was met with some skepticism (people really have faith in what they read on the internet) but finally people came around. Glad that we know who this is for sure now....

I'm no expert but at the time, I recall Red, Hot + Cool "Stolen Moments" and Guru "Jazzmatazz" making a lot of noise in this area...at the forefront of it all as it were... Also Greg Osby... One mustn't forget the infamous youmustbe's contribution to this genre which was more from the jazz side but you have to give him credit for a being a bit ahead of the curve in this genre....

I saw the film last night. I missed maybe the first 20 minutes but I really liked what I saw. Because i was late, I can't really speak about the overall balance between Lee's story and Helen's in the film but there is a lot of great Lee stuff here. Lots of great photos and some great film clips and live audio interviews. The balance of the talking heads were Wayne Shorter (who was great), Bennie Maupin (who seemed to have the most insight into Lee and his relationship with Helen) and Billy Harper (who was in the club that night of course). The surprise to me was Paul West who got him involved with Jazzmobile amongst other things and had a lot of insight into Lee. Helen's son was also interviewed as well as a couple of Lee's other girlfriends. In the end, the story stilted a little more towards the Lee and Helen story but afterwards, the filmmaker said this was his goal. It's a good film and I recommend it. Some, who are more interested in the Lee story might feel slighted here but I think you will love the coverage Lee does get. It's not the perfect Lee documentary we might want but it's a good film.

It played in New York and other US cities..... The Morgan film will be at the NY Film Festival in a couple of weeks..... http://www.filmlinc.org/nyff2016/films/i-called-him-morgan/

Thanks for all the support guys. I'm glad you're all enjoying the recording. Hey Kevin, The isolation booths need to have glass doors so we can all see each other. The rooms themselves are not that lively so the glass does not really effect the overall sound of the room that much. You will notice that no horn player is playing in the direction of the glass. The baffling is more to get a little separation between the horns. If you notice, the main room has curtains for all the windows and curtains for the isolation booths which can be drawn if the isolation booths are not being used and that will cut down on any sound bouncing off the glass if it's let say, a lively session. The studio is Sear Sound which is one of the better studios in New York these days. I didn't hear anything about this being released on vinyl. That would be cool.

Guys, I don't really know the topic of this film but there will be footage that might make you drool a bit in anticipation. I was sent some in the hopes I could identify the tune (I couldn't) but though brief, it was killing. It was of Lee teaching a Jazzmobile class and teaching the kids a tune. Then there is this trailer.....It's seems Art Blakey did the Steve Allen show....

David Weiss & Point of Departure April 22 at Fat Cat 75 Christopher Street. 10:30 pm. $3 cover charge.

If you paid, they were shipped today. Thanks.

Up for additions

Up for new list!

I misread the piece actually. I thought he was saying the concerts in the days after the live A Love Supreme concert in France were also performances of A Love Supreme and recorded. Wishful thinking I guess.....

Nice piece on this..... http://www.newyorker.com/culture/richard-brody/seeing-through-a-love-supreme-to-find-john-coltrane Of particular interest to me is the mention of other live recordings of A Love Supreme in the days after the one included in the set which we know oh so well already....

I had this one. It was OK, nothing special. I sold it on ebay a few months ago......

This is wrong. There is plenty in the Blue Note archives and it is different from this material. The discographies linked here have it pretty correct as far as the material is concerned (except that Jack DeJohnette only sat in on one tune, not the whole set). I listened to everything recorded when I helped put the 3 CD set together. I don't believe Bennie ever said anything regarding what was found in the archives. He came to the studio one day when we were working on this to listen to some of the stuff and give us some feedback. does maupin claim that all the lighthouse rejected takes listed at the link below no longer exist in the blue note vaults? http://www.jazzdisco.org/lee-morgan/discography/#700710 I'm sure Maupin never claimed this. They are still all in the archives. I don't think Bennie ever claimed this either. He did say they did a week or two at the Both/And before they did the Lighthouse and may have said they did a radio broadcast or maybe not. I think Bob Belden was the only one to claim it was the Both/And and I really don't know what he based this on. I got the feeling it was just to not have two Lighthouse recordings out there and make the Blue Note set the definitive thing to own. I said at the time that the other material came from the Lighthouse as well. They were there for two weeks and only recorded for three days towards the end of the engagement so there was plenty of time for someone else to record the band. It's clear the "bootleg" recording is not Blue Note out takes (and I know this for sure). I also know that Fresh Sound bought a number of tapes recorded at the Lighthouse from Howard Rumsey (though they never cleared the rights to release them from the artists) and on the original issue of the CD, they thank Rumsey in the credits. The more recent issue of the CD gives the following credit.....Original recording produced by Howard Rumsey. How much more proof do you need to confirm this was indeed recorded at the Lighthouse but just earlier in the run. Yes. I always wondered why when they didn't include this tune when making the live recording. They did not attempt it once during the three nights they had the tapes rolling for Blue Note. No....not Both/And, I'm almost certain of this. Clearly Rumsey recorded stuff on his own sometimes. A radio airshot would not have as much crowd noise I think..... Bennie is clearly misquoted. All the material is still safely in the Blue Note vaults......Belden had DATs for all of it. I listened to all of them and chose all the takes for the Blue Note set.

Up for price reductions.......

CDs shipped today.