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Pepper Adams (and Byrd) played that tune as The Long Two/Four on "10 To 4 At The 5 Spot." I guess probably it doesn't have a canonical name.

Chilly rain. . . this will demolish what remains of the recent 13" plus of snow we had. Warm for January this morning, with a cooler front moving in this afternoon. I decided to start the day with a Miles Davis bootleg–Miles Davis “Howlin’–Kyoto, July 15, 1964” EGHO cd. Not perfect sound, but decent, and Sam Rivers on tenor for one of his few recorded gigs with the Quintet.

A few personal favourites from her discography: She will be sorely missed!

For comparison: Claude Thornhill: Tapestries. Affinity CD CHARLY 82 [UK 1987] Note:: 23 tracks, not identical to the issue above (19 tracks)

Claude Thornhill Orchestra: The Real Birth Of The Cool (Featuring Gil Evans Arrangements). CBS/Sony 25DP 5321 [Japan 1989]

Cia Carville, I have visited your interesting website many times in the past and am delighted to be able to contact you. Unfortunately, I am now 83 years old and before asking you what I want to know, I would like to tell you that: I am extremely passionate about Don's music. In 1973, I was lucky enough to meet him at his magnificent home in Tågarp Skola. I met him many times after getting to know him, and he hosted me for about 15 days in his van during the tour he did in Italy in 1975, the year we organised his first concert in Pisa. In short, it is also an emotional attachment that binds me to knowing about the performances he has given all over the world. Now the questions: As I told you, I already know your website and it has been very useful in the past, so I fear that, having never announced a meeting between him and Cecil Taylor, you cannot confirm the rumours that are circulating; Five Spot Café, New York City, NY, giugno-luglio 1960 Don Cherry ptp, Jimmy Lyons alto, Cecil Taylor p, Buell Neidlinger o Henry Grimes b, Sunny Murray dr Café Montmartre, Copenaghen, NY, 1962 Don Cherry ptp, Jimmy Lyons alto, Cecil Taylor piano Loft Sessions, New York City, NY, 1964 Don Cherry ptp, probabilmente Albert Ayler ts, Cecil Taylor piano, Sunny Murray dr Are these fake news, or is there some truth to it in different times and places where they may have met? Of course, news obtained from reliable sources. I hope I have made myself clear in explaining what I want, and thank you again for your reply. Luciano PS: I have also been in contact with Joahn Haidembauer for about 20 years. I asked him about this a few days ago, and he replied that these are rumours that have been circulating for many years and are not true. And since I know that Joahnn is a good person, I am a little disappointed. I live in the hope that Joahnn is wrong and that maybe one day a document will come out, perhaps a musical one, that confirms it.

thriftstore-find (CD)

Several reliable sources on social media report that the wonderful vocalist Rebecca 'Becky' Kilgore has passed. R.I.P.

Alexandre Stellio – Integrale Chronologique 1929 - 1931 Killer record.

Started they day with... Planned to go along with... and Becky Kilgore, in memoriam. R.I.P.

That was the only compilation that I ever knew. But there was a Japanese collection of all the Gil Evans charts. https://www.discogs.com/master/870403-Claude-Thornhill-Orchestra-Featuring-Gil-Evans-The-Real-Birth-Of-The-Cool-Featuring-Gil-Evans-Arrang?srsltid=AfmBOoql5QaL6FeG9R1XU8j4c7xEXpPEG87_nRkaexaHeokMVqG74PjT

Agree, fantastic story, Chuck! the only leader date I own, and like it very much:

Mulligan plays clarinet on 'Night Lights" the last track on this album.

I was just kidding around watching both the idiot box more and wrestling, though I do watch a lot of sports, I do not watch "professional" wrestling. It is totally weird that AMC got this contract; the commercials they have been airing for the switch to AMC are just as ridiculous as it is over at Axis: absurd costumes, fake pre-game showdowns, long half-wit speeches before the match, and wrestlers smashing metal folding chairs over the head of other wrestlers.

One of my best acquisitions of 2025. (I'm a few decades behind the times 🤪) As stated somewhere else on the forum, I never connected with the Bartok SQs until I heard this set.

That is a really neat interview. Pity it ended so early (in his life) / abruptly.

I also have this 1975 Columbia double-LP stashed somewhere around the house. Imagining this was the main representation of the Thornhill oeuvre that was to be found in the 1970s bins, or were there any other compilations that circulated?

Joseph Orange: https://research.library.fordham.edu/cgi/viewcontent.cgi?article=1186&context=baahp_oralhist

Listening to a Claude Thornhill anthology that provides a nice overview of his prime years, from the mid-1930s into the early 1950s. Caveat that it's a 2015 Acrobat CD-R release, but it was seven bucks new at my local record store: Praise always to the late Alastair Robertson for having shepherded eight CDs of Thornhill material into being through his invaluable Hep series, though I still wish Mosaic had been able to usher something of its own into existence--but I imagine the market for a Thornhill set might have been thin even 20-30 years ago. The individual Hep volumes remain my go-to Thornhill CDs, but this is perfect for an anthology mood (and about half of the first disc consists of sideman and early leader dates that took place before 1940, when the Hep series begins chronologically with the Snowfall CD).

https://en.wikipedia.org/wiki/Automatic_double_tracking The technique was first used by The Beatles on Revolver. 1966 was a few years after any of the three records in question, so homemade does seem likely. Is there any further provenance on the tapes? And what brand is the hardware? Sony used to make RTR decks that would allow "multictrack" recordings on two-track tape by bouncing one track over to another while recording a new one onto the track that was being bounced. I don't think that this is exactly the same technique though. And 15 IPS on the home market was pretty rare until somewhere in the 1970s. So, I was guess homemade, but.. in whose home?

I always wondered why there were two covers for this album. I'm sure the story is out there. It was beautifully recorded. I spun it twice today. Shepp is great, but Curson...is not having the best day. His chops are spent at the end of Girl From Ipanema. And what happened to Joseph Orange?