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RIP Steve 🥀

This evening, Shelley Carrol Quartet at the Kitchen Cafe. A program of songs associated with Stan Getz. Quite excellent.

TIFF is having a Mikio Naruse retrospective. I've managed to book tickets for 4 of the films and am trying to see 3 more (which are currently sold out, but tickets generally are released a few days ahead of each screening). So far I saw When a Woman Ascends the Stairs and then today, Floating Clouds, which was far too melodramatic for my taste.

It would be a real shame if Shorter had opposed the release. In fact, at least part of the so-called “Because” session had already leaked as bootlegs, and from what I understand, it's quite good. Barbara Burton's vibes are surprisingly good, and McCoy Tyner is good too. I can understand why Shorter “at the time” was reluctant to release it. It feels more like a prequel than a sequel to Odyssey of Iska (or Weather Report), and it's “jazzier.” But listening to it now, it's at least a valuable relic of the past.

https://notat.io/download/file.php?id=3399 Facsimile of Monk's Mood. Chord symbols written in black, squeezed in afterwards, likely by someone else.

There is a scene from a Columbia recording session in the Straight No Chaser documentary where Rouse asks whether the chords he just makes up are correct. So obviously there were no chord symbols on the sheet. I must have some facsimile of a Monk sheet somewhere without chords. I will look for it. To me it makes sense. Monk wanted improvisation on the tune, not the chord changes, and he himself played just like that. If so, he wouldn't have needed to notate changes.

According to the liner notes from the Mosaic box, the problems with the "Meet Me At The Jazz Corner Of The World" tapes are baked in: Although all of the sessions in this collection were recorded by the extraordinary Rudy Van Gelder, there are sonic problems on two sessions. The drums were recorded very ‘hot’ on the March 14, 1961 session and sound at times on the threshold of distortion. On the live Birdland date, there is a vibrating, fluttering distortion that takes place intermittently in the horns and sometimes the entire ensemble. These problems exist on the original master tapes. They have been corrected as much as possible, but are still aurally present.

Much love for Power to the People. I need to dig deeper in Joe's Milestone catologue.

Time keeps on slipping into the future, forgot how much I really like this record! 👍 😁 Haven't heard it (nor knew of its existence) but now I want to!

Jeffrey Shurtleff - State Farm https://archive.org/details/lp_state-farm_jeffrey-shurtleff

👍

Brandi Carlisle: Returning To Myself

Prompted by the JoeHen thread.

💗 😁

“Dick Cary & his Tuesday Night Friends playing Dick Cary Originals” Arbor Jazz cd I haven’t played this one in a long time and that’s a shame. I’ve always been a fan of whatever Mr. Cary played on either piano or horn, and this one where he has a lot of input is a joy to hear.

If you see this 2-disc set, snatch it up! Definitely not a HIP approach, but played with zest and clarity. This particular compact disc issue is exceedingly hard to find. I wish the Quatuor Zaïde compact disc wasn't so expensive (at least in the U.S.). I'd snatch that up too.

My first two Joe records — Mode for Joe and Power to the People (along with KOB and Nefertiti) — were THE very FIRST jazz albums I ever owned (circa 1990, summer before my junior year of college). Got ‘em all at the very same time. And I played all four constantly for 2 or 3 months straight, right after I got ‘em — and those particular two by Joe remain my favorites of his.

Here

Bump just to say: I love the version of "Close Your Eyes" on the 1959 At The Jazz Corner of The World. Morgan and Mobley are so tight on this record.